“And while maybe you don’t care if Justin Bieber ever does make his way back to a kind of normalcy, perhaps you can admit there is at least something admirable, in the abstract, about someone finding a way to survive, and even to become kind, when all they’ve been taught since a young age, by millions of adoring people, is that there is no need for them to be kind at all. And if that doesn’t move you, then maybe you can at least find sociological interest in the process that Bieber is about to recount here, which is how you turn into someone you don’t want to be, and what you do about it once you decide you want to be someone else. Someone better, even.”

Next is "culture training," in which trainees memorize colloquialisms and state capitals, study clips of Seinfeld and photos of Walmarts, and eat in cafeterias serving paneer burgers and pizza topped with lamb pepperoni. Trainers aim to impart something they call "international culture"—which is, of course, no culture at all, but a garbled hybrid of Indian and Western signifiers designed to be recognizable to everyone and familiar to no one. The result is a comically botched translation—a multibillion dollar game of telephone. "The most marketable skill in India today," the Guardian wrote in 2003, "is the ability to abandon your identity and slip into someone else's."

Midtown Manhattan. The highest concentration of showbiz havens and hangouts in the whole entire world. The Chorus Girls. The Drunk Newsmen. The Jazz Hepsters. The Mob. They converge with the force of a fly against a windshield. This is where American popular culture is born. Its influence permeates the nation. Walk the streets and weave through the hustlers, the gangsters, the bookies, the rummies... and somewhere among that crowd - you'll walk past a nondescript artistic genius or twelve, indiscernible from the dregs, biding time until they transform the American landscape. And high-above the loud, syncopated beat of Midtown you can hear... The Comedians.

The artist discusses her latest record, Biophilia, science and music education. 

Up until she developed a vocal-cord nodule a few years ago, Björk made a point of not investigating how that instrument worked. “With arrangements and lyrics,” she says, squinting over her coffee, “I work more with the left side of my brain. But my voice has always been very right brain. I didn’t try to analyze it at all. I didn’t even know until I started all this voice work, two years ago, what my range was. I didn’t want to let the academic side into that—I worried the mystery would go.”

The making of the “five-thousand-page, five-volume book, known formally as the Dictionary of American Regional English and colloquially just as DARE”:

What joking names do you have for an alarm clock? For a toothpick? For a container for kitchen scraps? Or an indoor toilet? Or women’s underwear? When a woman divides her hair into three strands and twists them together, you say she is_____her hair? What words do you have to describe people’s legs if they’re noticeably bent, or uneven, or not right? What do you call the mark on the skin where somebody has sucked it hard and brought blood to the surface?

The creator of the California-based food chain kills his mother, sister and, finally, himself.

He’d blown the Denver debate. Now he was on the verge of blowing the second and risking his reelection. “I just don’t know if I can do this,” Obama told his team. The story of how they turned things around, excerpted from Double Down: Game Change 2012.

“We are invited to listen, but never to truly join the narrative, for to speak as the slave would, to say that we are as happy for the Civil War as most Americans are for the Revolutionary War, is to rupture the narrative.”

On May 12, 2014, Nicole Holder told Charlotte police that she had been assaulted by Greg Hardy. He was arrested, charged, and convicted. Then the case was dismissed on appeal. After a season out of the league, Hardy is playing for the Dallas Cowboys. Owner Jerry Jones has called him a “real leader.”

This is the story, and the photos, of what happened that night.

Why the world is becoming less free.

The cover story from the June 2011 print edition of The New Republic, available on the web specially for readers of Longform.org.

Tom Wolfe on the development of ”New Journalism,” an unconventional reporting style which he helped to pioneer.

I had the feeling, rightly or wrongly, that I was doing things no one had ever done before in journalism. I used to try to imagine the feeling readers must have had upon finding all this carrying on and cutting up in a Sunday supplement. I liked that idea. I had no sense of being a part of any normal journalistic or literary environment.

