The rise and fall of a friendship between three Indian women.

"We were goddesses. Meena, Annie, and Nayantara. Even our names were like heroines. Meena and Annie had known each other since they were 5. I met them in seventh standard. Though we never said it aloud, we knew that three beauties had more power than two or one. Like the Hindu gods. Or all those pop groups. Like the Wilson Phillips. We liked the Wilson Phillips. We pretended to like the fat one but heart of hearts we didn’t."

A senator and his wife deal with the aftermath of a sex scandal.

"He opened the car door and pushed his way out into the sea of shouting reporters. Batting away microphones, he made his way up the front walkway and mounted the steps to the porch. The door was locked. Steve patted his empty pockets; his keys were in his suitcase in the trunk of the car. He rang the doorbell and waited with his hands folded in front of him. Then he took out his phone and dialed Maureen. 'I’m locked out,' he said when she picked up."

The observations and fears of a stepmother.

"Evie runs to you to get a drink of water, and you hand her the squeeze bottle you keep in your purse. Your purse—just three years ago, it had beauty magazines and lipstick in it. If someone took an inventory now, they’d find toys from the quarter machines, small notes or drawings Evie gave you, plastic animals. It’s like you are a different person now: the person you always wanted to be when you grew up. And Evie is the kid you hoped you’d have."

This year's National Book Award winner looks at the life of a preacher's son in the Kansas Territory.

"Now, it's true there was a movement in town to hang my Pa, on account of his getting filled with the Holy Ghost and throwing hisself at the flood of westward pioneers who stopped to lay in supplies at Dutch Henry's—speculators, trappers, children, merchants, Mormons, even white women. Them poor settlers had enough to worry 'bout what with rattlers popping up from the floorboards and breechloaders that fired for nothing and building chimneys the wrong way that choked 'em to death, without having to fret 'bout a Negro flinging hisself at them in the name of our Great Redeemer Who Wore the Crown. In fact, by the time I was ten years old in 1856, there was open talk in town of blowing Pa's brains out."

A mental disorder in which the protagonist believes he is a tree.

"There are a lot of things though that one doesn’t experience as a tree. For example music. Maybe trees feel the vibrations, but I don’t remember anymore. When I was young my mom put me in piano lessons. I begged to go to them actually, but I was horrible. Before the lesson I used to have to sit and wait in the hallway of the music school and from the different rooms you could hear the different instruments being played badly, but from my position in the hallway, it sounded like they were all coming from the same room. A cello screeching as syncopation to an out of tune violin with a piano clank-clanking along. It was beautiful and what I enjoyed more than anything else. Music is one thing that I’ll miss, when I become a tree again."

The unfolding of a fling between an employee and a club owner.

"There are two more bus trips and hotel rooms. Each trip goes pretty much the same. Each morning you wake up alone and he’s at the casinos, and he never picks up his cell phone and it all makes you feel so helpless and pale and when you ride back to the city there’s never anything to say. Spring is coming, and coat check season will be over soon."

Damaged people thrash about in doomed relationships.

"I told her I had been well into my central twenties before it dawned on me that to 'sleep with' someone didn’t simply mean to take a companion for your horizontal hours and thereby get sleep domed over you so much the higher than it would if you went home to bed alone. I had thought that was how you gave greater compass, greater volume, to your dreams."

A woman is sent on an ominous mission to collected a jugular vein.

"The hands are still clapping when I jump, when I take on the air, when I dive. My body slams into the dirt at the bottom of the hole, some of the jugulars beneath me, I can feel the softness of them, I pull the rest near me, bring their thick heavy softness near the heat of my body."

An island house; a series of apparations, dreams, and mysteries.

"Sara put trances on Leigh in the middle of the night, while Leigh was sleeping. Leigh knew but didn't tell Mum or say anything about it to Sara. All three had terrible secrets they kept safe. They kept them safe for so long and so devotedly that they were no longer secrets—they were alternate ways of navigating the world."

Disconnect and minutiae of modern urban life.

"In the end, we can be separated despite our best efforts at staying together. We can be separated by tragedy, then by arguments, by fair and unfair blame, by couples therapy. Then by divorce and new addresses. Now we are too far away and want to get closer. If we still owned a car we would park it up your street. If we owned a bike, we would ride it past your apartment. Instead there is only the bus, the cab, the train. There is only the running, sockless in our new shoes. All day we make the blue dot follow us to the places of our previous habits. They are all diminished now but we go anyway: Here is the park. Here is the restaurant. Here is the shop and the store and the bank. Tourists would need maps to find these places, but these are not the places tourists would think to find. We have lived here too long for their kind of maps. Our maps are stretched tight across our skin. We carry them everywhere with us so that when we are lost they might carry us."

