Showing 25 articles matching national magazine awards.

Ross Andersen is the deputy editor of Aeon Magazine.

“One of the things that’s been really refreshing in dealing with scientists—as opposed to say politicians or most business people—is that scientists are wonderfully candid, they’ll talk shit on their colleagues. They’re just firing on all cylinders all the time because they traffic in ideas, and that’s what’s important to them.”

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Jon Mooallem, a contributing writer at The New York Times Magazine, is the author of Wild Ones and American Hippopotamus, the latest story from The Atavist.

"I'm terrible at writing nut graphs. I never know why people should keep reading. That's the menace of my professional existence, trying to figure that out. Because often you have to explain that to an editor before you even start, and I may not even know while I'm writing what the bigger point is."

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Nicholas Schmidle is a staff writer for The New Yorker. His latest article is "Virgin Galactic's Rocket Man."

“I think there’s a lot more pressure that I’ve put on myself to make sure that the next [article] is better than the last one. To make sure there are sourcing standards and expectations I have for myself now that I might not have had earlier. I’m putting even more priority on building long-term relationships in which I trust an individual. ... I feel like the pieces coming in are tighter in terms of sourcing, but story selection becomes a lot more difficult. You want to do a different story.”

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Michael J. Mooney is a staff writer at D Magazine and the author of The Life and Legend of Chris Kyle.

“There are some elements of crime stories that are so absurd that it’s funny, and so working on the “How Not to Get Away With Murder” story, it was actually really funny thinking about it for a long time. Until I met Nancy Howard, the woman who was shot in the face and has one eye now. This is her entire life, and it was destroyed. This is not a crime story to her, it’s her life.”

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Did Robert Johnson Sell His Soul to the Devil?

Another look at a popular myth.

For the longest time blues fans didn’t even know what their hero looked like—in 1971, a music magazine even hired a forensic artist to make a composite sketch based on various first-hand accounts—until two photos of Robert Johnson finally came to light.  The dapper young man pictured in the most famous photo, dressed in a stylish suit and smiling affably at the camera, hardly looks like a man who has sold his soul to Lucifer.

Ellis Jones is the editor-in-chief of VICE Magazine.

“I’m just not an edgy person. You know what I mean? I think I am a nice person. I think VICE Magazine reflects the qualities that I want to have or think that I have or that my team has. The magazine would be terrible if I tried to make edgy content ... people would just see right through it. It wouldn’t be good.”

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Michael Schulman is a staff writer for The New Yorker. He recently profiled Jeremy Strong of Succession.

”There's an interesting moment that's part of this job where you’ve spent a lot of time with someone and it often feels very personal and very intimate. And then when you go to write the piece, you have to sort of take a breath and say to yourself, Okay, I'm not writing this for this person. I'm writing this for the reader.

Luke Mogelson is a journalist and fiction writer whose work has appeared in The New Yorker, The New York Times Magazine, and other publications. His latest feature is ”Among the Insurrectionists.”

“Get to the front and document as much as you can. ... I think my approach is much more similar to photographers than other writers. I spend a lot of time with photographers and ... I feel like I've gotten pretty good at getting myself into situations where there's few or maybe no other writers around, but there's always a bunch of photographers…. I try to get in right behind the first photographers.”

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The New Glenn Beck

He has a staff of 300. His website gets more traffic than Gawker and has 300,000 paying subscribers. He has a clothing line, a string of bestselling books, a movie studio and a radio show syndicated on 400 stations. A profile of Glenn Beck, mogul.