Comic miscues ensue at a private family dinner.

"Also, I’m a pretty big guy, so I often find myself appointed the unofficial bouncer on these sorts of occasions. It was Dumpling Night. I know that because when I walked past the steam table, a teenage girl was there with tongs and she said, 'Dumpling?'"

A disillusioned actress, retiring from show business, moves to the Midwest.

"And so she left Hollywood. Phoned her agent and apologized. Went home to Chicago, rented a room by the week at the Days Inn, drank sherry, and grew a little plump. She let her life get dull—dull, but with Hostess cakes. There were moments bristling with deadness, when she looked out at her life and went 'What?' Or worse, feeling interrupted and tired, 'Wha--?' It had taken on the shape of a terrible mistake. She hadn't been given the proper tools to make a real life with, she decided, that was it. She'd been given a can of gravy and a hairbrush and told, "There you go." She'd stood there for years, blinking and befuddled, brushing the can with the brush.

The wrenching existence of a circus sideshow attraction.

"Dog Boy has a phantom tail. When excited he can feel the invisible tail wagging; his whole rump moves with it. When he’s afraid, he tucks it between his legs. But there is something frustrating about it, like eating imaginary food. Sometimes his frustration builds until he feels the intense and sudden urge to chase this invisible tail; he spins around and around in a tight circle until he exhausts himself."

An old man reflects unhappily on his brother's false contentment.

"He used to draw out a plan of his estate and always the same things were shown on it: (a) Farmhouse, (b) cottage, (c) vegetable garden, (d) gooseberry-bush. He used to live meagrely and never had enough to eat and drink, dressed God knows how, exactly like a beggar, and always saved and put his money into the bank. He was terribly stingy. It used to hurt me to see him, and I used to give him money to go away for a holiday, but he would put that away, too. Once a man gets a fixed idea, there's nothing to be done."

An aging man, a dead wife, a peculiar dog.

Once more at five o'clock, just before five o'clock, the dog engaged in its unaccountable behavior. And then, the next day, again. And the day after that, again. And still he had gotten not an inch closer to understanding why. Would he ever? Perhaps a sound so high-pitched he couldn't hear it. Something shifting in the clock maybe as it prepared to chime the hour. Or the dog was somehow seeing something that wasn't actually there. Or maybe he was simply watching the dog go mad.

An isolated apartment sitter sees apparitions of mysterious beings.

"And then, after a few days, I returned to the living room, to sit in the blank and quiet night and watch them pass in darkness. And after a few more nights, I crept closer to the curtains. One night, having left them closed, I peeled one back as the last of them passed. I watched them proceed down the street in their own strange strides, walking steadily, not turning a corner, not entering some structure, not vanishing in mid-air."

A childhood evening in a barrio.

"Now they’re bossing all the kids around. Just because they have the nicest soccer ball in all of Cuatro de Marzo, they think they can slave-drive the other kids to make the soccer field, to carve it out from the dirt street. They think they can practically reinvent the game. The ball is pretty nice. Nobody knows exactly where they got it, but they never let it out of their sight. They take turns guarding it, sleeping with it at night. It’s the same kind the Guadalajara Chivas use, one that looks official—all red, white and blue with their coat of arms on the side."

A farmer's marriage to a Native American woman is plagued by problems and supernatural phenomena.

"The other thing about Lily that half-annoyed and half-charmed me was her belief in all sorts of supernatural horseshit. I figured she couldn’t help it, for the most part, being unavoidably disposed to things like honoring her dead ancestors and crop ceremonies and who knows what else; but every once in a while she took it too far. One of the biggest arguments we ever had came after I found her tacking up little bundles of bones and animal guts over all the windows and doors of the farmhouse. She’d gotten it into her head that the farmer’s spirit was still wilting around in the rafters of the front porch. He was just melancholy now, she said, she could feel it; but he might turn malevolent if we didn’t communicate to him that he didn’t live here anymore, that he needed to cross over."

An estranged husband recaps his odd marriage to a German woman.

