At a party, two black cousins confront each other on personal identities, class status, and honesty.

"Francis had blown through a trust the size of Connecticut to establish his career as a rapper. And from what had been rumored, paid out hush money and child support to women across the Northeast. My cousin the genius. I couldn’t believe how much Suze admired him. Despite my repeated warnings about his true character, Suze still believes that Francis is a role model the poor can look up to, that he gives hope to the less fortunate. In her attempts to win me over, she even pointed out that Francis’ rapping name was actually a clever bastardization of phlogiston: an archaic, imaginary substance people once believed responsible for making things burn."

A librarian engages in sexual pursuits following the death of her father (NSFW).

" She has him back in the room; he makes one tentative step forward and then he's on her like Wall Street rain, his suit in a pile on the floor in a full bucket, her dress unbuttoned down, down, one by one until she's naked and the sweat is pooling in her back again. She obliterates herself and then buttons up. This man too wants to see her again, he might want to marry her, he's thinking, but she smiles without teeth and says, man, this is a one-shot deal. Thanks."

Two men, one recently abandoned by his wife and child, engage in mundane activities.

"I want to love but know I never will. Or is it that I want to be loved and know that that, too, I can prevent? Or must prevent? I can locate the object, it is in the method I fall down. Do not quite have the hang of it. This is a difficult idea to get your brain on, in the truck with Driggers, who is calmed into an earthly earthy mania. You could not hold the idea in your head that you did not quite get the hang of, say, eating."

A young man analyzes his personal problems while making a cattle delivery.

"I think about driving back through this mess after I drop the cows off, and speed up the drive in my eyes so that it’s like watching a movie in fast forward: me and the truck diving into the green again. I see my daddy in the house waiting for me, sitting at his same seat at the table. I picture this in my head even though I know he probably ain’t even going to be there, that the house will smell like empty: dust and cut grass and Comet and fried grease."

A young pregnant woman versus the dryer at a military Laundromat.

"She is thirty-one years old, and she never wanted anything so much as to be married to the man she loves and to have a child with him. And she had thought, all those years when they tried to conceive, that she knew and loved her husband better than anyone she could even imagine. But what kind of man joins the Marines when there is a war going on? She could never have imagined herself in this Laundromat across the street from a strip designed for the eighteen-year-old children who are most of the Marines, her husband's new colleagues."

An imaginative, unpopular boy and a depressed older man face the dangers of winter.

"Something was wrong here. A person needed a coat. Even if the person was a grownup. The pond was frozen. The duck thermometer said ten. If the person was mental, all the more reason to come to his aid, as had not Jesus said, Blessed are those who help those who cannot help themselves, but are too mental, doddering, or have a disability?"

After the birth of his child, an unhappy man's mind wanders.

"Carl didn’t want to cut the cord. He had done it for the others and this, he felt, was more than his share. The other kids were tucked in and away for a few days at her sister’s spread in Winnetka, not far from his parents’ old farm. His own modest house off Cicero, just southwest of downtown, was enticingly empty tonight, all five windows to the street, three on top and two on each side of the red door, would be dark and oblivious to Carl, for example, in a big empty bed, or babies, or the half moon rising through the grit and glow of the city, outlining the tallest of its buildings. Keep it dark. He hoped to get home tonight and sleep some, in all that still and lonesome."

A conversation with a future being reveals the sad timelessness of modern problems.

"What would an unspoiled South Sea Islander have made of the first atomic war? Maxwell wondered. Morals of one society didn't apply to another, he knew. Still—was it possible that the Beachcomber's people, Maxwell's own descendants, still had a taint of the old Adam? And was it accident that they were the only dominant life-form in the entire universe, or had they eliminated all other contenders?"

A young woman's keen observations and imaginations of cities and unknown people.

"Isabel finds the postcard of Amsterdam on Thursday evening, at her favorite junk store, across from the food carts on Hawthorne. It is a photograph of tall houses on a canal, each painted a different color, pressed together and tilted slightly, like a line of people, arm in arm, peering tentatively into the water. The picture has a Technicolor glow, the colors hovering over the scene rather than inhabiting it."

A elderly father and his grown son attempt uneasy bonding on fishing trips.

"But he would talk to me during that time when he wasn't concentrating on a cast or reeling something in. I loved that he would tell me stories. That day with the mayflies he told me how he went fishing everyday as a kid, had to because they ate whatever he caught that day for dinner. And when he went fishing with his dad in a little aluminum boat and when the motor gave out his dad told him to get out and drag the boat. He put a rope around him and pushed him into the water, which was probably full of gators and moccasins, and he dragged his big, fat, drunk dad in the boat until they got to shore."

A sample from Colson Whitehead's classic debut novel about clashing groups of elevator inspectors.

"The man's lips arch up towards his nose and Lila Mae understands that he's never seen an elevator inspector like her before. Lila Mae has pinpointed a spot as the locus of metropolitan disaffection. A zero-point. It is situated in the heart of the city, on a streetcorner that clots with busy, milling citizens during the day and empties completely at night except for prostitutes and lost encyclopedia salesmen."

A dream-like drive alternates between urban and rural settings.

