Andrew Marantz is a staff writer at The New Yorker. His new book is Antisocial: Online Extremists, Techno-Utopians, and the Hijacking of the American Conversation.

“Some nonfiction can be reduced to a bulletpoint primer, but a good book is a good book. Whether it’s fiction or nonfiction, it should create a feeling, it should create a world, it should be a feeling that you want to live in and that tilts the way you see things. Isn’t that the point?”

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James Burnham and the Managerial Revolution

Power worship blurs political judgement because it leads, almost unavoidably, to the belief that present trends will continue. Whoever is winning at the moment will always seem to be invincible. If the Japanese have conquered south Asia, then they will keep south Asia for ever, if the Germans have captured Tobruk, they will infallibly capture Cairo; if the Russians are in Berlin, it will not be long before they are in London: and so on. This habit of mind leads also to the belief that things will happen more quickly, completely, and catastrophically than they ever do in practice. The rise and fall of empires, the disappearance of cultures and religions, are expected to happen with earthquake suddenness, and processes which have barely started are talked about as though they were already at an end.

Cash/Consent

I was asked about labor protections for adult-film performers. I said: You have to recognize how complicated this is. The things that sex workers do to stay safe are almost always the things civilians want to pass laws to stop. Everything looks different depending on the distance from which you’re looking.

Ken Burns is a documentary filmmaker whose work includes The Vietnam War, Baseball, and The Central Park Five. His new series is Country Music.

“History, which seems to most people safe — it isn’t. I think the future is pretty safe, it’s the past that’s so terrifying and malleable.”

Thanks to MailChimp, Vistaprint, and Pitt Writers for sponsoring this week's episode.