A father and daughter face complicated sexual dynamics; NSFW.

"Back home, he is watching Formula One on television and bingeing on my mother’s homemade apricot sorbet. Ayrton Senna is on pole position. I’m going through a L.L. Bean catalog, seated right next to him on the couch, turned sideways toward him, knees to my chest so that when I wriggle my toes, I can almost feel the rough fabric of his pants. His eyes are riveted on the screen. He leans forward to place the empty bowl ice cream bowl on the coffee table. The moment he sinks back into his seat, I jump on his lap knees first, like a puppy on its master, wrap my arms around his neck and kiss him on the mouth. He pushes me away. I lose my balance and fall from the sofa to the floor, bumping my head against the solid wood coffee table. The fake silver spoon trembles inside the empty bowl, a lingering echo mocking my collapse."

A genetic engineer concocts a plan to transform a Galilean moon.

"Jonas is the conductor of a symphony, and must be familiar with each part, every section. He must keep them working in tandem, so he flits from group to group, giving encouragement. Visitors to the University wonder at the man skidding on the marble floors, running from A to E wing and back again. He reviews twenty sequences a day, though he is pleased to find few errors. His team works late. He works later. The key genes are reserved for his eyes alone, and when he sits back to watch the simulations play out he pictures the Watchmaker."

A story of friendship and distance between two Filipino-American women.

"If Cathy could ever convince herself to write a story about that night, she’d probably mention how she took Evangeline home after her friend had nearly passed out on the sidewalk in front of the fifth bar they had gone to; she’d admit that she had known that Evangeline wasn’t used to marathon drinking, but that Evangeline didn’t seem to mind. Maybe she’d describe how Evangeline’s laughter buzzed in her ears like flies’ wings as when she had asked Evangeline for her address, and how she watched the lights of downtown Austin illuminate the interior of their cab with its indulgent, wasteful glow. Evangeline had sobered up when they had gotten home, and they helped each other fold out her futon couch, laughing when they realized that they couldn’t figure out how they had done it when they futon finally gave in to their pushing. If words fractured a friendship, alcohol healed it, and she wished it were possible to drown in the amber-colored recklessness of that night forever."

Memories of a grandfather's seemingly endless chances to demise.

"Grandpa died in his bathroom when I was eleven, slipped on the tiles when I ran into his house to get him up for Christmas morning. Grandpa died when we were making a giant diorama of the solar system for my eighth grade science fair and he fell on the table saw. Grandpa burned in camp fires, had aneurisms at football games when I waved to the bleachers, choked on turkey bones and once a pecan pie at Thanksgiving. Instead of studying for tests, I learned the Heimlich, mouth-to-mouth resuscitation, drew schematics for heart paddles salvaged from toaster ovens."

Children in Mississippi prepare for a hurricane's arrival in this excerpt from 2011's National Book Award winning-novel.

"If one of Daddy's drinking buddies had asked what he's doing tonight, he would've told them he's fixing up for the hurricane. It's summer, and when it's summer, there's always a hurricane coming or leaving here. Each pushes its way through the flat Gulf to the twenty-six-mile manmade Mississippi beach, where they knock against the old summer mansions with their slave galleys turned guest houses before running over the bayou, through the pines, to lose wind, drip rain, and die in the north. Most don't even hit us head-on anymore; most turn right to Florida or take a left for Texas, brush past and glance off us like a shirtsleeve. We ain't had one come straight for us in years, time enough to forget how many jugs of water we need to fill, how many cans of sardines and potted meat we should stock, how many tubs of water we need."

A mother's illness through the eyes of a child; from the author of Hill William, forthcoming from Tyrant Books.

"The next day Mom and Dad were getting ready to go someplace. Before they left, my mother sat at the kitchen table. Ruby stood at the sink washing Styrofoam plates, bragging about how many preserves she put up or how many potatoes she was going to plant this year. My dad told her it wasn’t healthy to wash Styrofoam plates and use them again. Grandma whispered, 'Shit.'"

A media firestorm circles around a lucky amateur magician.

"By now, the actual doing of the spell—the Clean Casting—felt like a weird dream that Peter had concocted after too many drinks. The more people made a fuss about it, the more he felt like he’d made the whole thing up. But he could still picture it. He’d gotten one of the stone spellcasting bowls they sold on late-night cable TV, and little baggies of all the ingredients, with rejected prog rock band names like Prudenceroot or Womanheart, and sprinkled pinches of them in, while chanting the nonsense syllables and thinking of his desired aim."