"Back then, though, we weren’t sleeping together. That didn’t happen till later. In order to pretend to be my fiancée, and then my bride, Johanna had to spend time with me, getting to know me. She’s from Bavaria, Johanna is. She had herself a theory that Bavaria is the Texas of Germany. People in Bavaria are more conservative than your normal European leftist. They’re Catholic, if not exactly God-fearing. Plus, they like to wear leather jackets and such. Johanna wanted to know everything about Texas, and I was just the man to teach her. I took her to SXSW, which wasn’t the cattle call it is today. And oh my Lord if Johanna didn’t look good in a pair of bluejeans and cowboy boots."

A woman travels to Mexico at the request of her married lover/boss.

"The driver has a picture of his family on the dashboard, like the one Gustavo has on his desk at work of his two little runts, his wife, all in cowboy hats or sombreros. Meera doesn’t know the difference. In the picture, his wife comes across as a woman who likes to be in charge: big boobs, square shoulders, a sturdy ass and yet apparently confident in tight jeans. Meera doesn’t know her name, doesn’t want to know it. But in her head, when she thinks of her, her name is Gustava."

A story about growing up and sexual identity.

"They have contests, about everything — cough syrup as a substance to abuse, swearing accidentally in class, having sex in the parking lot with their girlfriends during passing periods (the record seventeen times in Matt Haney’s truck) — their lives a haze of baby Tylenol, whip cream cans, Ray Bans, pot, beer, Smirnoff ice, Mom’s Vicodin — everything at the ready in the glove compartment."

The rise and fall of a friendship between three Indian women.

"We were goddesses. Meena, Annie, and Nayantara. Even our names were like heroines. Meena and Annie had known each other since they were 5. I met them in seventh standard. Though we never said it aloud, we knew that three beauties had more power than two or one. Like the Hindu gods. Or all those pop groups. Like the Wilson Phillips. We liked the Wilson Phillips. We pretended to like the fat one but heart of hearts we didn’t."

When their parents are called away, the children of the farm set about creating their own Thanksgiving.

"Eph took his fiddle and scraped away to his heart's content in the parlor, while the girls, after a short rest, set the table and made all ready to dish up the dinner when that exciting moment came. It was not at all the sort of table we see now, but would look very plain and countrified to us, with its green-handled knives, and two-pronged steel forks, its red-and-white china, and pewter platters, scoured till they shone, with mugs and spoons to match, and a brown jug for the cider. The cloth was coarse, but white as snow, and the little maids had seen the blue-eyed flax grow, out of which their mother wove the linen; they had watched and watched while it bleached in the green meadow. They had no napkins and little silver; but the best tankard and Ma's few wedding spoons were set forth in state. Nuts and apples at the corners gave an air, and the place of honor was left in the middle for the oranges yet to come."

Executives discuss a reality TV pilot gone awry.

"'I don’t know what happened in there. Like I said, maybe if we hadn’t told him she was in on it, whatever it was would’ve gone down differently. But a few minutes later the girl comes running out of the house with blood on her, screaming like hell. Cortez caught her and took her inside, waited with her while Benny called 911—'"

A senator and his wife deal with the aftermath of a sex scandal.

"He opened the car door and pushed his way out into the sea of shouting reporters. Batting away microphones, he made his way up the front walkway and mounted the steps to the porch. The door was locked. Steve patted his empty pockets; his keys were in his suitcase in the trunk of the car. He rang the doorbell and waited with his hands folded in front of him. Then he took out his phone and dialed Maureen. 'I’m locked out,' he said when she picked up."

The observations and fears of a stepmother.

"Evie runs to you to get a drink of water, and you hand her the squeeze bottle you keep in your purse. Your purse—just three years ago, it had beauty magazines and lipstick in it. If someone took an inventory now, they’d find toys from the quarter machines, small notes or drawings Evie gave you, plastic animals. It’s like you are a different person now: the person you always wanted to be when you grew up. And Evie is the kid you hoped you’d have."

Three London flatmates navigate work, identity, and class.

