To Shill a Mockingbird
A 58-year-old manuscript will become Harper Lee’s second novel, but questions about Lee’s care continue to swirl in Alabama.
A 58-year-old manuscript will become Harper Lee’s second novel, but questions about Lee’s care continue to swirl in Alabama.
Neely Tucker Washington Post Feb 2015 20min Permalink
One day you’re teaching yourself to play the piano in hotel lobbies, the next you’re contributing a song to a David Lynch soundtrack.
Tal Rosenberg Chicago Reader Feb 2015 15min Permalink
Key and Peele try to make comedic sense of America’s confusions about race. Their secret? “Really, there’s no actual strategy.”
Zadie Smith New Yorker Feb 2015 35min Permalink
The article that kept the New Yorker alive was written by a debutante. Who happened to be married to Irving Berlin.
Ian Frazier New Yorker Feb 2015 25min Permalink
The many lives of Josh Tillman, who on the way to releasing one of the year’s best albums was “a defiant child of God, a broke dishwasher, a successful drummer, a Dionysian shaman, a failed poet, a drug-hoovering spiritualist, and a gleeful prankster.”
Sean Fennessey Grantland Feb 2015 20min Permalink
She was not just a poet, she was an “event” in American literature all by herself.
Elizabeth Hardwick New York Review of Books Dec 1969 20min Permalink
In spite of the boiling-hot anticipation of its release, no one had much fun making this movie.
Vanessa Grigoriadis Vanity Fair Feb 2015 25min Permalink
A draft dodger invents a pop music career for himself – without recording any songs.
Jon Ronson The Guardian Feb 2015 10min Permalink
The singer-songwriter has a calico cat named Nietzsche.
Carl Swanson New York Feb 2015 15min Permalink
The rise and fall of former McDonald’s CEO Don Thompson.
Ben Austen Chicago Mar 2015 20min Permalink
The dramatic liberties a much-heralded film takes with historical fact show how hard it is to get complexity onto the big screen.
Darryl Pinckney New York Review of Books Feb 2015 15min Permalink
The surreal pageantry of the North Korean Film Festival makes Hollywood look demure.
Mitch Moxley GQ Mar 2015 15min Permalink
How the author’s father wrote over 400 pieces of “pirate porn, ghost porn, science-fiction porn, vampire porn, historical porn, time-travel porn, secret-agent porn, thriller porn, zombie porn and Atlantis porn.”
Chris Offutt New York Times Magazine Feb 2015 10min Permalink
A journalist and documentarian charts over a decade of her relationship with Philip Roth.
Livia Manera Sambuy The Believer Jan 2015 20min Permalink
Seth Rogen, Amy Pascal, and the inside story of Sony’s hacking saga.
Mark Seal Vanity Fair Feb 2015 30min Permalink
How Harper Lee was duped into signing away the rights to To Kill a Mockingbird, which still sells 750,000 copies per year, and how she’s fighting to get them back.
Mark Seal Vanity Fair Jul 2013 30min Permalink
The tragic final days (and very weird afterlife) of a radio legend.
Amy Wallace GQ Jan 2015 20min Permalink
In the wake of Rumours, the band endures a series of break-ups.
Cameron Crowe Rolling Stone Mar 1977 30min Permalink
On the set of ‘Show Me a Hero,’ his new HBO miniseries, Simon is as impassioned, cantankerous, and uncompromising as ever.
Amos Barshad Grantland Jan 2015 15min Permalink
Long a cult favorite in comedy, Bob Odenkirk has finally found wider recognition—and respect—through a shady character named Saul.
Mel and Norma Gabler of Longview, Texas, want to tell your children what to learn in school.
William Martin Texas Monthly Nov 1982 30min Permalink
How a blind, destitute man became a world-class composer while living on the streets of New York.
Zachary Crockett Priceonomics Jan 2015 15min Permalink
Alex Malarkey co-wrote a bestselling book about a near-death experience. Last week he admitted he made it up. Why wasn’t anyone listening to a quadriplegic boy and a mother who simply wanted to tell the truth?
Michelle Dean The Guardian Jan 2015 15min Permalink
A conversation with Björk about Vulnicura, her new—and confessional—album about her recent break-up with Matthew Barney.
Jessica Hopper Pitchfork Jan 2015 Permalink
How the singer became the target of the Federal Bureau of Narcotics’ early, racially-motivated war on drugs. </br></br>
Excerpted from Chasing the Scream: The First and Last Days of the War on Drugs.
Johann Hari Politico Magazine Jan 2015 20min Permalink