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Bryan Fogel is the Oscar-winning director of Icarus.

“But there was a long period of time also that none of us were really thinking so much about the film. It was really that we were in a real world crisis. Gregory's life was essentially in my hands.”

Thanks to MailChimp, Read This Summer, Google Play, and Stitcher Premium for sponsoring this week's episode.

Welcome to Armageddon!

There are no resurrections in Armageddon MUD, a text-based role-playing game (RPG) set on the harsh desert planet Zalanthas. One of the Internet’s oldest extant virtual worlds, it is an amoral fairytale about dune traders and bandits, assassins and sorcerer-kings, collaboratively written by thousands of players over a period of twenty-six years. Created in 1991 by a thirteen-year-old coder named Dan Brumleve, the kernel of the story was cribbed from a Dungeons and Dragons campaign setting called “Dark Sun,” source of the game’s fantasy races (elves, dwarves, muls, halflings, half-giants), its kaiju-sized insects, and the foundational conceit of a once-verdant world desiccated by “defiling” magic.

Lori Hinnant is a reporter for the Associated Press. Along with videojournalist Mstyslav Chernov, photographer Evgeniy Maloletka, and video producer Vasilisa Stepanenko, she won the George Polk Award for war reporting for covering the siege of Mariupol.

“It’s really easy when you see raw footage flash by on the television to just see it as war as hell and this is very abstract. These are people with lives that were utterly ruined and they want to tell their stories. I mean, we’re not talking to people who don’t want to talk to us. And when you find out what happened the day their lives were changed, it really changes it.”

This is the second in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

Our Israelitish Brethren

On Jews:

The Jews are happy in the United States. There are now two hundred congregations of them here, half of whom have arrived within the last twelve years. They are good citizens, firmly attached to those liberal principles to which they owe their deliverance from degrading and oppressive laws, and are rising in the esteem of the people among whom they dwell. Their attachment to the system of universal education is hereditary; it dates back three thousand years; and though their religious feelings are wounded by the opening exercises of many public schools, they would not for that reason destroy them.

How Your Cat is Making You Crazy

Jaroslav Flegr and his theory about Toxoplasma gondii, a parasite found in cat feces:

If Flegr is right, the "latent" parasite may be quietly tweaking the connections between our neurons, changing our response to frightening situations, our trust in others, how outgoing we are, and even our preference for certain scents. And that’s not all. He also believes that the organism contributes to car crashes, suicides, and mental disorders such as schizophrenia. When you add up all the different ways it can harm us, says Flegr, "Toxoplasma might even kill as many people as malaria, or at least a million people a year."

Sponsor: Fairway Solitaire

What happens when you combine golf, solitaire and a Caddyshack-esque gopher?

From USA Today: “Every once in a while a game comes along that’s so engrossing you can’t simply put it down… add Fairway Solitaire to that coveted list…Even if you’re not a fan of golf…Good luck with getting anything done in the coming months.”

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Linda Villarosa directs the journalism program at the City College of New York and is a contributing writer at the New York Times Magazine. Her article "Why America’s Black Mothers and Babies Are in a Life-or-Death Crisis" was one of Longform's Top Ten of 2018. She is at work on a new book, Under the Skin: Race, Inequality and the Health of a Nation, due out in 2020.

“I think at the beginning I was afraid to say it right out, so I think I was saying ‘racial bias’ or something like that. Then I stopped. ... I think how I learned about it both in earlier reporting and in grad school and in my own research was that race is a risk factor for a bunch of different health problems, whether it’s heart disease, infant and maternal mortality, or HIV. It’s just said that race is a risk factor. It’s disproportionate. What it really is is that race is a risk factor, but it’s also a risk marker. Instead of looking at what individuals are doing wrong, it’s what society is doing wrong in creating problems for individual people which lead to health crisis. It’s sort of like bias, related to racism, is creating problems in people’s actual bodies. That’s what I came to understand. It really shifts the blame off the individual.”

Thanks to MailChimp, The Great Courses Plus, and Pitt Writers for sponsoring this week's episode.

The Boogaloo Movement Is Not What You Think

Open source materials suggest that, for now, the apocalyptic, anti-government politics of the “Boogaloo Bois” are not monolithically racist/neo-Nazi. As we have observed, some members rail against police shootings of African Americans, and praise black nationalist self defense groups.

