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Jack Shafer covers the media for Politico.

“This is a true story, not a ‘Brian Williams story’: my first report card said ‘Jack is a very good student, but he has a tendency to start fights on the playground and bring them back into the classroom.’ That's been my career style — start a fight and bring it back to the classroom.”

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The Assassination: The Reporters’ Story

Breaking the news of the Kennedy assassination, an oral history:

Wicker: [In the press room] we received an account from Julian Reed, a staff assistant, of Mrs. John Connally’s recollection of the shooting…. The doctors had hardly left before Hawks came in and told us Mr. Johnson would be sworn in immediately at the airport. We dashed for the press buses, still parked outside. Many a campaign had taught me something about press buses and I ran a little harder, got there first, and went to the wide rear seat. That is the best place on a bus to open up a typewriter and get some work done.

“Today is May 13th, and Today You Graduate, and My Friends, You Ain’t Seen Nothin’ Yet.”

In a speech that’s getting a bit of flak for recycling some of his past lines, the stage- and screenwriter says it’s okay to make mistakes along the way:

And make no mistake about it, you are dumb. You're a group of incredibly well-educated dumb people. I was there. We all were there. You're barely functional. There are some screw-ups headed your way. I wish I could tell you that there was a trick to avoiding the screw-ups, but the screw-ups, they're a-coming for ya. It's a combination of life being unpredictable, and you being super dumb.

Alexey Kovalev is a Moscow-based journalist and the author of the recent article, “A Message to My Doomed Colleagues in the American Media."

“It’s really disheartening to see how little it takes for people to start believing in something that directly contradicts the empirical facts that they are directly confronting. The Russian TV channel tells you that the pill is red, but the pill in front of you is blue. It completely alters the perception of reality. You don’t know what’s real anymore.”

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John Seabrook is a New Yorker staff writer and the author of The Song Machine: Inside the Hit Factory.

“Whether or not the piece succeeds or fails is not going to depend on whether I’m up to the minute on the latest social media spot to hang out or the latest slang words that are thrown around. It’s going to be the old eternal verities of structural integrity. So much of it is narrative and figuring out the tricks—and they are tricks, really—that make it go as a narrative. And that’s really the most interesting thing. Because you never ultimately have a formula that goes from piece to piece; it’s always going to have to be rediscovered every time you work on a long piece. And that’s kind of fun.”

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Gerhard Steidl is Making Books An Art Form

Steidl, who is sixty-six, is known for fanatical attention to detail, for superlative craftsmanship, and for embracing the best that technology has to offer. "He is so much better than anyone,” William Eggleston, the American color photographer, told me, when I met him recently in New York. Steidl has published Eggleston for a decade; two years ago, he produced an expanded, ten-volume, boxed edition of “The Democratic Forest,” the artist’s monumental 1989 work. Eggleston passed his hand through the air, in a stroking gesture. “Feel the pages of the books,” he said. “The ink is in relief. It is that thick.”

Malcolm Gladwell is a New Yorker staff writer, the author The Tipping Point and Blink, and the host of Revisionist History. His new podcast is Broken Record.

“The loveliest thing is to interview someone who’s never been interviewed before. To sort of watch them in a totally novel experience. Particularly when you’re interviewing them about things they never thought were worthy of an interview. That’s a really lovely experience. It’s like watching a kid on a roller coaster for the first time. But a celebrity is a very different kind of experience. The bar for them is quite high. They’ve been interviewed a million times, so you have to be on your game. You have to take them somewhere that’s a little unfamiliar to get them to perk up. Otherwise it’s just another of a long line of interviews. It’s a lot more demanding.”

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Amanda Hess, a staff writer at Slate, has also written for Pacific Standard, GOOD, and ESPN the Magazine.

"I ended up not loving the fact that I was getting a bunch of calls from MSNBC and CNN, who mostly wanted to talk about people threatening to rape and kill me and only a tiny bit about the story I'd written. ... It was tiring, and it seemed dismissive of me as a person. It's a strange thing to become somebody else's story, especially when the story is: You're a victim of an insane online harasser. That's who you are."

Thanks to this week's sponsors, TinyLetter and Oyster Books.

George Saunders has written for The New Yorker and GQ. His latest collection of short stories is Tenth of December.

“Maybe you would understand your artistry to be: put me anywhere. I'll find human beings, I'll find human interest, I'll find literature. And I guess you could argue the weirder, or maybe the less explored the place, the better.”

Thanks to TinyLetter and Audible for sponsoring this week's episode. For a free audiobook of your choice, go to audiblepodcast.com/longform.

Wright Thompson is a senior writer for ESPN. His new book is Pappyland: A Story of Family, Fine Bourbon, and the Things That Last.