An oral history.

The case for coaches in professions other than music and sports. Like medicine, for example:

Since I have taken on a coach, my complication rate has gone down. It’s too soon to know for sure whether that’s not random, but it seems real. I know that I’m learning again. I can’t say that every surgeon needs a coach to do his or her best work, but I’ve discovered that I do.

THEY SAY YOU never hear the one that hits you. That's true of bullets, because, if you hear them, they are already past. But your correspondent heard the last shell that hit this hotel. He heard it start from the battery, then come with a whistling incommg roar like a subway train to crash against the cornice and shower the room with broken glass and plaster. And while the glass still tinkled down and you listened for the next one to start, you realized that now finally you were back in Madrid.

"I realized, as I was going through puberty (early), the necessity of shifting my focus from doing things that would impress my parents and teachers to engaging in behavior that would strike my peers as cool. I started saying 'like' constantly. I smoked pot when I was twelve. I dropped acid when I was thirteen. Losing my virginity was the next logical step."

Joan Didion versus the boys on the bus:

American reporters “like” covering a presidential campaign (it gets them out on the road, it has balloons, it has music, it is viewed as a big story, one that leads to the respect of one’s peers, to the Sunday shows, to lecture fees and often to Washington), which is one reason why there has developed among those who do it so arresting an enthusiasm for overlooking the contradictions inherent in reporting that which occurs only in order to be reported.

On the 1988 presidential election and the boys on the bus.

The United States, which took a forceful stance on other Arab revolts, remained relatively passive in the face of the kingdom’s unrest and crackdown. To many who are familiar with the region, this came as no surprise: of all the Arab states that saw revolts last year, Bahrain is arguably the most closely tied to American strategic interests.

A report on Bahrain, the Arab Spring’s most ill-fated uprising.

“If Sullivan High School had a motto, it would be ‘Give me your tired, your poor, your huddled masses yearning to breathe free.’ Its immigrant population now numbers close to 300—45 percent of the school’s 641 students—and many are refugees new to this country. This academic year alone, the Rogers Park school has welcomed a staggering 89 refugees—nearly three times as many as last year and far more than at any other high school in the city.”

One possible (if depressing) conclusion to take from this is that strategy is just an illusory abstraction that we have invented to give meaning to that which has none. We use it as a retrospective framing device to explain a complex series of events (of our own making but mostly of external provenance) that we do not understand. So maybe strategic theory is really just an gussied up form of conspiracy theory. We need to impose order on the world and believe that someone, somewhere, knows that the hell is going on.

For the purposes of this essay, I’ll call it ‘ambient privacy’—the understanding that there is value in having our everyday interactions with one another remain outside the reach of monitoring, and that the small details of our daily lives should pass by unremembered. What we do at home, work, church, school, or in our leisure time does not belong in a permanent record. Not every conversation needs to be a deposition.

“In the past, when he has spoken, he has sometimes replied to questions by protesting that he is boring. Maybe he believes that this is the case, or just believes there is no point in allowing himself to seem interesting in the way interviewers usually want people to be. Still, he has told himself that tonight he will be truthful. He’s feeling calmer these days. He has not had one of these conversations for a while, and he intends it to be a long time before he has another.”

On being gay in the military, three years before Don’t Ask, Don’t Tell:

A vast majority of those interviewed had been interrogated at least once, and what they described was nearly the same. They said those under suspicion of homosexuality suffer bright lights in their eyes and sometimes handcuffs on their wrists, warnings that their parents will be informed or their hometown newspapers called, threats that their stripes will be torn off and they will pushed through the gates of the base before a jeering crowd.

"Serial systems and their permutations function as a narrative that has to be understood. People still see things as visual objects without understanding what they are. They don’t understand that the visual part may be boring but it’s the narrative that’s interesting. It can be read as a story, just as music can be heard as form in time. The narrative of serial art works more like music than like literature."