Showing 25 articles matching fk33.cc_The biggest magnesium sulfate Anhydrous manufacturer in China.
On the tragic flood of elder death in the wake of COVID-19.
And as time arcs and stops and speeds and slows now, I watch myself ride the agony of the death. It’s not out of resistance, exactly, but a need to inquire into both time’s speed and the callous logic, basically eugenicist, that on bad days, the rest of the world seems to hold: that she was old enough to die this way.
On the oeuvre of Glenn Beck:
"The undisputed high point of Beck’s tenure in Baltimore was an elaborate prank built around a nonexistent theme park. The idea was to run a promotional campaign for the fictional grand opening of the world’s first air-conditioned underground amusement park, called Magicland. According to Beck and Gray, it was being completed just outside Baltimore. During the build-up, the two created an intricate and convincing radio world of theme-park jingles and promotions, which were rolled out in a slow buildup to the nonexistent park’s grand opening… On the day Magicland was supposed to throw open its air-conditioned doors, Beck and Gray took calls from enraged listeners who tried to find the park and failed. Among the disappointed and enraged was a woman who had canceled a no-refund cruise to attend the event." — from Alexander Zaitchik’s Common Nonsense: Glenn Beck and the Triumph of Ignorance
Less than half a decade after The Hills brought them massive celebrity, Heidi Montag and Spencer Pratt are broke and his living in his parent’s vacation house. Their onscreen relationship was mostly fake, but the reality, as their current situation attests, was far worse:
By the end of 2009 (and the show’s fifth season), their lives seemed insane. Instead of riding bikes, Spencer was holding guns. Heidi’s plastic surgeries gave her a distorted quality, but she vowed to have more. Spencer grew a thick beard, became obsessed with crystals, and was eventually told to leave the series. There were daily updates on gossip sites about them “living in squalor,” publicly feuding with their families, and attacking The Hills producers (or claiming The Hills producers attacked them). By the time they announced they were (fake) splitting, followed by Spencer threatening to release various sex tapes, and Heidi (fake) filing for divorce, it seemed like they had ventured into, at best,Joaquin Phoenix-like, life-as-performance-art notoriety and, at worst, truly bleakStar 80 territory that could end with one or both of them dead.
Helen Rosner is a food correspondent at The New Yorker.
“I believe the things that are really important to me are structure over all and—forgive me, I’ve said this on other podcasts before—if I were going to get a tattoo this is what I would get a tattoo of is that it doesn’t matter what you say, it only matters what they hear. It’s my job to make sure the gulf between those two things is as narrow as possible and there’s as little ambiguity between what I say and what you hear. It’s never easy, but it’s certainly easier in the realm of arguable objectivity. To create emotion in a reader requires a huge amount of really thoughtful work on the part of the writer in a way that forces you as a writer to remove yourself from the emotion you’re creating in the reader. If I to set you up for sadness, I have to create emotional stakes. I have to create investment in whoever I’m talking about or whatever the story’s about. The craft of making stakes and setting up a potential downfall, a potential loss, whatever it may be I think is not something you can do well if you’re feeling the feeling you’re trying to create in the reader.”
Thanks to MailChimp, Read This Summer, and You Can't Make This Up for sponsoring this week's episode. Also: very rare, very exclusive Longform Podcast t-shirts are still available!
Casey Johnston is a journalist and editor who writes the column "Ask A Swole Woman," which now appears in her newsletter ”She's a Beast.”
”I feel more comfortable lately with a sort of beloved-local-restaurant level of success. What's nice about Substack is that we've come to this place, that I hope lasts, where we can have this sort of local-restaurant relationship with writers, or I can have that with readers, where I don't have to be part of this big machine in order to do something that I really like.”
