Showing 25 articles matching fk33.cc_Which company supplies industrial magnesium sulfate in China.

Erika Hayasaki has written for The New York Times Magazine, Wired, and The Atlantic. Her new book is Somewhere Sisters: A Story of Adoption, Identity, and the Meaning of Family.

“I don’t subscribe to the belief that it’s our story because we’re the journalist that wrote it — especially when people are sharing these really intimate, deep, painful moments. That is not my story. That’s their story that they've collaborated in a way with me to share through these interviews.”

Interview: Sol LeWitt

"Serial systems and their permutations function as a narrative that has to be understood. People still see things as visual objects without understanding what they are. They don’t understand that the visual part may be boring but it’s the narrative that’s interesting. It can be read as a story, just as music can be heard as form in time. The narrative of serial art works more like music than like literature."

His Own Private Idaho

Ten years ago, a man moved to Marsing, Idaho. He had a strange accent and didn't know much about cattle. The folks in Marsing were a little skeptical at first, but when he built a house and started a family, he earned his neighbors' acceptance. Last February, while buying hay, he was cornered by federal agents and arrested for violent crimes tied to the Boston Mob. And the town wondered: Who the hell is Jay Shaw?

Who Lives and Who Dies

"What’s it like to be giving birth at home, and see blood pooling between your legs, and look up at the ashen faces of a birth attendant, a midwife, a spouse? What’s it like to feel the earth tremble and see the roof and walls of your home or school fall towards you? More to the point, in terms of survival: what happens next? It depends. Not just on the severity of the injury, but on who and where you are."

The True Story of Lady Byron's Life

The most dreadful men to live with are those who thus alternate between angel and devil.

Not long before she died, Anne Isabella Noel Byron gave a wide-ranging interview to the author of Uncle Tom’s Cabin. Most notoriously, she accused her husband, Lord Byron, of carrying on a “secret adulterous intrigue” with his half-sister.

The Atlantic lost 15,000 subscribers in the months following publication of this article.

Sneaking Into Pantone HQ

Inside the color forecaster.

There are no analytics measuring success of color forecasting—how would one even accurately measure such a thing? To play it safe most companies rely on a range of color forecasts. Eiseman says Pantone’s effort, and perhaps color forecasting in general, suffers from two misconceptions. The first is that there is some kind of “evil cabal” that “schemes to get the colors out there.” The second is “let’s just throw a dart and wherever it lands is what’s going to be the hot color for next year.”

The Pretender

A profile of singer-songwriter Will Oldham.

He has settled into character as an uncanny troubadour, singing a sort of transfigured country music, and he has become, in his own subterranean way, a canonical figure. Johnny Cash covered him, Björk has championed him (she invited him to appear on the soundtrack of “Drawing Restraint 9”), and Madonna, he suspects, has quoted him (her song “Let It Will Be” seems to borrow from his “O Let It Be,” though he says, “I’m fully prepared to accept that it’s a coincidence”).

My Father's Voice

Remembering George Plimpton’s old-fashioned style.

Above all, he was a gentleman, one of the last—a figure so archaic, it could be easily mistaken for something else. No, my father’s voice was not an act, something chosen or practiced in front of mirrors: he came from a different world, where people talked differently, and about different things; where certain things were discussed, and certain things were not—and his voice simply reflected this.

Wikipedia: Richard John Bingham, 7th Earl of Lucan

On the evening of November 7th 1974, the 7th Earl of Lucan, an inveterate gambler and Backgammon champion with a taste for power boats, snuck into his estranged wife’s basement. He then bludgeoned their nanny with a lead pipe and placed her in a canvas sack, before attempting to murder his wife. Recognizing his voice, she convinced him that she could him escape, then slipped out a bathroom window. Lord Lucan was never seen again.

Real Talk With RuPaul

“I made a pact with myself when I was 15 that if I was going to live this life, I'm only going to do it on my terms, and I'm only going to do it if I'm putting my middle finger up at society the whole time. So any time I've had yearnings to go, "Aw, gee, I wish I could be invited to the Emmys," I say, Ru, Ru, remember the pact you made. You never wanted to be a part of that bullshit. In fact, I'd rather have an enema than have an Emmy.”

