What it was like to edit The New Republic at its most contentious.

One of the little tweaks I made the first time I got the job was to change the slogan on the table of contents from “A Journal of Politics and the Arts” back to the original: “A Weekly Journal of Opinion.” All the fine reporting notwithstanding, what The New Republic did best, had always done best, was opinion. Its politics were polemical, its art was the art of argument.

Rafael Palmeiro was a surefire Hall of Famer before a positive steroids test derailed everything. He retired a few months later, quietly sent home early by the team that had been planning to celebrate him. Next came depression and a $53 million business deal gone bust.

Tropicália was a movement that lasted just short of a year, spanning from Hélio Oiticica’s 1967 art installation of the same name, wherein viewers walked along a tropical sand path only to come face-to-face with a television set, to the debut of a TV show, wherein its constituents buried the movement on-air. But Tropicália’s influence was vast.

After all these years, it’s still there, in the back of her mind, lurking. No matter how good things are going, it never quite goes away, this feeling that she should have died that day. And her brush with death is the first thing that strangers tend to notice about her, like a limp or a disfigurement. Once they find out where she went to high school, that’s all they want to talk about.

A conversation with Vasily Gotov:

"Russia undoubtedly celebrated the reports in American media about its activities. They want to instill doubt. They want to be part of the agenda. They want to penetrate our media culture. Russian penetration is dramatically overstated in American media, but that only serves them better. It creates the impression that they're more powerful than they are. That discussions like this are necessary at all is a tremendous win for Russia."

After a botched bank robbery in 1990, Sture Bergwall, aka Thomas Quick, confessed to a string of brutal crimes. He admitted to stabbings, stranglings, incest and cannibalism. He was convicted of eight murders in all, and after the final trial he went silent for nearly a decade. But a few years ago, Bergwall came forward again—there was one more secret he had to tell.

Tom Wolfe on the development of ”New Journalism,” an unconventional reporting style which he helped to pioneer.

I had the feeling, rightly or wrongly, that I was doing things no one had ever done before in journalism. I used to try to imagine the feeling readers must have had upon finding all this carrying on and cutting up in a Sunday supplement. I liked that idea. I had no sense of being a part of any normal journalistic or literary environment.

Assessing 40 years of treatment.

My abiding faith in the possibility of self-transformation propelled me from one therapist to the next, ever on the lookout for something that seemed tormentingly out of reach, some scenario that would allow me to live more comfortably in my own skin. For all my doubts about specific tenets and individual psychoanalysts, I believed in the surpassing value of insight and the curative potential of treatment — and that may have been the problem to begin with.

An interview with the ‘media ecologist’ on corporations, feudalism, the Dark Ages, the birth of currency, debt, how PR was invented, and why—

"...Any man that has a mortgage to pay is not going to be a revolutionary. With that amount to pay back, he’s got a stake in the system. True, he’s on the short end of the stick of the interest economy, but in 30 years he could own his own home."

Inside the Shel Silverstein archive.

One of the things you learn is that “polymath” doesn’t even begin to describe Silverstein. His creativity extended in so many directions that his archivists must be versed not just in turn-of-the-century world children’s literature, but Waylon Jennings’s deep cuts; not just in reel-to-reel tape preservation, but how to keep an old restaurant napkin scribbled with lyrics from falling apart.

I've grown, over the last few months, the beginnings of concerned; he's started to suffer bouts of malaise. Nothing too regular, or too terrible: mild stomach aches, sore joints, general lethargy. In anyone else, it could be anything, etc. In Chad, I grow attuned to the slightest variation in temperature, to the distracted look behind his eyes when food isn't sitting with him.

A secret hope of mine, which I now find hilarious: I imagined that once I had a child, I would become a faster writer. Faster, and also better. It’s hard for me to reconstruct the optimistic logic that led me to this hypothesis. I think I honestly believed that if I did not have the option to write badly, I would simply evolve, like that Lamarckian giraffe, into a more efficient creature.

“We were somewhere around Barstow on the edge of the desert when the drugs began to take hold.”

In northern Nigeria, radical Islamic terrorist group Boko Haram is facing a vigilante backlash from armed teenagers with nothing to lose.

For many, the answer from the state is “yes.” An investigation into what legally determines a person’s ability to parent.

The creator of Scandal and Grey’s Anatomy offers advice to the Dartmouth class of 2014.

Courtland Kelley knew there was a problem more than a decade ago. He tried to speak up. He sued. He lost.

How the Pentagon makes “Koch Industries look like an organic farm” when it comes to toxic water contamination.

How to understand the real-world value of things that are worth nothing and everything at once.

Arlena Lindley’s boyfriend Alonzo Turner beat her for months and murdered her child. So why was she sent to prison for 45 years?

An inside look at the Democratic infighting and Republican gameplan (“Obama, Obama, Obama”) that led to the midterm landslide.

How the self-proclaimed “inventor of all things streaming” went from dot-com millionaire to crime ring accomplice.

On the 1,600-year-old text that suggests that Jesus, long believed to be celibate, was a married man.

What it’s like to be Enzyte’s “Smiling Bob,” and other tales of acting as a product’s public face.