Showing 25 articles matching physics of music.

Are You Sure You Want To Quit The World?

Li Dao, a young Minnesota nurse, appeared in suicide chat rooms, contacted the most desperate, and made pacts to die with them via webcam. After some in the forum caught on, Dao disappeared; or rather, Dao had never existed at all. She was a middle-aged man. And he may have encouraged and witnessed dozens of live suicides.

The Choke Artist

Henry Heimlich saved untold choking victimes when he invented his maneuver in 1974. Since then, he’s searched in vain for another miracle treatment—pushing ethical boundaries along the way. Now at the end of his career, Heimlich has hired an investigator to find an anonymous critic working full-time to destroy his legacy.

The Longform Guide to Cat Burglars

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The Greeter

They call me the Greeter. I sell shoes at the Boca Raton Town Center mall — bedazzled stilettos and platforms, neon-strapped pumps saved for special occasions. I stand by the entrance of the store, heels dug into the carpet, tummy tucked in, and I greet people. Hi, how are you, sunshine? Have you seen our shoes today?

Home Body

No house is private. It may be purchased, and thus legally private property, but it doesn’t stand alone. Through its extending wires, pipes, inputs and outputs, the house (with few off-grid exceptions) is tied up in the cyborg systems of the city and the supply chains and logistical inputs that extend around the globe.

Aaron Lammer is a co-host of the Longform Podcast and the host of the podcast Exit Scam: The Death and Afterlife of Gerald Cotten.

“Something I got from a number of reporters that I’ve interviewed on the Longform Podcast is letting the story guide you, and ultimately that led me to an ambiguous ending. Early on, I was like, the pinnacle achievement is to solve this case. But ultimately, I felt like an ambiguous ending was the most honest to what I actually experienced in reporting it.”

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Jason Fagone, a contributing editor at Wired and a writer-at-large for Philadelphia, is the author of Ingenious.

"It seemed like all the big guys in American society had let us down, all the elites. And here was a contest that was explicitly looking to the little guy and saying, 'We don't care what you've done before or how much money you have in your pocket. If you solve this problem, you win the money.' There was something so optimistic and hopeful and cool about that to me."

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Masha Gessen has written for The New York Times, The London Review of Books, Vanity Fair, and others. Her book about Tamerlan and Dzhokhar Tsarnaev, The Brothers: The Road to an American Tragedy, came out in April.

“The moment she said it, it was obvious that I'd been created to write this story. I'd covered both wars in Chechnya. I'd covered a lot of terrorism. I'd studied terrorism. And I'd been a Russian-speaking immigrant in Boston, which actually is the most important qualification for writing this book. It didn't give me special knowledge, but it gave me a lot of questions that I knew to ask that other people wouldn't.”

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Rachel Monroe is a freelance writer based in Texas.

“I will totally go emotionally deep with people. If I can find a subject who is into that then it will probably be a good story. Whether that person is a victim of a crime, or a committer of a crime, or a woman who spends a lot of time on the internet looking for hoaxes, or whatever it may be—I guess I just think people are interesting. Particularly when those people have gone through some sort of extreme situation.”

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Brooke Gladstone is the host of On the Media.

“I’ve learned so much about how easy it is to redefine reality in this era of billions of filter bubbles. How easy it is to cast doubt on what is undeniably true. And I think that that’s what frightens me the most. I actually think that’s what frightens most people the most. How do we make sure that we all live in the same world? Or do we?”

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Megha Rajagopalan is a senior correspondent for Buzzfeed News. She won a Pulitzer for her coverage of the Xinjiang detention camps.

“It’s not so much that I talk to [the Chinese government] to get information. It’s more that I talk to them to see how they think about things and what’s important to them and what’s their view of the world. … There are so many journalists that have been thrown out of China, so there’s very few people that are able to actually have those conversations. And in the U.S., there are these seismic decisions being made about China policy, and if you don’t talk to the people that run the country, it’s a problem.”

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