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After all these years, it’s still there, in the back of her mind, lurking. No matter how good things are going, it never quite goes away, this feeling that she should have died that day. And her brush with death is the first thing that strangers tend to notice about her, like a limp or a disfigurement. Once they find out where she went to high school, that’s all they want to talk about.
An essay on working at Sotheby’s.
Art pricing is not absolute magic; there are certain rules, which to an outsider can sound parodic. Paintings with red in them usually sell for more than paintings without red in them. Warhol’s women are worth more, on average, than Warhol’s men. The reason for this is a rhetorical question, asked in a smooth continental accent: “Who would want the face of some man on their wall?”
Edith Zimmerman is the founding editor of The Hairpin and a contributing writer to The New York Times Magazine.
"I never wrote anything myself or ran anything from other people that was needlessly negative. It wasn't some false grin plastered all over it — we addressed dark things too, and poked fun at things. But I didn't want there to ever be a tone of yeah, let's really just deflate this. Because ultimately you're just stabbing at a ghost among friends. And then at the end you've all just fallen on the floor and the ghost is gone. You're not really doing anything constructive."
Thanks to TinyLetter for sponsoring this week's episode.
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Daniel Chang covers healthcare for the Miami Herald. Along with Carol Marbin Miller, he won the George Polk Award for "Birth & Betrayal," a series co-published with ProPublica that exposed the consequences of a 1988 law designed to shelter medical providers from lawsuits by funding lifelong care for children severely disabled by birth-related brain injuries.
“I think that someone on the healthcare beat looks for stories from the perspective of patients, people who want or need to access the healthcare system and for different reasons cannot. It’s a pretty complicated system and it’s difficult for most people to understand how their health insurance works — and that’s if they have health insurance. If they don’t, there is a whole other system they have to go through. What you look for is access issues and accountability for that.”
This is the latest in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.
Peggy Orenstein is a journalist and author. Her latest book is Unraveling.
“The challenge is… to not want to say, I need to know what the book is about. I need to have my chapters. I need to know what exactly I'm looking for. Because it's really scary to just go out and report and have trust that there's going to be interesting things and that if you just keep going, you're going to find them. So to not foreclose possibility and options and ideas is the biggest reporting challenge for those sorts of books for me.”
An essay on a pregnancy attempted:
When I tell people what we are doing, they want to hear about the room where you produce. I tell them that there is a lot of paperwork. That they take your picture and look at your license. Then they walk you back to the room. You are handed a list of instructions and some stickers and a plastic cup. The cup has a forest-green lid. In the room is a VCR. I like to write down the names of the videos so I can share them with my wife and friends: Ass Angels #4, Original Black Queens of Porn (Afro-Centrix #113), and Chock Full of Asians. The latter features a woman with enlarged breasts so swollen they look luminous, like the sense apparatus of a recently discovered deep-sea fish.
Chloé Cooper Jones is a philosopher and journalist whose work has appeared in GQ, The Verge, The Believer and many other publications. Her new book is Easy Beauty.
”I literally didn't talk to anyone in my life about disability until I was, like, 30. Ever. Not my husband, not my friends, as little as possible to my own mother. I had this very bad idea that what I needed to do in every single social situation was wait until people could unsee my body…. And it was all in service of trying to be truly recognized or truly seen. And, of course, what was happening is I was involved in a complete act of self erasure because my body and my real self are related…. There is no real me without my physical self…. I did not think I was going to ever write about this, but once I started, it felt like I met myself for the first time.”
Laura Shin is a journalist covering cryptocurrency and hosts the podcast Unchained. Her new book is The Cryptopians: Idealism, Greed, Lies, and the Making of the First Big Cryptocurrency Craze.
“I was extremely well-acquainted with what the failings were with our traditional financial system. I was seeing through my other reporting how everything works now, and really understanding, whoa, this is not a good system. And then getting this education on what bitcoin is, I understood right away: wow, this is going to change the world.”
The best women’s tennis player of all-time opens up.
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A profile of Scooter Braun.
Driving cross-country in a chemical tanker.
On the phenomenal, disturbing influence of Ayn Rand.
On the murder of a young Hasidic boy in Brooklyn.
The story behind the story that ended Dan Rather’s career.
The complex, highly evolved world of Moscow’s subway-riding stray dogs.
A day in the life of a Brooklyn laundromat.
Notes from the Friars Club roast of Don King.
Nicky Louie and the Ghost Shadows.
A profile of Rei Kawakubo, an artist of few words who changed women’s fashion.
“American politics has often been an arena for angry minds.”
The world’s foremost Sherlock Holmes expert found dead in a locked room, leaving no note.
A profile of Spears at her nadir.
Live from the World Series of Poker.
Generations of the writer’s family experience the “romantic delusions and hazardous fortunes” of San Francisco.
On the influencer moms of Byron Bay.
