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Zoe Chace is a reporter and producer at This American Life.

“Radio is a movie in your head. It’s a very visual thing. It’s a transporting thing—when it’s done well. And it’s louder than your thoughts. It is both of those things. It would just take me out of the place that I was, where I was lost and couldn’t figure things out. ... They had a very personal way of telling the story to you, so that you kind of felt like you’re there with them. Like it’s less lonely, it’s literally less lonely to have them there. And that felt really good.”

Thanks to MailChimp, Mubi, Squarespace, and Casper for sponsoring this week's episode.

Baynard Woods and Brandon Soderberg are the co-authors of the new book I Got A Monster: The Rise and Fall of America's Most Corrupt Police Squad.

“We really wanted to create some kind of leftist, anti-racist true crime story that we really haven’t seen. The conventions of the thriller often smuggle in all of this really right-wing, pro-police propaganda that all of our cops were raised on—the story of cops having to crash cars and break rules in order to get the bad guys. We wanted to take that and subvert it, using its methods to blow it up from the inside while also being rigorously reported.”

Thanks to Mailchimp and The Jordan Harbinger Show for sponsoring this week's episode.

Chris Bell: That Don't Get Him Back Again

Listening to the Big Star songwriter, who left the group before dying in a solo car crash at 27.

His voice, on the recordings, is too sensitive. That's meant not as an aesthetic judgment. It wasn't too sensitive for the material, in other words. It was too sensitive for life. You listen to him sing, closely, and if you don't know another thing about what happened to him, you know that the guy with that voice is not going to last.

Inside DC’s Secret Covid Morgue

Last April, the District built a secret disaster morgue, assembled an army of volunteers to staff it, and trained people who had never previously seen a dead body to care for the dead. This is the story of the morgue—and the quiet force of civil servants tending to everyone we’ve lost to Covid.

Jess Zimmerman is editor-in-chief of Electric Literature. Her new book is Women and Other Monsters.

“My goals are to be exactly as vulnerable as I feel is necessary. And not that’s necessary to me—that's necessary to the observer, to the reader. If [my story] is out there, it's out there because in order to make the larger point that I wanted to make … I had to give this level of access. It does kind of feel more strategic than cathartic.”

Thanks to Mailchimp for sponsoring this week's episode.

Train of Thought: On the 'Subway' Photographs

An essay drawn from the introduction of Davidson’s iconic book Subway, first published in 1986:

To prepare myself for the subway, I started a crash diet, a military fitness exercise program, and early every morning I jogged in the park. I knew I would need to train like an athlete to be physically able to carry my heavy camera equipment around in the subway for hours every day. Also, I thought that if anything was going to happen to me down there I wanted to be in good shape, or at least to believe that I was. Each morning I carefully packed my cameras, lenses, strobe light, filters, and accessories in a small, canvas camera bag. In my green safari jacket with its large pockets, I placed my police and subway passes, a few rolls of film, a subway map, a notebook, and a small, white, gold-trimmed wedding album containing pictures of people I’d already photographed in the subway. In my pants pocket I carried quarters for the people in the subway asking for money, change for the phone, and several tokens. I also carried a key case with additional identification and a few dollars tucked inside, a whistle, and a small Swiss Army knife that gave me a little added confidence. I had a clean handkerchief and a few Band-Aids in case I found myself bleeding.

The Riders

On bareback horse relay racing, a Native American tradition:

“It’s going to be America’s next extreme sport,” he predicts. “Compare it to Professional Bull Riders, PBR. Look how big that got—a million in prize money in every city they go to. That’s how Indian Relay is going to be in 10 years. I look for it to be at every track in the country by 2025.