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The True Story of Lady Byron's Life

The most dreadful men to live with are those who thus alternate between angel and devil.

Not long before she died, Anne Isabella Noel Byron gave a wide-ranging interview to the author of Uncle Tom’s Cabin. Most notoriously, she accused her husband, Lord Byron, of carrying on a “secret adulterous intrigue” with his half-sister.

The Atlantic lost 15,000 subscribers in the months following publication of this article.

On the Trail of an Intercontinental Killer

A little after 9 a.m. on Sept. 15, 1990, the owner of a steel-products company pulled up to her office in Vinegar Hill, near the Brooklyn Navy Yard, and spotted a black garbage bag sitting on the sidewalk out front. She parked her car and went to move the bag when she noticed it leaking blood. The woman called 911. Within the hour, Ken Whelan, a homicide detective from the 84th Precinct, peered into the bag. It was full of human body parts.

Sneaking Into Pantone HQ

Inside the color forecaster.

There are no analytics measuring success of color forecasting—how would one even accurately measure such a thing? To play it safe most companies rely on a range of color forecasts. Eiseman says Pantone’s effort, and perhaps color forecasting in general, suffers from two misconceptions. The first is that there is some kind of “evil cabal” that “schemes to get the colors out there.” The second is “let’s just throw a dart and wherever it lands is what’s going to be the hot color for next year.”

The Pretender

A profile of singer-songwriter Will Oldham.

He has settled into character as an uncanny troubadour, singing a sort of transfigured country music, and he has become, in his own subterranean way, a canonical figure. Johnny Cash covered him, Björk has championed him (she invited him to appear on the soundtrack of “Drawing Restraint 9”), and Madonna, he suspects, has quoted him (her song “Let It Will Be” seems to borrow from his “O Let It Be,” though he says, “I’m fully prepared to accept that it’s a coincidence”).

My Father's Voice

Remembering George Plimpton’s old-fashioned style.

Above all, he was a gentleman, one of the last—a figure so archaic, it could be easily mistaken for something else. No, my father’s voice was not an act, something chosen or practiced in front of mirrors: he came from a different world, where people talked differently, and about different things; where certain things were discussed, and certain things were not—and his voice simply reflected this.

Wikipedia: Richard John Bingham, 7th Earl of Lucan

On the evening of November 7th 1974, the 7th Earl of Lucan, an inveterate gambler and Backgammon champion with a taste for power boats, snuck into his estranged wife’s basement. He then bludgeoned their nanny with a lead pipe and placed her in a canvas sack, before attempting to murder his wife. Recognizing his voice, she convinced him that she could him escape, then slipped out a bathroom window. Lord Lucan was never seen again.

Real Talk With RuPaul

“I made a pact with myself when I was 15 that if I was going to live this life, I'm only going to do it on my terms, and I'm only going to do it if I'm putting my middle finger up at society the whole time. So any time I've had yearnings to go, "Aw, gee, I wish I could be invited to the Emmys," I say, Ru, Ru, remember the pact you made. You never wanted to be a part of that bullshit. In fact, I'd rather have an enema than have an Emmy.”

Why Go Out?

On attempting to quit people and stay home.

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Why go out? Because if what we want more than anything is to attain self-confidence, health, energy, and peace of mind, we should stay in. We could be like little Buddhas, meditating and masturbating and watching TV. And we could imagine ourselves to be brilliant, and kind, and good lecturers, and good listeners, and utterly loving – and there’d be no way to prove it otherwise.

Inside Trump’s Hour-by-Hour Battle for Self-Preservation

“To an extent that would stun outsiders, Mr. Trump, the most talked-about human on the planet, is still delighted when he sees his name in the headlines. And he is on a perpetual quest to see it there. One former top adviser said Mr. Trump grew uncomfortable after two or three days of peace and could not handle watching the news without seeing himself on it.”

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Maggie Haberman on the Longform Podcast

To Be, or Not to Be

“Choice is a great burden. The call to invent one’s life, and to do it continuously, can sound unendurable. Totalitarian regimes aim to stamp out the possibility of choice, but what aspiring autocrats do is promise to relieve one of the need to choose. This is the promise of “Make America Great Again”—it conjures the allure of an imaginary past in which one was free not to choose.”

How the Pandemic Defeated America

How did it come to this? A virus a thousand times smaller than a dust mote has humbled and humiliated the planet’s most powerful nation. America has failed to protect its people, leaving them with illness and financial ruin. It has lost its status as a global leader. It has careened between inaction and ineptitude. The breadth and magnitude of its errors are difficult, in the moment, to truly fathom.”

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Previously: Yong on the Longform Podcast

Kelefa Sanneh is a staff writer at The New Yorker. His book is Major Labels: A History of Popular Music in Seven Genres.

“I’m always thinking about how to not be that person at a party who corners you and tells you about their favorite thing and you’re trying to get away. It’s got to feel light and fun. And what that means in practice is writing about music for readers who don’t care about music, while at the same time writing something that the connoisseurs don’t roll their eyes too hard at.”

Rebecca Traister is a writer for New York and the author of Good and Mad: The Revolutionary Power of Women’s Anger. Her latest article is "The Necessity of Hope."

“A big motivation of this piece, which I think is framed in this there’s still reason to hope is actually the inverse of that. Which is: Let us be crystal clear about what is happening, what is lost, what is violated. The cruelty, the horror, and the injustice, and that is it only moving toward worse right now. And to establish that to then say that it is the responsibility to really absorb that, and then figure out how to move forward.”

