The Great Buenos Aires Bank Heist
They were an all-star crew. They cooked up the perfect plan. And when they pulled off the caper of the century, it made them more than a fortune—it made them folk heroes.
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They were an all-star crew. They cooked up the perfect plan. And when they pulled off the caper of the century, it made them more than a fortune—it made them folk heroes.
The Estonia was carrying 989 passengers when it sank in 30-foot seas on its way across the Baltic in September 1994. More than 850 lost their lives. The ones who survived acted quickly and remained calm.
William Langewiesche The Atlantic May 2004 35min Permalink
On Wall Street, being Black often means being alone, held back, deprived of the best opportunities.
Max Abelson, Sonali Basak, Kelsey Butler, Matthew Leising, Jenny Surane, Gillian Tan Bloomberg Aug 2020 30min Permalink
Outrageous lies destroyed Guy Babcock’s online reputation. When he went hunting for their source, what he discovered was worse than he could have imagined.
Kashmir Hill New York Times Jan 2021 15min Permalink
The inside story of a cartel’s deadly assault on a Mexican town near the Texas border—and the U.S. drug operation that sparked it.
Ginger Thompson ProPublica, National Georgraphic Jun 2017 35min Permalink
Ann Friedman is a writer, editor and co-founder of Tomorrow.
"The notion of kissing up is super weird to me. You should always be kissing down and sideways, to the people who are going to be working alongside you and coming up behind you. I'm really aware of my impending irrelevance. ... I'm waiting for that day when I'm in dire need of work and 65 years old—because none of us are retiring, obviously—and I don't understand how to write on Google Glass or whatever we're composing on then. I want there to be some journalist who remembers when I got on the phone with her in 2013 and helped her negotiate for her first salary and throws me a fucking bone. I think about that moment a lot."</i>
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Apr 2013 Permalink
Jonathan Shainin is senior editor at The Caravan in Delhi.
"Working in an environment that's foreign, where you have to kind of think through a lot of things from the ground up ... I find it to be really stimulating to have to interrogate the assumptions that you have as an editor about what's interesting and what's not interesting, what's a good story and what's a bad story, what's the story that's been done a million times already. When you get out of a place that is your place, you have to kind of think through some things in a fresh way. And that can be really productive."
Thanks to this week's sponsor, TinyLetter!
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May 2013 Permalink
The author accompanies Toni Morrison to Stockholm, where she accepts the Nobel Prize in Literature.
"Hi," she said on the telephone, a week after the announcement. "This is Toni, your Nobelette. Are you ready for Stockholm?" Well, since she asked, why not? I left town for Greek light, German sausage, Russian soul, French sauce, Spanish bull, Zen jokes, the Heart of Darkness and the Blood of the Lamb. Toni Morrison's butter cakes and baby ghosts, her blade of blackbirds and her graveyard loves, her Not Doctor Street and No Mercy Hospital and all those maple syrup men "with the long-distance eyes" are a whole lot more transfiguring. Where else but Stockholm, even if she does seem to have been promiscuous with her invitations. I mean, she asked Bill Clinton, too, whose inaugural she had attended, and with whom she was intimate at a White House dinner party in March. (He told Toni's agent, Amanda "Binky" Urban, that he really wanted to go but... they wouldn't let him.) Salman Rushdie might also have gone except that the Swedish Academy declined officially to endorse him in his martyrdom, after which gutlessness three of the obligatory eighteen academicians resigned in protest, and can't be replaced, because you must die in your Stockholm saddle.
John Leonard The Nation Jan 1994 15min Permalink
The architect of the Occupy movement on the state of “anti-globalization” activism at the turn of the twentieth century.
Over the past decade, activists in North America have been putting enormous creative energy into reinventing their groups’ own internal processes, to create viable models of what functioning direct democracy could actually look like. In this we’ve drawn particularly, as I’ve noted, on examples from outside the Western tradition, which almost invariably rely on some process of consensus finding, rather than majority vote. The result is a rich and growing panoply of organizational instruments—spokescouncils, affinity groups, facilitation tools, break-outs, fishbowls, blocking concerns, vibe-watchers and so on—all aimed at creating forms of democratic process that allow initiatives to rise from below and attain maximum effective solidarity, without stifling dissenting voices, creating leadership positions or compelling anyone to do anything which they have not freely agreed to do.