“If you’re going to write a profile of someone … you have to find some piece of common ground with them so that no matter how famous or good or noble or bad—or no matter how cartoonish their most well-known attributes are—it shrinks them. And once they’re small enough to fit in your hand, I think it changes the entire experience of asking questions about their lives.”

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Nona Willis Aronowitz, an editor and author, writes a sex and love advice column for Teen Vogue. Her new book is Bad Sex: Truth, Pleasure, and an Unfinished Revolution.

“I'm getting a lot of emails from people saying basically ‘You've inspired me to break up with my man tomorrow.’ Or ‘I may not ever break up with my man, but I'm starting to tell the truth, at least to myself, about my relationship.’ And I think a lot of people — even though I think being open about your feelings and acceptance of all kinds of lifestyles are two tenants of modern society — I still think there's a lot of silence around dissatisfaction around sex and love.”

Lewis Lapham, formerly the editor of Harper's, is the founder of Lapham's Quarterly.

"The best part of my job was to come across a manuscript. You never knew what would show up. ... I always had the sense of opening a present, hoping to be both delighted and surprised. Often I was disappointed. But when I wasn't, it was a lot of fun. And word got around that I was that kind of an editor, that I was willing to try anything if you could make it interesting."

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The Rhyme of History

On the echoes between the world leading up to World War I and our present international trajectory. Then, as globalization, nationalism, and radicalism converged, and tensions within the Balkans served as a spark. Today, conflicts in the Middle East, whose borders were mostly drawn in the wake of World War I, could play a similar role.

The People vs. Goldman Sachs

While much of the Levin report describes past history, the Goldman section describes an ongoing? crime — a powerful, well-connected firm, with the ear of the president and the Treasury, that appears to have conquered the entire regulatory structure and stands now on the precipice of officially getting away with one of the biggest financial crimes in history.

Thailand's Moment of Truth: A Secret History of 21st Century Siam

Andrew MacGregor Marshall, a longtime Reuters reporter based in Thailand, resigned and forfeited his ability to enter the country in order to report on the revelations about the Thai royal family and military contained within the Wikileaks “Cablegate” dump.

Thailand has the world's harshest lèse majesté law. Any insult to Bhumibol, Queen Sirikit or their son Crown Prince Vajiralongkorn, is punishable by three to 15 years in jail.

The cables reveal a toxic power struggle between elected officials, the military, and the monarchy, with the huge shadow of exiled telecommunications billionaire Thaksin Shinawatra looming over the country’s post-King Bhumibol future.

The impending end of his reign has sparked intense national anxiety in Thailand. King Bhumibol's son and heir, Crown Prince Vajiralongkorn, has a reputation for being a cruel and corrupt womanizer. A notorious video showing a birthday party for his pet poodle Foo Foo -- who holds the rank of Air Chief Marshal -- has been widely circulated in Thailand; in it, the prince's third wife, Princess Srirasmi, dressed only in a thong, eats the dog's birthday cake off the floor while liveried servants look on.

Editor’s Note: Marshall’s findings will be published as a 4-part series, hosted here by the permission of the author, and re-publishable through a Creative Commons license. His writings on the topic have already reached near book length, for a good overview, see Marshall’s introduction in Foreign Policy.

  1. Part 1 [53,000 words]

  2. Part 2 [35,000 words]

Inside Pfizer's Palace Coup

Kindler could be remorseful after letting loose -- he'd send women flowers the day after bringing them to tears -- but that didn't prevent the next explosion. Says an executive who worked closely with him: "Don't call me at five o'clock in the morning and rip my face off, then call me at 11 o'clock at night and tell me how much you love me."

It Knows

On the Google conundrum:

It’s clearly wrong for all the information in all the world’s books to be in the sole possession of a single company. It’s clearly not ideal that only one company in the world can, with increasing accuracy, translate text between 506 different pairs of languages. On the other hand, if Google doesn’t do these things, who will?

Interview: Eddie Murphy

It's a glorious thing, hearing Eddie Murphy say "fuck" again. Few people ever said it better – and down here in the basement of the stone-and-marble mansion he built on a Beverly Hills cliff, it's coming from his lips often enough to make Shrek blush. "Come on, motherfucker," Murphy shouts, over the throb of James Brown's "Hot Pants" on a formidable sound system.

The Autumn of Joan Didion

Didion’s genius is that she understands what it is to be a girl on the cusp of womanhood, in that fragile, fleeting, emotional time that she explored in a way no one else ever has. Didion is, depending on the reader’s point of view, either an extraordinarily introspective or an extraordinarily narcissistic writer. As such, she is very much like her readers themselves.