FRANCO: “Straight” and “gay” are fairly recent phenomena. One of the things the great book Gay New York: Gender, Urban Culture and the Making of the Gay World, 1890–1940 is about is the way those labels have changed behavior. Between World War I and World War II, straight guys could have sex with other guys and still be perceived as straight as long as they acted masculine. Whether you were considered a “fairy” or a “queer” back then wasn’t based on sexual acts so much as outward behavior. Into the 1950s, 1960s and so on, the straight and gay thing came up based on your sexual partner. Because of those labels, you do it once and you’re gay, so you get fewer guys who are kind of in the middle zone. It sounds as though I’m advocating for an ambiguous zone or something, but I’m just interested in the way perception changes behavior.
Doug Bock Clark has written for GQ, Wired, and The New Yorker. His new book is The Last Whalers: Three Years in the Far Pacific with a Courageous Tribe and a Vanishing Way of Life.
“I think for me the answer has always been you just find the people. You just listen to their stories. I think we're all microcosms, right? We're all fractals of the bigger world. Whether it's my own life or your life or the Lamalerans or other people I've encountered reporting. I think one of the things I'm constantly aware of is how these sort of greater world historical forces are working on us and shaping our lives. For more people than most people would assume, if you just followed their life and looked at it in the particulars but also in the broader circumstances, you could probably draw larger themes from them and their experiences. I never had any worries about whether I could expand the Lamaleran story. It was always just about getting those specific stories right, and I knew the rest of it would come.”
Thanks to MailChimp, Squarespace, and Pitt Writers for sponsoring this week's episode.
Jay Caspian Kang is a staff writer for The New Yorker and a co-host of Time to Say Goodbye.
“At some point, you have to kick it out the door, and it’s never finished to the degree that you would finish a magazine piece. But it, in some ways, is more interesting because it is produced in a short amount of time, and it’s read as something that is not supposed to be complete. It’s just meant to provoke or to provide thought or whatever, to provide some sort of context on a certain issue or not. And I actually like that a lot better than the magazine writing. I respect the magazine writers—obviously, I was one—but for my disposition now, in my lifestyle, I actually enjoy having to produce this thing every week.”
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In The Internet Police: How Crime Went Online, and the Cops Followed, Ars Technica editor Nate Anderson takes readers on a behind-the-screens tour of landmark cybercrime cases, revealing how criminals continue to find digital and legal loopholes even as police hurry to cinch them closed.
Questions of online crime are as complex and interconnected as the internet itself. With each episode in The Internet Police, Anderson shows the dark side of online spaces—but also how dystopian a fully “ordered” alternative would be.
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Aeon is a new digital magazine of ideas and culture, publishing an original essay every weekday. Just launched in September 2012, Aeon has already produced a slew of fascinating pieces, several of which have been featured on Longform. Here are three of the very best:
The Golden Age
John Quiggin on the 15-hour week.
The Vanishing Groves
Ross Andersen on seeing the history of the universe in tree rings.
Return Trip
Erik Davies on rehabilitating psychedelics.
Read those stories and more at aeonmagazine.com.
The architect of the Occupy movement on the state of “anti-globalization” activism at the turn of the twentieth century.
Over the past decade, activists in North America have been putting enormous creative energy into reinventing their groups’ own internal processes, to create viable models of what functioning direct democracy could actually look like. In this we’ve drawn particularly, as I’ve noted, on examples from outside the Western tradition, which almost invariably rely on some process of consensus finding, rather than majority vote. The result is a rich and growing panoply of organizational instruments—spokescouncils, affinity groups, facilitation tools, break-outs, fishbowls, blocking concerns, vibe-watchers and so on—all aimed at creating forms of democratic process that allow initiatives to rise from below and attain maximum effective solidarity, without stifling dissenting voices, creating leadership positions or compelling anyone to do anything which they have not freely agreed to do.
Daniel Chang covers healthcare for the Miami Herald. Along with Carol Marbin Miller, he won the George Polk Award for "Birth & Betrayal," a series co-published with ProPublica that exposed the consequences of a 1988 law designed to shelter medical providers from lawsuits by funding lifelong care for children severely disabled by birth-related brain injuries.