"Licia herself did not believe in restricting her lifestyle to her earnings, and was in the happy position of not having to. Her parents (The Parents, she called them, as if they were the only ones in the world) were forever buying her extravagant gifts and sending her hampers from Fortnum and Mason. Every spring and autumn, she and her mother went out to buy Licia a new summer wardrobe and a new winter wardrobe. If Licia were to peer from the top of a tall staircase, or teeter along a perilous rooftop, she would see The Parents waiting below, with mattresses spread out to catch her, duvets and goose down pillows. The feathers buoyed her steps; her feet, in their Italian leather shoes, never quite made contact with the pavement. She was always the one turning up the heat or throwing out two-day-old bread or buying white rum and vermouth to make cocktails."

This year's National Book Award winner looks at the life of a preacher's son in the Kansas Territory.

"Now, it's true there was a movement in town to hang my Pa, on account of his getting filled with the Holy Ghost and throwing hisself at the flood of westward pioneers who stopped to lay in supplies at Dutch Henry's—speculators, trappers, children, merchants, Mormons, even white women. Them poor settlers had enough to worry 'bout what with rattlers popping up from the floorboards and breechloaders that fired for nothing and building chimneys the wrong way that choked 'em to death, without having to fret 'bout a Negro flinging hisself at them in the name of our Great Redeemer Who Wore the Crown. In fact, by the time I was ten years old in 1856, there was open talk in town of blowing Pa's brains out."

A mental disorder in which the protagonist believes he is a tree.

"There are a lot of things though that one doesn’t experience as a tree. For example music. Maybe trees feel the vibrations, but I don’t remember anymore. When I was young my mom put me in piano lessons. I begged to go to them actually, but I was horrible. Before the lesson I used to have to sit and wait in the hallway of the music school and from the different rooms you could hear the different instruments being played badly, but from my position in the hallway, it sounded like they were all coming from the same room. A cello screeching as syncopation to an out of tune violin with a piano clank-clanking along. It was beautiful and what I enjoyed more than anything else. Music is one thing that I’ll miss, when I become a tree again."

The unfolding of a fling between an employee and a club owner.

"There are two more bus trips and hotel rooms. Each trip goes pretty much the same. Each morning you wake up alone and he’s at the casinos, and he never picks up his cell phone and it all makes you feel so helpless and pale and when you ride back to the city there’s never anything to say. Spring is coming, and coat check season will be over soon."

A clash of culture, sex, and need between an English wife and her Greek husband.

"On this day Mary goes home excited and restless and sits in front of her looking glass and examines herself. She often does this. She is plump, pretty, with ruddy cheeks, black curls, and a lot of well-placed dimples, and Dmitri calls her his little blackberry. But she has gray eyes, and he says that if it weren’t for those cool English eyes he could believe she has Greek blood. His black eyes easily smolder, or burn, or reproach. Mary leans her forearms among the little bottles of scent, the lipsticks, the eye paint, and tries out expressions. She puts a long unsmiling unblinking stare on her face and frightens herself with it."

A couple peacefully contemplates their imminent destruction.

"I dreamt that it was all going to be over and a voice said it was; not any kind of voice I can remember, but a voice anyway, and it said things would stop here on Earth. I didn't think too much about it when I awoke the next morning, but then I went to work and the feeling as with me all day. I caught Stan Willis looking out the window in the middle of the afternoon and I said, 'Penny for your thoughts, Stan,' and he said, 'I had a dream last night,' and before he even told me the dream, I knew what it was. I could have told him, but he told me and I listened to him."

An attempt to clean out a vacant room instigates an existential crisis, in this new translation of the opening of Lispector's 1964 novel.

"And though I’d gone into the room, I seemed to have gone into nothing. Even once inside it, I was still somehow outside. As if the room weren’t deep enough to hold me and I had to leave pieces of myself in the hallway, in the worst rejection to which I’d ever fallen victim: I didn’t fit."

Damaged people thrash about in doomed relationships.

"I told her I had been well into my central twenties before it dawned on me that to 'sleep with' someone didn’t simply mean to take a companion for your horizontal hours and thereby get sleep domed over you so much the higher than it would if you went home to bed alone. I had thought that was how you gave greater compass, greater volume, to your dreams."

A woman is sent on an ominous mission to collected a jugular vein.

"The hands are still clapping when I jump, when I take on the air, when I dive. My body slams into the dirt at the bottom of the hole, some of the jugulars beneath me, I can feel the softness of them, I pull the rest near me, bring their thick heavy softness near the heat of my body."