An act of terror at an art museum.

"When – with difficulty – I made my way into the centre of the space, or what seemed like the centre of the space, I saw that one door was obscured by rags of hanging debris, and I turned and began to work in the other direction. There, the lintel had fallen, dumping a pile of brick almost as tall as I was and leaving a smoky space at the top big enough to drive a car through. Laboriously I began to climb and scramble for it – over and around the chunks of concrete – but I had not got very far when I realised that I was going to have to go the other way. Faint traces of fire licked down the far walls of what had been the exhibition shop, spitting and sparkling in the dim, some of it well below the level where the floor should have been."

Intrigues within a Thai prison.

"'My friends,' he says, 'I hope all of you are having a mellow and productive day. Perhaps you feel surprised that I say "friends." Well, you deserve to be called by that word. Three months ago, I came to you seeking assistance with several problems. Inmates doing bodily harm to each other was a problem. Drug casualties were a problem. Another problem was videos filmed on contraband phones, videos which referenced conduct that is unbecoming to you and unbecoming to this institution. One more problem was some chattering birds who told false stories to the BBC about conditions in our facility. Three months ago, I asked for your help with these problems, and there has been no trouble since.'"

A young assistant causes strain and conflict between a writer and a painter.

"We took her with us when we went out. It was startling when a waitress at the Forest Diner mistook Evvie for our daughter. I had just turned 38 that fall, and Colin was 46. We were both on our second marriages, and had both agreed that children would get in the way of our art. Colin was old enough for a 22-year-old daughter—I certainly wasn’t. It was something like having a child, though, without the trouble of rearing one. Evvie was devoted to Colin. If she’d been more attractive, I might have felt threatened, but I didn’t. She was almost a daughter, in those early months."

A long, philosophical courtship between a wealthy man and an intelligent woman.

"She looked up. Man and manservant were circling the property. They picked their way slowly, gazing down, grimly. She had not seen anyone move like this; it was the walk of people in a graveyard who knew all the buried. He was wrong. For him it was a test of devotion. Her devotion had nothing to do with it. She craved that man’s face and hands, her sweetest concern was what he would say next, the air she liked best had the damp of his breath in it."

Two artistic teenagers create art and mysteries in a cabin.

"When the sky was blue Andi hooked sheets over the windows. She cooked meat until it was black. While Shot slept she powdered his cheeks with fireplace ash. When they walked about the cabin they looked like subjects in pencil sketch flipbooks, skin brushed gray over a monochrome background. Sometimes Shot would track in mud or some paint would flake, and Andi would be there with a can to police the evidence."

Two sisters struggle to adjust to changing family circumstances.

"When we got outside, the first thing we did was loosen and let trail the scarves our mother had wrapped around our necks. (The fact was, though we may not have put the two things together, the deeper she got into her pregnancy the more she slipped back into behaving like an ordinary mother, at least when it was a matter of scarves we didn’t need or regular meals. There was not so much championing of wild ways as there had been in the fall.) Caro asked me what I wanted to do, and I said I didn’t know. This was a formality on her part but the honest truth on mine. We let the dog lead us, anyway, and Blitzee’s idea was to go and look at the gravel pit. The wind was whipping the water up into little waves, and very soon we got cold, so we wound our scarves back around our necks."

The beginning of Don DeLillo's Underworld, in memory of Andy Pafko.

"Pafko is out of paper range by now, jogging toward the clubhouse. But the paper keeps falling. If the early paper waves were slightly hostile and mocking, and the middle waves a form of fan commonality, then this last demonstration has a softness, a selfness. It is coming down from all points, laundry tickets, envelopes swiped from the office, there are crushed cigarette packs and sticky wrap from ice-cream sandwiches, pages from memo pads and pocket calendars, they are throwing faded dollar bills, snapshots torn to pieces, ruffled paper swaddles for cupcakes, they are tearing up letters they've been carrying around for years pressed into their wallets, the residue of love affairs and college friendships, it is happy garbage now, the fans' intimate wish to be connected to the event, unendably, in the form of pocket litter, personal waste, a thing that carries a shadow of identity -- rolls of toilet tissue unbolting lyrically in streamers."

An uncle sets out to find his wayward niece.

"I pick Jerry’s and I’m right. A couple of old people are hanging out outside the pizza place and next to them groups of highschool kids. I see Sara. She’s sitting on a mailbox, leaning over a guy, her back to me. The sharp outline of her spine showing through her tank top and she doesn’t look like she’s been eating. She’s a good looking girl though, I can tell. An old Ozzy Ozbourne song plays from the open door of a Lexus next to them."