"A few streets away from home now, past the closed tailor’s shop, and suddenly there are ducks gathered under a streetlight. The night is disobedient. When she pulls up she sees them standing there, hovering over a puddle of dark water in a small crater made by broken paving stones. There are seven of them, tall and snow white, untouched by the soot and grime in the air, with bright orange beaks and feet. She stops the car and turns off the lights."

Passengers and a tour bus driver share personal stories and local legends.

"Fraser Island is the world’s biggest sand island. It is made up entirely of sand. I like to say that a good island is just like a person: if you can understand its one main factor, you can understand the whole thing. The sand is what makes the island the way it is. It is all sand, blown together by the wind and taken here from the coast of New South Wales. That is why we have the trees we do, and why the beach and dirt are our roads. So you could say the island is the way it is because of sand from the wind."

Various people descend on an Italian gay pride parade.

"Her sense of her own presence was mounting. The fact was that she-who hadn't gone on even one strike when she was a young factory worker; who had not voted for at least fifteen years; who hadn't gone on vacation since her husband died, and who had only traveled on her own to visit distant, faded relatives-she was nearly becoming intoxicated by the thought of immersing herself in the tumultuous throng; of being lost and out of place in a crowd to which she had no social, sexual, or official connection at all."

A list of various lovers, presented with no judgement but a wealth of observation.

"I see on Max’s wrist a bracelet made of kelp. “Oh this?” Max says, and describes wading out into the Pacific, his stomach pressed against his board, anchoring himself by the wrist and diving, weaving through the kelp vines that sway deep below. There’s a whole world down there, he says, and I feel like he’s describing the dimensions of a home I’ve always imagined. He takes the bracelet from his wrist and ties it on mine. Anna walks between us after that."

A meeting at a castle is mixed with painful adolescent memories.

"It was one of those views that make you feel like God for a second. The castle walls looked silver under the moon, stretched out over the hill in a wobbly oval the size of a football field. There were round towers every fifty yards or so. Below Danny, inside the walls, it was black-pure, like a lake or outer space. He felt the curve of big sky over his head, full of purplish torn-up clouds. The castle itself was back where Danny had started out: a clump of buildings and towers jumbled together. But the tallest tower stood off on its own, narrow and square with a red light shining in a window near the top."

The Machine supports all remaining life and is not to be questioned in this science fiction classic.

"Advanced thinkers, like Vashti, had always held it foolish to visit the surface of the earth. Air-ships might be necessary, but what was the good of going out for mere curiosity and crawling along for a mile or two in a terrestrial motor? The habit was vulgar and perhaps faintly improper: it was unproductive of ideas, and had no connection with the habits that really mattered."

Three girls and a checkout boy, up against authority in a New England summer.

"You know, it's one thing to have a girl in a bathing suit down on the beach, where what with the glare nobody can look at each other much anyway, and another thing in the cool of the A P, under the fluorescent lights, against all those stacked packages, with her feet paddling along naked over our checkerboard green-and-cream rubber-tile floor."

The author of History Lesson For Girls meditates inventively on the magnificent force of a big truck.

"You’re sitting at a red light, and there it is, all that power underneath you, all around you, jiggling your bangles, making it hard to light a cigarette, making you have to go to the bathroom, making the poetic stare hard to maintain as you listen for the illustrative comment—once you’ve been there, I’d say it’s like being present when a star is created, up way up where these things happen, these mysteries, these strong beautiful mysteries of destruction and creation."

Not exactly Valentine's Day: an English professor in Chicago, lost in grief, begins dating a student.

"I can't even figure out what it is in Eric, why he sometimes reminds me of my old boyfriend. It's something in the way their faces shift, but I can never pin it down to a feeling or a cause. It surprises me right out of sleep."

An adolescent girl encounters some sketchy characters in and around her apartment building.

"That afternoon, after I cursed the old guy, the rain finally got to me the way it sometimes did and I got all depressed and cried all the way home. I unlocked the metal gate and walked into the dark hallway of my green apartment building. My neighbor was standing there in the hallway drinking a beer like it was his living room."

A woman reflects back on a son who died in prison.

"A few of the guards were kind to her. In a couple of them she could see them look at her as if she were a vision of their own mothers driving four hours to be humiliated, to be searched, to have the insides of her thighs patted down for the love of a son who didn’t deserve it. "

A short appreciation of a weird dog, from notable comic-book author Matt Fraction.

"Often he chases his tail--but do not let Space Dog fool you. He is making himself the physical representation of an Abraxas, an Ourobouros: symbolic of life and all of her vicious cycles, of time and tide, of history itself. It is an interpretive cry of existential angst and ennui from Space Dog."

A lyrical meditation on morning in the city, from the newly published Berlin Stories collection.

"A giantess like this doesn’t dress so quickly; but each of her beautiful, huge motions is fragrant and steams and pounds and peals. "

A problem on an airplane, observed by the acute eye of Lydia Davis.

"With his announcement, everything had changed: we might all die within the next hour. I looked, for comfort or companionship in my fear, at the woman in the seat next to me, but she was no help, her eyes closed and her face to the window."