But the materials also demonstrate that however irony-drenched it may appear to be, this is a movement actively preparing for armed confrontation with law enforcement, and anyone else who would restrict their expansive understanding of the right to bear arms. In a divided, destabilized post-coronavirus landscape, they could well contribute to widespread violence in the streets of American cities.

The Word of God

In high school, I started to become like a local legend. A hood celebrity, if you will. And you really gotta understand how poppin’ New York City basketball was at that time. I’m playing against Stephon Marbury, Skip 2 My Lou, Alimoe (rest in peace), all these guys who would become household names, they were just kids from around the way. Man, even Cam’ron was super nice!!!

I knew all these guys from when we was little kids playing church basketball, and now all of a sudden we got Jay-Z, Puff, Dame Dash — all these guys are showing up to our games. That’s how insane New York City basketball was at that time.

Terrence McCoy is The Washington Post's Rio de Janeiro Bureau Chief. He won the George Polk award for his series "The Amazon, Undone" on the illegal and often violent exploitation of the rainforest.

“When I first got to Brazil, the Amazon was an arena of mystique. But after you spend a fair amount of time in the Amazon, it becomes quite clear what the struggle is—and how human that struggle is.”

This is the last of a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

Tracy Wang and Nick Baker of CoinDesk, along with their colleague Ian Allison, won the George Polk award for reporting that led to the fall of Sam Bankman-Fried and his cryptocurrency exchange FTX.

“Crypto had been kind of a backwater of reporting. It was kind of like nobody took it seriously. People didn’t know if it was a joke and they thought it was all drug dealers and fraudsters. And I was kind of thinking, well, that seems like a great place to be reporting.”

This is the third in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

Lawrence Wright is an author, screenwriter, playwright, and a staff writer for The New Yorker.

”There’s nothing more important about a person than their story. In a way, that’s who we are. And yet, memories fade and people die. So those stories disappear and the job of the journalist is to go out before that happens and accumulate the kinds of stories that are going to help us understand who we are, why we are, where we are right now in time, and try to thread those stories into a coherent narrative. In a way, you give it a kind of immortality. And that’s a big job. It’s a great privilege.”

Mizoram’s Wild Flower

In 1974,  a pair of four-year-old cousins wandered into the jungle near India’s border with Myanmar. The boy was found five days later, temporarily incapable of speech. The girl was gone. For decades, stories echoed through villages of a “wild-looking woman,” sometimes striding beside a tiger. Thirty-eight years later, she returned.

Paradise With An Asterisk

“From all appearances, this place is still an earthly paradise. There is just one problem, though you could stare at this palm grove for a lifetime and never see it. The soil under our feet, whitish gray in color with flecks of coral, contains a radioactive isotope called cesium 137.”

The Murders at the Lake

In the summer of 1982, three Waco teenagers were savagely murdered for no apparent reason. Four men were ultimately charged with the crime. One was executed, two others were given life sentences, and a fourth was sent to death row only to be released after six years. They all may have been innocent.

The People vs. Goldman Sachs

While much of the Levin report describes past history, the Goldman section describes an ongoing? crime — a powerful, well-connected firm, with the ear of the president and the Treasury, that appears to have conquered the entire regulatory structure and stands now on the precipice of officially getting away with one of the biggest financial crimes in history.

Fantasia for Piano

Joyce Hatto, unknown to even the most ardent classical music collectors until late in her life, released a string of incredible performances of great works, distributed by her husband’s mail-order CD business. But how was it possible for her to record difficult works at such a dizzying rate? And if wasn’t her playing, who was it?

Harvard and the Making of the Unabomber

It was the confluence of two streams of development that transformed Ted Kaczynski into the Unabomber. One stream was personal, fed by his anger toward his family and those who he felt had slighted or hurt him, in high school and college. The other derived from his philosophical critique of society and its institutions, and reflected the culture of despair he encountered at Harvard and later.
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Inside Pfizer's Palace Coup

Kindler could be remorseful after letting loose -- he'd send women flowers the day after bringing them to tears -- but that didn't prevent the next explosion. Says an executive who worked closely with him: "Don't call me at five o'clock in the morning and rip my face off, then call me at 11 o'clock at night and tell me how much you love me."

Interview: Eddie Murphy

It's a glorious thing, hearing Eddie Murphy say "fuck" again. Few people ever said it better – and down here in the basement of the stone-and-marble mansion he built on a Beverly Hills cliff, it's coming from his lips often enough to make Shrek blush. "Come on, motherfucker," Murphy shouts, over the throb of James Brown's "Hot Pants" on a formidable sound system.