“I think that someone on the healthcare beat looks for stories from the perspective of patients, people who want or need to access the healthcare system and for different reasons cannot. It’s a pretty complicated system and it’s difficult for most people to understand how their health insurance works — and that’s if they have health insurance. If they don’t, there is a whole other system they have to go through. What you look for is access issues and accountability for that.”
This is the latest in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.
Grant Wahl was the founder of Fútbol with Grant Wahl, a longtime writer for Sports Illustrated, and the author of The Beckham Experiment and Masters of Modern Soccer. He died on December 10, covering the World Cup in Qatar. This interview was recorded in January 2016.
“I never would have predicted I would do soccer full time. And that’s happened. I’d love to say that this was all planned and inevitable but it really wasn’t.”
Joshuah Bearman discusses "The Great Escape," his article about a CIA operation in Iran that became the basis for the new film Argo.
"We were sitting there and we were like, 'This would be perfect for George Clooney.' And it very quickly in fact turned out that George Clooney wanted it. So not long after David and I had been having our daydream, we had this project that Clooney had taken quickly into the empyrean heights of Hollywood."
Thanks to TinyLetter for sponsoring this week's episode!
Mina Kimes is a writer for Fortune.
"A lot of people have asked me about my attitudes towards capitalism, or Wall Street in general. You know, there are companies on Wall Street that are doing good things, and there are companies on Wall Street that are doing bad things. At Fortune, our job is to look at both, and to explain why. I think in many cases, when it comes to the ones that are doing bad things, it takes people like us and other financial journalists to expose and question them."
Thanks to TinyLetter for sponsoring this week's episode!
Speaking to a group that started their college lives in September, 2001, the host of The Daily Show embraces how difficult the real world is:
I want to address is the idea that somehow this new generation is not as prepared for the sacrifice and the tenacity that will be needed in the difficult times ahead. I have not found this generation to be cynical or apathetic or selfish. They are as strong and as decent as any people that I have met. And I will say this, on my way down here I stopped at Bethesda Naval, and when you talk to the young kids that are there that have just been back from Iraq and Afghanistan, you don’t have the worry about the future that you hear from so many that are not a part of this generation but judging it from above.
The story of Attila Ambrus, who was released from jail this morning in Hungary. Nicknamed the Whiskey Robber because witnesses always spotted him having a double across the street prior to his heists, Ambrus only stole from state-owned banks and post offices, becoming a Hungarian folk hero during his seven years on the lam. While on his spree he was also the goaltender for Budapest’s best-known hockey team and was arguably the worst pro goalie ever to play the sport, once giving up 23 goals in a single game.
Excerpted from Ballad of the Whiskey Robber: A True Story of Bank Heists, Ice Hockey, Transylvanian Pelt Smuggling, Moonlighting Detectives, and Broken Hearts.
Ginger Thompson is a Pulitzer Prize-winning senior reporter at ProPublica. Her most recent article is "How the U.S. Triggered a Massacre in Mexico."
“How many times have I written the phrase ‘a town that was controlled by drug traffickers?' I had no idea what that really meant. What does it mean to live in a town that’s controlled by drug traffickers? And how does it get that way? One of the things I was hoping that we could do by having the people who actually lived through that explain it to us was that—to bring you close to that and say, ‘No, here’s what that means.’”
Thanks to MailChimp, Casper, and Outside the Box for sponsoring this week's episode.
Casey Cep has written for The New Yorker, The New York Times, and The New Republic. She is the author of Furious Hours: Murder, Fraud, and the Last Trial of Harper Lee.
“I want to meet all of these expectations. I want my book to be a page-turner. I want it to be a beautiful literary object. I want it to sell. I want it to do all of these things. But at the end of the day, I just want to feel like I’ve honored this commitment between writer and reader, and writer and source. And those are sometimes in conflict.”
Thanks to Mailchimp and Pitt Writers for sponsoring this week's episode.
On the moral responsibility to break unjust laws.