David Graeber New Left Review Jan 2002 20min Permalink
Chris Heath, winner of the 2013 National Magazine Award for Reporting, is a staff writer at GQ.
"I present myself as someone who is going to be rigorous and honest. And if you can engage in the way I'm asking you to engage, then I hope that you will recognize yourself in a more truthful way in this story than you usually do. And maybe even, with a bit of luck, more than you ever have before. That's what I bring. That's my offer."
Thanks to TinyLetter and the The Literary Reportage concentration at NYU's Arthur L. Carter Journalism Institute for sponsoring this week's episode.
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Jun 2013 Permalink
Kliph Nesteroff writes for WFMU's Beware of the Blog. His book, The Comedians: Drunks, Thieves, Scoundrels, and the History of American Comedy, was released in November.
“Well, comedy always becomes stale. Whether it’s offensive or not offensive, it has an expiry date, unfortunately. A lot of people don’t want to hear this because that means a lot of their favorite comedians suddenly become irrelevant. But that’s the history of comedy: the hippest, coolest guy today—whoever that is to you in comedy—50 years from now, the new generation is going to say, ‘That guy’s not funny, and he’s square.’ And they’re going to say, ‘This new young guy is funny.’ But in another 50 years that guy becomes the square who isn’t funny. And it’s not that they weren’t funny and everybody was wrong; it was that that person was relating to their time.”
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Dec 2015 Permalink
Lawrence Wright, author of The Looming Tower and Going Clear, is a staff writer for The New Yorker.
"If I had the chance to interview Osama Bin Laden, should I kill him? It’s a fair question. Suppose we’re having dinner — should I stab him with the bread knife? Do I have a moral obligation to kill him? Or do I have a moral obligation as a reporter to simply hear him?"
Thanks to TinyLetter and PillPack for sponsoring this week's episode.
Mar 2014 Permalink
George Quraishi is the co-founder and editor of Howler.
“We raised $69,001. And that paid for the first issue. I call it subsistence magazine making, because every issue pays for the next one.”
Thanks to this week's sponsors: TinyLetter, Squarespace, The Great Courses, and Aspiration.
May 2015 Permalink
Sponsored
Our sponsor again this week is Aeon, a new digital magazine of ideas and culture. Aeon publishes an original essay every weekday, several of which have been picked for Longform. Here is a trio of recent favorites:
Luddite Love
Claire L Evans on why old relationships should fade like a photograph, not haunt your social networks forever.
Earth's Holy Fool?
Michael Ruse on the Gaia paradox — some scientists hate it, the public loves it, and they may both be right.
World Enough
John Quiggin on the emerging opportunity to simultaneously end poverty and protect the environment.
Read those stories and more at aeonmagazine.com.
Wesley Lowery is a correspondent for “60 in 6” from 60 Minutes. He is the author of They Can't Kill Us All: Ferguson, Baltimore, and a New Era in America's Racial Justice Movement and won the 2016 Pulitzer Prize for "Fatal Force," a Washington Post project covering fatal shootings by police officers.
“The police are not, in and of themselves, objective observers of things. They are political and government entities who are the literal characters in the story. They are describing the actions of people who are protesting them. They have incentives.”
Thanks to Mailchimp for sponsoring this week's episode.
Jun 2020 Permalink
Jack Hitt contributes to Harper’s, The New York Times Magazine, and This American Life.
“I’ve always lived more or less unemployed in these markets, and happily so. I think being unemployed keeps you a little more sharp in terms of looking for stories. It never gets any easier. That motivation and that desperation, whatever you want to call that, is still very much behind many of the conversations I have all day long trying to find those threads, those strings, that are going to pull together and turn into something.”
Thanks to MailChimp, Audible, and Squarespace for sponsoring this week's episode.
Jul 2016 Permalink
Nate Silver is the founder of FiveThirtyEight and the author of The Signal and the Noise.