Why Go Out?

On attempting to quit people and stay home.

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Why go out? Because if what we want more than anything is to attain self-confidence, health, energy, and peace of mind, we should stay in. We could be like little Buddhas, meditating and masturbating and watching TV. And we could imagine ourselves to be brilliant, and kind, and good lecturers, and good listeners, and utterly loving – and there’d be no way to prove it otherwise.

Inside Trump’s Hour-by-Hour Battle for Self-Preservation

“To an extent that would stun outsiders, Mr. Trump, the most talked-about human on the planet, is still delighted when he sees his name in the headlines. And he is on a perpetual quest to see it there. One former top adviser said Mr. Trump grew uncomfortable after two or three days of peace and could not handle watching the news without seeing himself on it.”

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Maggie Haberman on the Longform Podcast

To Be, or Not to Be

“Choice is a great burden. The call to invent one’s life, and to do it continuously, can sound unendurable. Totalitarian regimes aim to stamp out the possibility of choice, but what aspiring autocrats do is promise to relieve one of the need to choose. This is the promise of “Make America Great Again”—it conjures the allure of an imaginary past in which one was free not to choose.”

How the Pandemic Defeated America

How did it come to this? A virus a thousand times smaller than a dust mote has humbled and humiliated the planet’s most powerful nation. America has failed to protect its people, leaving them with illness and financial ruin. It has lost its status as a global leader. It has careened between inaction and ineptitude. The breadth and magnitude of its errors are difficult, in the moment, to truly fathom.”

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Previously: Yong on the Longform Podcast

Kelefa Sanneh is a staff writer at The New Yorker. His book is Major Labels: A History of Popular Music in Seven Genres.

“I’m always thinking about how to not be that person at a party who corners you and tells you about their favorite thing and you’re trying to get away. It’s got to feel light and fun. And what that means in practice is writing about music for readers who don’t care about music, while at the same time writing something that the connoisseurs don’t roll their eyes too hard at.”

Rebecca Traister is a writer for New York and the author of Good and Mad: The Revolutionary Power of Women’s Anger. Her latest article is "The Necessity of Hope."

“A big motivation of this piece, which I think is framed in this there’s still reason to hope is actually the inverse of that. Which is: Let us be crystal clear about what is happening, what is lost, what is violated. The cruelty, the horror, and the injustice, and that is it only moving toward worse right now. And to establish that to then say that it is the responsibility to really absorb that, and then figure out how to move forward.”

Jen Percy is the author of Demon Camp: A Soldier's Exorcism.

"As is the nature of obsession, you just start gathering materials, hoarding documents and taking notes in a way that’s totally chaotic and overwhelming. You don’t even care yet because you’re so excited by what you’re gathering. If you start trying to make a narrative out of it too soon it will be false or fall apart."

Thanks to TinyLetter and Dear Thief, the new novel by Samantha Harvey, for sponsoring this week's episode.

Edith Zimmerman is the founding editor of The Hairpin and a contributing writer to The New York Times Magazine.

"I never wrote anything myself or ran anything from other people that was needlessly negative. It wasn't some false grin plastered all over it — we addressed dark things too, and poked fun at things. But I didn't want there to ever be a tone of yeah, let's really just deflate this. Because ultimately you're just stabbing at a ghost among friends. And then at the end you've all just fallen on the floor and the ghost is gone. You're not really doing anything constructive."

Thanks to TinyLetter for sponsoring this week's episode.

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Dan Rather is a journalist, author, and the former anchor of CBS Evening News.

”I knew that being named to succeed Walter Cronkite would put me in a position of inhaling—every day—a kind of NASA-grade rocket fuel for the ego. And that could be dangerous…. In the end, when the red light goes on, it's just you. You're by yourself.… And the longer you're in that role, the more difficult it is to stay true to yourself and to remember who you are and who you want to be.”

Thanks to Mailchimp for sponsoring this week's episode.