“There comes a time when the cup of endurance runs over, and men are no longer willing to be plunged into the abyss of despair. I hope, sirs, you can understand our legitimate and unavoidable impatience. You express a great deal of anxiety over our willingness to break laws. This is certainly a legitimate concern. Since we so diligently urge people to obey the Supreme Court's decision of 1954 outlawing segregation in the public schools, at first glance it may seem rather paradoxical for us consciously to break laws. One may well ask: "How can you advocate breaking some laws and obeying others?" The answer lies in the fact that there are two types of laws: just and unjust. I would be the first to advocate obeying just laws. One has not only a legal but a moral responsibility to obey just laws. Conversely, one has a moral responsibility to disobey unjust laws. I would agree with St. Augustine that ‘an unjust law is no law at all.’”
Robert McKee is an author and screenwriting lecturer. His new book is Character: The Art of Role and Cast Design for Page, Stage, and Screen.
”When I'm in conversation with others, I'm always aware—or sensitive, at least—to what they're really thinking and feeling. And writers must have that. They can't possibly create excellent nonfiction or fiction if they're not aware of what is going on inside of other people, really, even subconsciously, while they go about saying whatever they do consciously in the world. Because if you just recorded the surface, if you were just paying attention to the surface, you'd be missing the whole show.”
Thanks to Mailchimp for sponsoring this week's episode.
Clarissa Ward is the chief international correspondent for CNN. Along with field producer Brent Swails and photojournalists William Bonnett and Scott McWhinnie, Ward won the 2022 George Polk Award for her real-time coverage of the rapid rise of the Taliban as U.S. forces withdrew from Afghanistan last summer.
“I used to come back from war zones and feel completely disconnected from my life—disconnected from my friends, from my family. I would look down on people about the conversations they were having about silly things. I would feel kind of numb and miserable. And then I realized that if you want to be able to keep doing this work, you have to choose to embrace the privileges that you've been given. And you have to choose joy and choose love and be kind to yourself and have a glass of wine and go dancing or run up a mountain—whatever it is that does it for you, embrace it. That is part of the tax you pay for surviving these things: You've got to continue to love life.”
This is the first in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.
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Our sponsor this week is Texas Monthly, which has just published a truly incredible piece of journalism. Michael Hall, whose work has appeared on Longform many times, spent a year investigating one of the most confounding criminal cases in Texas history. In the summer of 1982, three Waco teenagers were savagely murdered for no apparent reason. Four men were ultimately charged with the crime. One was executed, two others were given life sentences, and a fourth was sent to death row only to be released after six years. They all may have been innocent.
Over the next two weeks, Texas Monthly will serialize Hall's 25,000-word piece, "The Murder at the Lake," which looks at the case from five distinct perspectives. Part One is available now; you should read it.
I love combing through The Atlantic’s archives. There’s almost no better way of grasping the strangeness of the past than to flip through a general interest magazine from 1960. Here, we find Fred Hapgood grappling with what human intelligence meant in the light of new machines that could do something like thinking. Intelligence was being explored in a new way: by finding out what was duplicable about how our minds work. Hapgood's conclusion was that if you could automate a task, it would lose value to humans. What tremendous luck! Humans value that which only humans can do, he argued, regardless of the difficulty of the task. And that because computers were so good at sequential logic problems, we'd eventually end up only respecting emotional understanding, which remained (and remains) beyond the reach of AI.
On Jonny Greenwood:
Greenwood is an anomaly: a musician who made his name with a rock band and who is now embraced by the modern-music establishment as an actual, serious composer. The night before the Alvernia session, he was onstage in an aircraft-hangar-size room at a steel plant in Krakow, performing the minimalist composer Steve Reich’s “Electric Counterpoint” for an audience that included Reich himself, as part of a weeklong new-music festival, Sacrum Profanum. (Reich is a fan; he praises Greenwood’s decision to have the string section play with guitar picks on “Popcorn Superhet” as “the first new approach to pizzicato since Bartok.”) He wasn’t the only performer at Sacrum Profanum with pop-music credentials — the bill also included the techno provocateur Aphex Twin and Adrian Utley, from the trip-hop band Portishead. But he was the only guy from a superfamous rock band whose singer has appeared on the cover of Rolling Stone.