“I know in a perfectly rational world, if you make an 80/20 prediction, people should know that not only will this prediction not be right all the time, but you did something wrong if it’s never wrong. The 20% underdog should come through sometimes. People in sports understand that sometimes a 15 seed beats a 2 seed in the NCAA tournament. That’s much harder to explain to people in politics.”
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Apr 2016 Permalink
Sponsored
Our sponsor this week is Voice Media Group, publisher of the Village Voice, LA Weekly, Miami New Times and eight other metropolitan newsweeklies and sites. Every week, VMG writers publish longform narrative journalism, and their work is regularly picked for Longform. Here are three recent favorites:
Millionaires Clash Over Shadyside Mansion</b>
Terrence McCoy • Houston Press</p>
Joe Arridy Was the Happiest Man on Death Row
Alan Prendergast • Westword
A White Buffalo’s Death Breeds Suspicion and Lies
Brantley Hargrove • Dallas Observer
VMG is also seeking freelancers to pitch longform features on issues of national importance and interest. If you’re an experienced journalist with reporting chops, energy and ideas, please visit voicemediagroup.com and click on “National Features Program” under “Our Journalism.”
Jeff Maysh is a freelance writer based in Los Angeles. His latest article is "How an Ex-Cop Rigged McDonald’s Monopoly Game and Stole Millions."
“I’ve always looked for stories with the theme of identity and identity theft. I’m very interested in people leading double lives. All of my stories are the same in a sense. Whether that’s a spy or a fake cheerleader or a bank robber or even a wrestler—someone is pretending to be someone they’re not, leading a double life. I find that really exciting. I’m drawn to characters who put on a disguise.”
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Aug 2018 Permalink
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Joseph Cox is a cybersecurity journalist and co-founder of 404 Media. His new book is Dark Wire: The Incredible True Story of the Largest Sting Operation Ever.
“In the not too distant future, I will be a very old man, and maybe I won't be able to spend all day talking to drug traffickers. I will be mentally and physically exhausted. So I will doggedly pursue the story right now while I can.”
Jun 2024 Permalink
Lori Gottlieb is a contributing writer at The Atlantic and the author of Marry Him: The Case for Settling for Mr. Good Enough. Her new book is Maybe You Should Talk to Someone.
“Everything that I had done all coalesced into one thing. As a journalist i was helping people to tell their stories, as a therapist I could help people to edit their stories, to change their stories. I could be immersed in the human condition in both of these things.”
Thanks to Mailchimp, Pitt Writers, Native, and Squarespace for sponsoring this week's episode.
Nov 2019 Permalink
Alexey Kovalev is a Moscow-based journalist and the author of the recent article, “A Message to My Doomed Colleagues in the American Media."
“It’s really disheartening to see how little it takes for people to start believing in something that directly contradicts the empirical facts that they are directly confronting. The Russian TV channel tells you that the pill is red, but the pill in front of you is blue. It completely alters the perception of reality. You don’t know what’s real anymore.”
Thanks to MailChimp and Penn State World Campus.
Jan 2017 Permalink
Wesley Lowery is a national reporter at the Washington Post, where he worked on the Pulitzer-winning project, "Fatal Force." His new book is They Can’t Kill Us All: Ferguson, Baltimore, and a New Era in America’s Racial Justice Movement.
“I think that we decided at some point that either you are a journalist or you are an activist. And I identify as a journalist, to be clear, but one of the reasons I often don’t engage in that conversation—when someone throws that back at me I kind of deflect a little bit—is that I think there’s some real fallacy in there. I think that every journalist should be an activist for transparency, for accountability—certainly amongst our government, for first amendment rights. There are things that by our nature of what we do we should be extremely activist.”
Thanks to MailChimp, Harry’s, Casper, and School of the Arts Institute of Chicago for sponsoring this week's episode.
Nov 2016 Permalink
Steven Levy covers technology for Wired, where he is the editor of Backchannel.
“It’s about people. Travis Kalanick’s foibles aren’t because he’s a technology executive. It’s because he’s Travis Kalanick. That’s the way he is. There is a certain strain in Silicon Valley, which rewards totally driven people, but that is humanity. And advanced technology is no guarantee—and as a matter of fact I don’t think it’ll do anything—from stopping ill-intentioned people from doing ill-intentioned things.”
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Jul 2017 Permalink