The evolution and deterioration of a marriage, told through interactions on/around a piece of furniture.

"Often, at the breakfast table, he reads a magazine from one of his many subscriptions. After a long article, he’ll lean across the table and open the window. Whenever this happens, it’s best if the blinds are unbound, so that the wind, clueless of human grief as it is, may work its way through their lofty protection. And often, when this happens, he’ll look out the window and think of himself as another person. Often, he’ll be walking beneath an umbrella in a foreign country, down some unrecognizable street, one which he can’t identify; or he’s standing on the stern of a fishing boat, one just recently bound by a rope, dark and wet from the sea, to an ancient dock in the Mediterranean, his body slowly rocking, coursing, in a semi-circle of moonlight, calming him to the point that he even forgets what he’s forgotten, and it’s all real, and actually moving, alive within the maternal ebb of the ocean; or he’s in another home, a shack in a forest, and never knew his own life: his job or wardrobe or wife, as he lies back in a cold, twin-sized bed, which keeps only himself, and the darkness, and the quiet; or he’s just a ghost, dancing in the hallways of his home as his wife stumbles through, drunk and mourning, with his absence everywhere, and then counting the strands of her hair as she does her single load of laundry for the week, consisting of only her nightgown, the jogging pants and old t-shirt of his that she relaxes in while spending her evenings at home, her seven pairs of flesh-toned underwear, and work uniform, for the job she had to find after his passing in order to both support and occupy herself—all the while at the breakfast table."

A husband's death; a long, complicated friendship.

"You'd take your anger at his passivity out to the porch, along with an old cigar (the closest thing you can find in the house to a cigarette) and your cell phone. Call your best friend Madeline. Make small talk. Get to the point. Tell her about the fight. Tell her everything—but don't tell her too much. Feel reassured by her certainty:'We're all polyamorous.'Remember she's single, and then hold her in secret disdain for shattering your fairy tales of soul mates and true love with her psychology books and her thesis theory."</p>

A young man's story of sexual yearning and a looming military obligation; slightly NSFW.

"And there was nothing I could do about it. I mean, I couldn’t say anything bad about Betty. She was my very best, and only, hope of leaving the ranks of the aging virgins before I joined the ranks of the Air Force."

Three generations of women endure the trials of a turbulent Nigeria.

"Almost a year into their courting, the war comes. Her people are Biafra loyalists, his people think Ojukwu is a fool. On the night of their engagement party only her people attend. And when she goes by his house the next day she discovers he has left the country."

A precocious girl attempts to make sense of her troubled father.

"It wasn’t that Lucy loved him, exactly. He was her father and she was obligated, she knew, to respect him for that reason alone—but it wasn’t love. She remembered how he’d give her his coat when she was young and how it’d make her whole body smell like him, a mix of cologne and cigarettes. She’d ask to wear it even if she wasn’t cold just to breathe in the smell and curl up into it during car rides to the hunting cabin he and his brothers shared. She might have loved him then, in her youth, wrapped up in his coat and drowsy. But now the feeling she had for him was more confusing than that. She was seventeen and the thought of his coat on her—the smell and the weight of it—made her feel gritty. Now she saw her father as something pitiful, maybe. Someone who didn’t have enough time to both put his own business in order at home and still put on a good face to the people around him."

A daycare pickup becomes a surreal look into nature and human development.

"In the middle of the landscape, a pile of toys rises from the earth to form a tower. Children approach it in a perpetual stream, grabbing toys, as many as they can carry. They run off with their arms full, toys spilling from their tiny ravenous bodies. The pile keeps growing and growing. The father remembers seeing the President on television once, back when television was still a toy. When I grew up during the Depression, the President told the Nation, my only toy was a wood plank full of rusty nails, which I had to share with sixty-six brothers. Bullshit. What politician ever knew how to share? The father watches as a group of children forms a circle around the base of the pile, holding hands. They are wearing nothing but loincloths."

On literary mashups, double entendres, and questionable choices.

"Maybe you’ve heard of M__y Dick? I would bet you haven’t read it, and I bet I’d win that bet because I’d be leaving nothing up to chance. Here’s why: nobody has read M__y Dick. Scratch that. Nobody but me has read M__y Dick, because there’s only one copy in existence and it’s right here in my apartment, right here on this very desk I am writing to you from. That was the whole point. M__y Dick was just for me, for my own self-improvement. Of course, that didn’t stop them from talking about it, which was fine at first, and then it was not."

An account of Chinese residents in a future, dystopian city once known as Baltimore; excerpted from Lee's latest novel.

