Speaking to a group that started their college lives in September, 2001, the host of The Daily Show embraces how difficult the real world is:

I want to address is the idea that somehow this new generation is not as prepared for the sacrifice and the tenacity that will be needed in the difficult times ahead. I have not found this generation to be cynical or apathetic or selfish. They are as strong and as decent as any people that I have met. And I will say this, on my way down here I stopped at Bethesda Naval, and when you talk to the young kids that are there that have just been back from Iraq and Afghanistan, you don’t have the worry about the future that you hear from so many that are not a part of this generation but judging it from above.

I first learned about cloud lovers in a police report concerning a man who received a blowjob from a young woman and went mad. The man — let's call him Carl (police reports have the names of suspects and victims redacted) — was in his 40s, and the woman, let's call her Lisa, was almost 18. The two first met in the fall of 2003 at a local TV station that was holding a contest to find the best video footage of Northwest clouds. According to the report, which was lost when I cleaned my messy desk in 2005 (I'm recalling all of this from an imperfect memory), Carl, who was married and well-to-do, fell in love with Lisa, whose family was not so well-off, upon seeing her for the first time. He had a videocassette in his hand; she had a videocassette in her hand. He showed his tape to the station's weatherman (sun, sky, clouds). She showed hers (clouds, sky, sun). During the contest, his eyes could not escape her beauty. After the contest, the impression she made on his mind intensified. That bewitching coin in the short story by Jorge Luis Borges, "The Zahir," comes to mind. If a person sees this coin only once, the memory of its image begins to more and more dominate his/her thoughts and dreams. Soon the coin becomes the mind's sole reality. Lisa's face was Carl's Zahir.

On the American way of death, burial, and mourning, from war heroes to Elvis:

At the scene of his mother’s funeral, Elvis Presley — invincible sex symbol, cocksure performer, the man who changed the world and music forever — was reduced to a pathetic, blubbering mama’s boy. “Mama, I’d give up every dime I own and go back to digging ditches, just to have you back,” he told her body while it lay in repose the night before the funeral. At the service, according to biographer Peter Guralnick, "Elvis himself maintained his composure a little better until, towards the end, he burst into uncontrollable tears and, with the service completed, leaned over the casket, crying out, 'Good-bye darling, good-bye. I love you so much. You know how much I lived my whole life just for you.' Four friends half-dragged him into the limousine. 'Oh God,' he declared, 'everything I have is gone.'"

On the moral responsibility to break unjust laws.

The architect of the Occupy movement on the state of “anti-globalization” activism at the turn of the twentieth century.

Over the past decade, activists in North America have been putting enormous creative energy into reinventing their groups’ own internal processes, to create viable models of what functioning direct democracy could actually look like. In this we’ve drawn particularly, as I’ve noted, on examples from outside the Western tradition, which almost invariably rely on some process of consensus finding, rather than majority vote. The result is a rich and growing panoply of organizational instruments—spokescouncils, affinity groups, facilitation tools, break-outs, fishbowls, blocking concerns, vibe-watchers and so on—all aimed at creating forms of democratic process that allow initiatives to rise from below and attain maximum effective solidarity, without stifling dissenting voices, creating leadership positions or compelling anyone to do anything which they have not freely agreed to do.

Look, this is about Russia. So I think if [Robert Mueller] wants to go, my finances are extremely good, my company is an unbelievably successful company. And actually, when I do my filings, peoples say, “Man.” People have no idea how successful this is. It’s a great company. But I don’t even think about the company anymore. I think about this. ’Cause one thing, when you do this, companies seem very trivial. O.K.? I really mean that. They seem very trivial. But I have no income from Russia. I don’t do business with Russia. The gentleman that you mentioned, with his son, two nice people. But basically, they brought the Miss Universe pageant to Russia to open up, you know, one of their jobs. Perhaps the convention center where it was held. It was a nice evening, and I left. I left, you know, I left Moscow.

 The writer speaks with his father for the first and last time.

My father moved back to Nigeria one month after I was born. Neither I nor my sister Ijeoma, who is a year and a half my elder, have any recollection of him. Over the course of the next 16 years, we did not receive so much as a phone call from him, until one day in the spring of 1999, when a crinkled envelope bearing unfamiliar postage stamps showed up in the mailbox of Ijeoma's first apartment. Enclosed was a brief letter from our father in which he explained the strange coincidence that had led to him "finding" us.* It was a convoluted story involving his niece marrying the brother of one of our mother's close friends from years ago. As a postscript to the letter, he expressed his desire to speak to us and included his telephone number.

N.K.: So when you saw the photo of Neda Soltan, what did you think? M.A.: It was incredibly sad, due to many reasons. First we have proof that that scene was staged, and she was killed later, at a later point. This footage was shown for the first time by BBC. Our security officers and officials had no information of such a thing. but if BBC makes the complete footage from beginning to end available to us, we will analyze it, we will research it because we do search for those who are truly guilty of murdering this young lady. And also, a scene fairly close to this—almost a photocopy I would say—was repeated previously in a South American country—in a Latin American country. this is not a new scene. And they previously tell those who are due to participate, they tell them that “you will be participating in making a short footage, a short movie, a short clip.” After their participation is finished they take them to some place and they kill them. If BBC is willing to broadcast this film, this footage in its entirety, any viewer would be able to distinguish whether it is as we say or it is as they maintain.

Murder in the Juarez Valley:

A few weeks after Saul Reyes and his family fled Mexico, I drove to an immigrant shelter in downtown El Paso to see him. As the former city secretary of Guadalupe, Saul had once been in charge of recording the births and deaths of everyone in his hometown. He’d taken it upon himself now to collect every single name of those who had died or disappeared in Guadalupe since the killing began in 2008. Through media reports and meetings with the many valley exiles now living in Texas, Saul had compiled a list of the town’s dead and disappeared. Showing me the book, he turned page after page of names. So far he had counted 180 dead, 26 disappeared, and eight unknown bodies dumped in his small town of 3,000 people. “There are a lot more, but these are the ones I’ve been able to collect,” he said. In his careful, spidery script, he had written on one page the names of his six family members.

An interview:

Watkins: And then, all of a sudden, you notice that it appears that he is falling asleep and gasping for air—like he is snoring, basically. You could classify it as snoring or as gasping for air. You see his chest moving, and then I guess very quickly—maybe two minutes in—his chest stops moving. And we stand there, I guess, for another 10 minutes, and everybody is just kind of standing there. D Magazine: In total silence? Watkins: No one’s talking. No one’s saying anything. And then you notice that the condemned, he starts to turn this bluish color. So I guess that’s when all his functions have stopped. And then a doctor walks in and takes his vital signs and announces that the person is—he looks at the clock and announces, “The person died at 6:22.” And then they open the door and we all walk out.