Showing 25 articles matching fk33.cc_Magnesium Sulfate Monohydrate Manufacturers in China.

Sixteen-year-old Tara Perry followed her man into crime and madness

Three months before it all started, she'd been a shy sophomore at Aurora Central High School, a member of the soccer and speech teams. Then Randy Miller had come out of prison and back into her world. A 22-year-old former child prostitute and drug dealer, Miller had promised to take her away from a tumultuous and painful home life. But the journey he had in mind led downward, into a terrifying series of home invasions and armed robberies and, finally, a few hours after the King Soopers stickup, to a standoff with state troopers in a small Kansas town.

Sponsor: Tablet Magazine

Is the century-old Jewish-Leftist alliance ending?

For much of the 20th century, the radical and revolutionary left played a huge role in defining how the rest of America saw Jews and how Jews saw themselves. In an essay for Tablet Magazine, literary critic Adam Kirsch considers whether that linkage is over.

Read it at Tabletmag.com.

For information about sponsoring Longform, click here.

Why Do the Oscars Keep Falling for Racial Reconciliation Fantasies?

From Driving Miss Daisy to Green Book.

Not knowing what these movies were “about” didn’t mean it wasn’t clear what they were about. They symbolize a style of American storytelling in which the wheels of interracial friendship are greased by employment, in which prolonged exposure to the black half of the duo enhances the humanity of his white, frequently racist counterpart. All the optimism of racial progress — from desegregation to integration to equality to something like true companionship — is stipulated by terms of service.

Jesse Coburn is an investigative reporter at Streetsblog. He won the Polk Award for Local Reporting for "Ghost Tags," his series on the black market for temporary license plates.

“You can imagine this having never become a problem, because it’s so weird. What a weird scam. I’m going to print and sell tens of thousands of paper license plates. But someone figured it out. And then a lot more people followed. It just exploded.”

This is the second in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

Evan Ratliff, a co-host of the Longform Podcast, discusses "The Mastermind,” his new 7-part serialized story in The Atavist Magazine.

“On several occasions [sources] didn’t want to go into the details of how they were identified. They were just like, ‘My safety is in your hands. Just be careful.’ And I didn’t really know what to do with that. I was sort of trying to balance what to include and what not to include and trying to make these decisions. Will Paul Le Roux know it’s this person? It’s impossible to know. I tried to err on the side of caution, but there’s no ethics hotline you can call and be like, ‘What do I do in this situation?’”

Thanks to our friends at MailChimp for making today's episode possible.

Sarah Stillman is a staff writer for The New Yorker and the director of the Global Migration Program at Columbia University Graduate School of Journalism. She won the George Polk Award for "The Migrant Workers Who Follow Climate Disasters."

“I’m all about the Venn diagram where the individual meaningful stories of things people are up against intersect with the big systemic injustice issues of our day. It feels like climate is clearly an enormous domain where it’s been hard in some ways to tell substantive stories of where actual human beings are navigating and pushing back on some of these huge cultural forces.”

This is the latest in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

Mizoram’s Wild Flower

In 1974,  a pair of four-year-old cousins wandered into the jungle near India’s border with Myanmar. The boy was found five days later, temporarily incapable of speech. The girl was gone. For decades, stories echoed through villages of a “wild-looking woman,” sometimes striding beside a tiger. Thirty-eight years later, she returned.

Paradise With An Asterisk

“From all appearances, this place is still an earthly paradise. There is just one problem, though you could stare at this palm grove for a lifetime and never see it. The soil under our feet, whitish gray in color with flecks of coral, contains a radioactive isotope called cesium 137.”

The Murders at the Lake

In the summer of 1982, three Waco teenagers were savagely murdered for no apparent reason. Four men were ultimately charged with the crime. One was executed, two others were given life sentences, and a fourth was sent to death row only to be released after six years. They all may have been innocent.

The People vs. Goldman Sachs

While much of the Levin report describes past history, the Goldman section describes an ongoing? crime — a powerful, well-connected firm, with the ear of the president and the Treasury, that appears to have conquered the entire regulatory structure and stands now on the precipice of officially getting away with one of the biggest financial crimes in history.

Fantasia for Piano

Joyce Hatto, unknown to even the most ardent classical music collectors until late in her life, released a string of incredible performances of great works, distributed by her husband’s mail-order CD business. But how was it possible for her to record difficult works at such a dizzying rate? And if wasn’t her playing, who was it?

Harvard and the Making of the Unabomber

It was the confluence of two streams of development that transformed Ted Kaczynski into the Unabomber. One stream was personal, fed by his anger toward his family and those who he felt had slighted or hurt him, in high school and college. The other derived from his philosophical critique of society and its institutions, and reflected the culture of despair he encountered at Harvard and later.
  1. Part 1

  2. Part 2

  3. Part 3

  4. Part 4

Inside Pfizer's Palace Coup

Kindler could be remorseful after letting loose -- he'd send women flowers the day after bringing them to tears -- but that didn't prevent the next explosion. Says an executive who worked closely with him: "Don't call me at five o'clock in the morning and rip my face off, then call me at 11 o'clock at night and tell me how much you love me."

Interview: Eddie Murphy

It's a glorious thing, hearing Eddie Murphy say "fuck" again. Few people ever said it better – and down here in the basement of the stone-and-marble mansion he built on a Beverly Hills cliff, it's coming from his lips often enough to make Shrek blush. "Come on, motherfucker," Murphy shouts, over the throb of James Brown's "Hot Pants" on a formidable sound system.