Magicland

On the oeuvre of Glenn Beck:

"The undisputed high point of Beck’s tenure in Baltimore was an elaborate prank built around a nonexistent theme park. The idea was to run a promotional campaign for the fictional grand opening of the world’s first air-conditioned underground amusement park, called Magicland. According to Beck and Gray, it was being completed just outside Baltimore. During the build-up, the two created an intricate and convincing radio world of theme-park jingles and promotions, which were rolled out in a slow buildup to the nonexistent park’s grand opening… On the day Magicland was supposed to throw open its air-conditioned doors, Beck and Gray took calls from enraged listeners who tried to find the park and failed. Among the disappointed and enraged was a woman who had canceled a no-refund cruise to attend the event." — from Alexander Zaitchik’s Common Nonsense: Glenn Beck and the Triumph of Ignorance

When Reality-TV Fame Runs Dry

Less than half a decade after The Hills brought them massive celebrity, Heidi Montag and Spencer Pratt are broke and his living in his parent’s vacation house. Their onscreen relationship was mostly fake, but the reality, as their current situation attests, was far worse:

By the end of 2009 (and the show’s fifth season), their lives seemed insane. Instead of riding bikes, Spencer was holding guns. Heidi’s plastic surgeries gave her a distorted quality, but she vowed to have more. Spencer grew a thick beard, became obsessed with crystals, and was eventually told to leave the series. There were daily updates on gossip sites about them “living in squalor,” publicly feuding with their families, and attacking The Hills producers (or claiming The Hills producers attacked them). By the time they announced they were (fake) splitting, followed by Spencer threatening to release various sex tapes, and Heidi (fake) filing for divorce, it seemed like they had ventured into, at best,Joaquin Phoenix-like, life-as-performance-art notoriety and, at worst, truly bleakStar 80 territory that could end with one or both of them dead.

Helen Rosner is a food correspondent at The New Yorker.

“I believe the things that are really important to me are structure over all and—forgive me, I’ve said this on other podcasts before—if I were going to get a tattoo this is what I would get a tattoo of is that it doesn’t matter what you say, it only matters what they hear. It’s my job to make sure the gulf between those two things is as narrow as possible and there’s as little ambiguity between what I say and what you hear. It’s never easy, but it’s certainly easier in the realm of arguable objectivity. To create emotion in a reader requires a huge amount of really thoughtful work on the part of the writer in a way that forces you as a writer to remove yourself from the emotion you’re creating in the reader. If I to set you up for sadness, I have to create emotional stakes. I have to create investment in whoever I’m talking about or whatever the story’s about. The craft of making stakes and setting up a potential downfall, a potential loss, whatever it may be I think is not something you can do well if you’re feeling the feeling you’re trying to create in the reader.”

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Casey Johnston is a journalist and editor who writes the column "Ask A Swole Woman," which now appears in her newsletter ”She's a Beast.”

”I feel more comfortable lately with a sort of beloved-local-restaurant level of success. What's nice about Substack is that we've come to this place, that I hope lasts, where we can have this sort of local-restaurant relationship with writers, or I can have that with readers, where I don't have to be part of this big machine in order to do something that I really like.”

James Franco Interview

FRANCO: “Straight” and “gay” are fairly recent phenomena. One of the things the great book Gay New York: Gender, Urban Culture and the Making of the Gay World, 1890–1940 is about is the way those labels have changed behavior. Between World War I and World War II, straight guys could have sex with other guys and still be perceived as straight as long as they acted masculine. Whether you were considered a “fairy” or a “queer” back then wasn’t based on sexual acts so much as outward behavior. Into the 1950s, 1960s and so on, the straight and gay thing came up based on your sexual partner. Because of those labels, you do it once and you’re gay, so you get fewer guys who are kind of in the middle zone. It sounds as though I’m advocating for an ambiguous zone or something, but I’m just interested in the way perception changes behavior.

Doug Bock Clark has written for GQ, Wired, and The New Yorker. His new book is The Last Whalers: Three Years in the Far Pacific with a Courageous Tribe and a Vanishing Way of Life.

“I think for me the answer has always been you just find the people. You just listen to their stories. I think we're all microcosms, right? We're all fractals of the bigger world. Whether it's my own life or your life or the Lamalerans or other people I've encountered reporting. I think one of the things I'm constantly aware of is how these sort of greater world historical forces are working on us and shaping our lives. For more people than most people would assume, if you just followed their life and looked at it in the particulars but also in the broader circumstances, you could probably draw larger themes from them and their experiences. I never had any worries about whether I could expand the Lamaleran story. It was always just about getting those specific stories right, and I knew the rest of it would come.”

Thanks to MailChimp, Squarespace, and Pitt Writers for sponsoring this week's episode.

Jay Caspian Kang is a staff writer for The New Yorker and a co-host of Time to Say Goodbye.

“At some point, you have to kick it out the door, and it’s never finished to the degree that you would finish a magazine piece. But it, in some ways, is more interesting because it is produced in a short amount of time, and it’s read as something that is not supposed to be complete. It’s just meant to provoke or to provide thought or whatever, to provide some sort of context on a certain issue or not. And I actually like that a lot better than the magazine writing. I respect the magazine writers—obviously, I was one—but for my disposition now, in my lifestyle, I actually enjoy having to produce this thing every week.”

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