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Björk’s Big Bang

The artist discusses her latest record, Biophilia, science and music education. 

Up until she developed a vocal-cord nodule a few years ago, Björk made a point of not investigating how that instrument worked. “With arrangements and lyrics,” she says, squinting over her coffee, “I work more with the left side of my brain. But my voice has always been very right brain. I didn’t try to analyze it at all. I didn’t even know until I started all this voice work, two years ago, what my range was. I didn’t want to let the academic side into that—I worried the mystery would go.”

Native Tongues

The making of the “five-thousand-page, five-volume book, known formally as the Dictionary of American Regional English and colloquially just as DARE”:

What joking names do you have for an alarm clock? For a toothpick? For a container for kitchen scraps? Or an indoor toilet? Or women’s underwear? When a woman divides her hair into three strands and twists them together, you say she is_____her hair? What words do you have to describe people’s legs if they’re noticeably bent, or uneven, or not right? What do you call the mark on the skin where somebody has sucked it hard and brought blood to the surface?

Syria's Sons of No One

Inside the safe houses where Syrian youth protesters have retreated since the uprising:

Around his neck he wore a tiny toy penguin that was actually a thumb drive, which he treated like a talisman, occasionally squeezing it to make sure it was still there. I sat next to him on the mattress and watched as he traded messages with other activists on Skype, then updated a Facebook page that serves as an underground newspaper, then marked a Google Earth map of Homs with the spots of the latest unrest. “If there’s no Internet,” Abdullah said, “there’s no life.”

Mondo Cavalli

A profile of fashion designer Roberto Cavalli.

It’s 11 a.m. Cavalli has just risen from his wolf-fur-covered bed and said good morning to Boy, his tiger-striped Bengal cat, and Gino, his miniature monkey. At a breakfast table covered with a cloth of one of his swirling bird patterns, on which are placed four packs of cigarettes and two cigars, Cavalli sinks down on a leopard-print cushion. While he eats applesauce and drinks orange juice from Cavalli tableware, he is surrounded by his four parrots and three beautiful publicists. “Give me some bad questions,” he tells me, lighting a cigar. “I will try to be nice.”

Crass Warfare

Why Whitney is Lucy, only less lovable:

This may sound like blasphemy to anyone who loves Lucille Ball, the woman who pioneered the classic joke rhythms that Whitney Cummings so klutzily mimics. Cummings has none of Ball’s shining charisma or her buzz of anarchy. Yet she does share Lucy’s rictus grin, her toddler-like foot-stamping tantrums, and especially her Hobbesian view of heterosexual relationships as a combat zone of pranks, bets, and manipulation from below. “This is war,” Whitney announces, before declaring yet another crazy scheme to undercut her boyfriend, and it might as well be the series’ catchphrase.

The A-Team Killings

Last fall, a team of American Special Forces arrived in Nerkh, a district just west of Kabul. Six months later, amid allegations of torturing and murdering locals, the team was gone. Shortly after they left, the remains of 10 missing villagers were found outside their vacated base. An investigation into a possible war crime.

The Shipbreakers

On a desolate, six-mile stretch of Indian beachfront, the bulk of the world’s big ships are dismantled for scrap. Though a ship is usually worth over $1 million in steel, the margins are low, the leftovers are toxic, and the labor—which employs huge numbers of India’s poor—is wildly dangerous.

Have Sperm, Will Travel

Amidst a historic shortage at sperm banks nationwide, a new means of donation is on the rise: Facebook groups. Elaine Byrd got involved in the community first as a moderator, then as a recipient. That’s how she met Ari Nagel, aka the Sperminator, a superdonor with nearly a hundred biological children and counting.

Wesley Morris, a Pulitzer Prize winner, covers film at Grantland.

"That's what writing about race and popular culture is for me: it's crime reporting. It's not me looking for an agenda when I go to the movies ... but I feel a moral responsibility to report a crime being committed. That's what I'm forced to do over and over again."

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