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Post-Artifact Books and Publishing

How digital shifts the way we produce, distribute, and consume content:

The future book — the digital book — is no longer an immutable brick. It's ethereal and networked, emerging publicly in fits and starts. An artifact ‘complete’ for only the briefest of moments.

Lori Hinnant is a reporter for the Associated Press. Along with videojournalist Mstyslav Chernov, photographer Evgeniy Maloletka, and video producer Vasilisa Stepanenko, she won the George Polk Award for war reporting for covering the siege of Mariupol.

“It’s really easy when you see raw footage flash by on the television to just see it as war as hell and this is very abstract. These are people with lives that were utterly ruined and they want to tell their stories. I mean, we’re not talking to people who don’t want to talk to us. And when you find out what happened the day their lives were changed, it really changes it.”

This is the second in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

Being James Brown

A profile.

When we're introduced, I spend a long moment trying to conjugate the reality of James Brown's face, one I've contemplated as an album-cover totem since I was thirteen or fourteen: that impossible slant of jaw and cheekbone, that Pop Art slash of teeth, the unmistakable rage of impatience lurking in the eyes. It's a face drawn by Jack Kirby or Milton Caniff, that's for sure, a visage engineered for maximum impact at great distances, from back rows of auditoriums.

Roberto Ferdman is a correspondent at VICE News. He and his colleagues at VICE News Tonight won the George Polk Award for Television Reporting for their coverage of the killing of Breonna Taylor and the investigations that followed.

This is part four in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

Weedmart

On the pair of entrepreneurs behind a Wal-Mart of weed in Oakland. The duo is talking IPO. “Everybody I was meeting was a little bit older, more a part of the hippie generation,” says one. “I was like, ‘I bet there’s so much room for innovation and new ideas.’”