"Maybe Charters can easily forget what it's like out there, but we B-Mors and others in similar settlements should be aware of the possibilities. We shouldn't take for granted the security and comfort of our neighborhoods, we shouldn't think that always leaving our windows open and our doors unlocked means that we're beyond an encroachment. We may believe our gates are insurmountable and that we're armored by routines, but can't we be touched by chance or fate, plucked up like a mouse foraging along his well-worn trail? Before you know it, you're looking down at the last faint print of your claws in the dirt."

A primer on services for the afterlife.

"So you’ll start by taking a ride in the flatbed truck with Gurtie, and she’ll drop you off at the ARF center. You’ll probably be pretty disoriented. It’s okay. You’ve been riding in the back of a white flatbed truck with a bunch of recently dead people for several hours through the Afterlife—which looks basically like North Dakota. None of you will be happy campers, and some of your traveling companions will look downright alarming, what with death not being such a photogenic moment for most people. We understand and we sympathize. It’s an unpleasant time for you, but like I said, we are understaffed. Do we wish there were a better way? Yes, we do. Is there a better way? Not yet, there’s not."

A pizza restaurant employee goes to extreme lengths to sabotage a rival.

"I normally hopped on my Honda scooter and went straight home after work, but not that day. I stood by the gumball machine near the front entrance and peered out the blinds, staring daggers into the Pizza World facade. Their parking lot was full, even though the lunch rush had been over for two hours. I looked at the intersection and their guy was still dancing, waving his arms like a buffoon, no rhythm at all, nothing choreographed. I had a three-minute routine I would do and then repeat, over and over like a fucking pro (three different one-minute variations of the Macarena dance, choreographed by yours truly). Pizza World had clearly put a rookie in the suit, and I thought: that’s one strike against you."

A rural worker conjures up fantastical mythologies to hide his own troubled past.

"Several days after re-wiring the fence, Shuck asked Boss if he could take me to town for new tractor parts. Shuck drove Boss’s truck and smoked with the windows up, filling the cab with thick tendrils of burnt and cheap tobacco. He took the long way into town and told me that they gypsy had been the most beautiful girl to ever exist back in Spain. She had been the daughter of a rich soldier. But after some incident that Shuck wasn’t entirely sure of, she had joined with a vagabond group of gypsies, travelling the foothills of Spain, marking her new group’s travels by the patterns of stars and their gathered constellations. Shuck said that she had been the most beautiful girl to ever set foot on the entire European continent. But she grew old so quickly that soon her limbs began to tangle and go numb."

A narrator's strange daily life is fused with strange appearances from the natural world.

"Freezing, I sprang from bed and assembled, in darkness relieved only by a bluish gleam cast by the iceberg, sweaters, flannel pajama bottoms, my heaviest wool socks, and a down-filled coat suitable for an assault on Everest. For the iceberg that crowded my bedroom was no symbol of the world’s entropy or of a man’s estrangement from his kind, nor was it any longer a figment of the dreaming mind. (We don’t suffer cold in dreams, nor do we sneeze as I did twice while fumbling at my clothes.) Dressed, I drew aside the rime-stiffened curtain and gazed out on a flotilla of icebergs gliding solemnly down the flooded street. (To acknowledge, as you no doubt have, that I spawned one berg, a pack of them is easily granted.)"

A social and historical look at a women's sanatorium.

"What about the exercise path keeps the women moving together. They move toward the birds and the birds disperse. A woman drops a handful of raisins from breakfast and the birds converge for the raisins but only until the raisins are gone. The birds will disperse again. They will fly down chimneys and into cars. The shriveled fruits cannot hold their attention for much longer now. They have no exercise path like the women have. The exercise path keeps the women moving together each morning and evening, as if they will never disperse. The women entwine their wet hands."

A Southern defense attorney's complicated family Christmas, told through the point of view of his child.

"Every Christmas Daddy throws a 'Taking the Christ Out of Christmas' party and invites everybody. Everybody loves my Daddy except for a small percentage that want to take their revenge, so it's lots of people, old clients, other criminal defense attorneys, Rey Mason from the feed store, everybody. No Jesus cause it makes Daddy angry and both his hands already broke."

Technologies of literacy, technologies of memory.

"Millions of people, some my age but most younger, have been keeping lifelogs for years, wearing personal cams that capture continuous video of their entire lives. People consult their lifelogs for a variety of reasons—everything from reliving favorite moments to tracking down the cause of allergic reactions—but only intermittently; no one wants to spend all their time formulating queries and sifting through the results. Lifelogs are the most complete photo album imaginable, but like most photo albums, they lie dormant except on special occasions. Now Whetstone aims to change all of that; they claim Remem’s algorithms can search the entire haystack by the time you’ve finished saying 'needle.'"

Two friends travel to Mexico while dealing with individual deaths.

