To this day, no one (outside of the movie's own crew) knows how the Muppets rode bicycles in The Great Muppet Caper, the classic Henson movie from 1981. In that scene, Kermit stands up on one frog-leg on the seat of his bicycle to impress Miss Piggy, and then the whole gang joins them on their bikes, doing circles and figure eights, singing “Couldn’t We Ride?” It's a wonderful piece of filmmaking, and still a complete delight to watch because the effect relied on the ingenuity and bravado of the puppeteers and crew, not CGI wizardry. Contrast the joy and ebullience of this scene to the elegant chiaroscuro slickness of the post-Henson Muppet Christmas Carol in which we see old fogies Statler and Waldorf, as the Marley brothers, floating in mid air. No viewer is impressed; no one really thinks about it at all. And that's because when a then 29-year-old Brian Henson directed that film, he threw the rules out the window. Statler and Waldorf “float” because Goelz and Nelson, the men working the old guys, were standing behind them during filming and then were removed in post production. It’s an elegant fix—a cutting of the Gordian knot—but it is a complete break with an aesthetic 35 years in the making.

The architect of the Occupy movement on the state of “anti-globalization” activism at the turn of the twentieth century.

Over the past decade, activists in North America have been putting enormous creative energy into reinventing their groups’ own internal processes, to create viable models of what functioning direct democracy could actually look like. In this we’ve drawn particularly, as I’ve noted, on examples from outside the Western tradition, which almost invariably rely on some process of consensus finding, rather than majority vote. The result is a rich and growing panoply of organizational instruments—spokescouncils, affinity groups, facilitation tools, break-outs, fishbowls, blocking concerns, vibe-watchers and so on—all aimed at creating forms of democratic process that allow initiatives to rise from below and attain maximum effective solidarity, without stifling dissenting voices, creating leadership positions or compelling anyone to do anything which they have not freely agreed to do.

Before the viewing ends at 4 p.m., 975 people pass through the evidence rooms, many of them former students, survivors, and friends and relatives of the dead. Absent, as they have consistently been in the five years since the massacre, are Wayne and Kathy Harris, Eric's parents, and Tom and Sue Klebold, who raised Dylan. Although they live in the same Littleton-area homes they occupied on April 20, 1999, they have contributed virtually nothing to the public's understanding of who their sons were and why they killed.

On being gay in the military, three years before Don’t Ask, Don’t Tell:

A vast majority of those interviewed had been interrogated at least once, and what they described was nearly the same. They said those under suspicion of homosexuality suffer bright lights in their eyes and sometimes handcuffs on their wrists, warnings that their parents will be informed or their hometown newspapers called, threats that their stripes will be torn off and they will pushed through the gates of the base before a jeering crowd.

The story of a sheriff’s deputy in Minnesota who took his own life.

"If anything happens to me," Ruettimann said, "give this to the reporter." After Ruettimann's death, Hereaux took the file down off his desk. Inside was a thick stack of loose-leaf documents, a manila folder stuffed with letters, and a catalog-size clasp envelope labeled "Reports." Written in black permanent marker in the margin of the envelope was the reporter's name: mine.

He has worked for Apple, Google, AOL, the Rainbow Room. He hangs out with Steve Case, Gordon Ramsey, Tim Armstrong. He's a world-class surfer, a AAA baseball legend, the founder of a seminal punk band. He's one of the more persistent and obsessive grifters to ply the streets of New York City—not to mention online dating sites—in recent decades.

Inside the color forecaster.

There are no analytics measuring success of color forecasting—how would one even accurately measure such a thing? To play it safe most companies rely on a range of color forecasts. Eiseman says Pantone’s effort, and perhaps color forecasting in general, suffers from two misconceptions. The first is that there is some kind of “evil cabal” that “schemes to get the colors out there.” The second is “let’s just throw a dart and wherever it lands is what’s going to be the hot color for next year.”

A profile of singer-songwriter Will Oldham.

He has settled into character as an uncanny troubadour, singing a sort of transfigured country music, and he has become, in his own subterranean way, a canonical figure. Johnny Cash covered him, Björk has championed him (she invited him to appear on the soundtrack of “Drawing Restraint 9”), and Madonna, he suspects, has quoted him (her song “Let It Will Be” seems to borrow from his “O Let It Be,” though he says, “I’m fully prepared to accept that it’s a coincidence”).

After oil was discovered on their Oklahoma reservation, the Osage Nation became the richest people per capita in the world. Then they began to be murdered off mysteriously. In 1924 the nascent FBI sent a team of undercover agents, including a Native American, to the Osage reservation.

The author relives her Romanian youth and the imprisonment of her father through the Securitate files kept on her family.

Two men, separated by more than 150 years, discover the folly of attempting Western-style capitalism in Micronesia.

“We were somewhere around Barstow on the edge of the desert when the drugs began to take hold.”

A conversation with the author of Calvin and Hobbes.

A small town in Upstate New York, and one family in particular, endures a five-year string of car accidents, suicides, and murders.

How the Third Reich was founded on a conspiracy theory.

Exploring the riddle of Morgellons disease: sufferers feel things crawling under their skin and hardly anyone believes them.

The author of I Know What You Did Last Summer investigates her own daughter’s unsolved murder.

Inside the collapse of TelexFree, an alleged $1 billion pyramid scheme that duped investors worldwide.

A profile of reporter Jason Leopold, who has reinvented himself after journalistic scandal by becoming what he calls a “FOIA terrorist.”

A profile of anthropologist Nancy Scheper-Hughes, who has spent her career uncovering a hidden global market in human flesh.

On the intrigue surrounding Dr. Zhivago’s publication.