"Late in the afternoon Allison and I happen upon a parade in the oldest part of Oaxaca―more out-of-tune horn-players and wild-hot colors and heart-shaped garlands and costumes and photos of people gone but still remembered and cherished. Two tiny girls dressed in white, like angels or brides or spirits, carry a baby-sized cardboard coffin on their shoulders. These good people of Oaxaca have learned, one generation to the next, how to make this annual occasion of loss into celebration."

A young woman seeks an appropriate way to dispose of the ashes of her father, a fervid design critic.

"He always wished to be a geometric form (so often did he rail against 'the tyranny of the organic') so I could tell myself he’d be happy, but he also hated bric-a-brac and I think right now he’d qualify, being a small object with no function."

Comic miscues ensue at a private family dinner.

"Also, I’m a pretty big guy, so I often find myself appointed the unofficial bouncer on these sorts of occasions. It was Dumpling Night. I know that because when I walked past the steam table, a teenage girl was there with tongs and she said, 'Dumpling?'"

The wrenching existence of a circus sideshow attraction.

"Dog Boy has a phantom tail. When excited he can feel the invisible tail wagging; his whole rump moves with it. When he’s afraid, he tucks it between his legs. But there is something frustrating about it, like eating imaginary food. Sometimes his frustration builds until he feels the intense and sudden urge to chase this invisible tail; he spins around and around in a tight circle until he exhausts himself."

An aging man, a dead wife, a peculiar dog.

Once more at five o'clock, just before five o'clock, the dog engaged in its unaccountable behavior. And then, the next day, again. And the day after that, again. And still he had gotten not an inch closer to understanding why. Would he ever? Perhaps a sound so high-pitched he couldn't hear it. Something shifting in the clock maybe as it prepared to chime the hour. Or the dog was somehow seeing something that wasn't actually there. Or maybe he was simply watching the dog go mad.

A childhood evening in a barrio.

"Now they’re bossing all the kids around. Just because they have the nicest soccer ball in all of Cuatro de Marzo, they think they can slave-drive the other kids to make the soccer field, to carve it out from the dirt street. They think they can practically reinvent the game. The ball is pretty nice. Nobody knows exactly where they got it, but they never let it out of their sight. They take turns guarding it, sleeping with it at night. It’s the same kind the Guadalajara Chivas use, one that looks official—all red, white and blue with their coat of arms on the side."

A farmer's marriage to a Native American woman is plagued by problems and supernatural phenomena.

"The other thing about Lily that half-annoyed and half-charmed me was her belief in all sorts of supernatural horseshit. I figured she couldn’t help it, for the most part, being unavoidably disposed to things like honoring her dead ancestors and crop ceremonies and who knows what else; but every once in a while she took it too far. One of the biggest arguments we ever had came after I found her tacking up little bundles of bones and animal guts over all the windows and doors of the farmhouse. She’d gotten it into her head that the farmer’s spirit was still wilting around in the rafters of the front porch. He was just melancholy now, she said, she could feel it; but he might turn malevolent if we didn’t communicate to him that he didn’t live here anymore, that he needed to cross over."

An estranged husband recaps his odd marriage to a German woman.

"Back then, though, we weren’t sleeping together. That didn’t happen till later. In order to pretend to be my fiancée, and then my bride, Johanna had to spend time with me, getting to know me. She’s from Bavaria, Johanna is. She had herself a theory that Bavaria is the Texas of Germany. People in Bavaria are more conservative than your normal European leftist. They’re Catholic, if not exactly God-fearing. Plus, they like to wear leather jackets and such. Johanna wanted to know everything about Texas, and I was just the man to teach her. I took her to SXSW, which wasn’t the cattle call it is today. And oh my Lord if Johanna didn’t look good in a pair of bluejeans and cowboy boots."

A woman travels to Mexico at the request of her married lover/boss.

"The driver has a picture of his family on the dashboard, like the one Gustavo has on his desk at work of his two little runts, his wife, all in cowboy hats or sombreros. Meera doesn’t know the difference. In the picture, his wife comes across as a woman who likes to be in charge: big boobs, square shoulders, a sturdy ass and yet apparently confident in tight jeans. Meera doesn’t know her name, doesn’t want to know it. But in her head, when she thinks of her, her name is Gustava."

A story about growing up and sexual identity.

"They have contests, about everything — cough syrup as a substance to abuse, swearing accidentally in class, having sex in the parking lot with their girlfriends during passing periods (the record seventeen times in Matt Haney’s truck) — their lives a haze of baby Tylenol, whip cream cans, Ray Bans, pot, beer, Smirnoff ice, Mom’s Vicodin — everything at the ready in the glove compartment."