Showing 25 articles matching fk33.cc_Which are the china suppliers of magnesium sulfate heptahydrate for agriculture.
She was a thirteen-year-old from the Chabad Lubavitch community who would dip into a barbershop bathroom to swap her orthodox clothes for those of a streetwalker. Her pimping and rape allegations against a group of black men in their twenties, repeatedly recanted and then reaffirmed, would send the D.A.’s office into disarray.
“The vegan wars are not really about veganism at all, but about how individual freedom is coming into conflict with a personal and environmental health crisis.”
How do you tell the world you are grieving? In my case, it was a year-long Twitter thread about finding the things that made me feel better.
Amel Guettatfi and Julia Steers won this year's George Polk Award for Television Reporting for “Inside Wagner,” their Vice News investigation of Russian mercenaries on the Ukraine front and in the Central African Republic.
“One of the best takeaways I got from seven or eight years at Vice is that it’s not enough for something to be important when you’re figuring out how to make a story. It’s the intersection of important and interesting. And that has taught me that people will watch anything, anywhere, as long as it’s interesting. Nobody owes us their time. The onus is on us to explain things in an interesting, compelling way. I’m hoping that a landscape opens up somewhere else that sees that and understands that can be done anywhere in the world.”
This is the first in a week-long series of conversations with winners of this year’s George Polk Awards in Journalism.
Looking back on the George Floyd rebellion.
Armed only with their psychotic courage, they were running, dancing, singing, smashing, burning, screaming, storming heaven: all rapturous varieties of Baraka’s “magic actions.” I listened to 19-year-olds talk nonstop throughout the night we spent in jail, as they howled insults at the officers and swapped stories of humiliation by police. It struck me that they were too young to have seen even the initial phase of BLM. Though well-acquainted with power and violence, they were tasting “politics” for the first time. Whatever the fate of the movement, I suspect that much of their future thinking will be measured against the feelings that filled the nights of 2020: the vastness and immediacy, the blur and brutal clarity.
“Transforming into an Administrative Jekyll for a certain amount of time every day limits the amount of time my Creative Hyde can come up with content to market and sell. Luckily, amphetamines have that problem tackled as well: when you’re using them, you don’t have to sleep… at all.”
When your job is to constantly share your life, even your worst moments are an opportunity to please your audience.
The rise and fall of Synanon, an addiction-recovery cult in California, and its charismatic leader, a one-time homeless wino named Chuck Dederich who taught his followers to berate each other for therapy.
How the “genial Bavarian” version of Adolf Hitler became a global media celebrity, “a plain-living gentleman with a soft spot for dogs and children.”
A Barclays analyst leaves for a routine laser treatment and is never heard from again. Ten months later, authorities find her body under a concrete slab at the house of her doctor, who was in fact not a doctor at all.
Marine commanders did not act on dozens of pleas for additional manpower, machinery and time. When a training exercise ended in death, leadership blamed the very men they had neglected.
In the wartime Balkans, an encounter with a solider produced an unwanted baby, a test of international justice, and a decades-long yearning for peace.
Terrence McCoy is The Washington Post's Rio de Janeiro Bureau Chief. He won the George Polk award for his series "The Amazon, Undone" on the illegal and often violent exploitation of the rainforest.
“When I first got to Brazil, the Amazon was an arena of mystique. But after you spend a fair amount of time in the Amazon, it becomes quite clear what the struggle is—and how human that struggle is.”
This is the last of a week-long series of conversations with winners of this year's George Polk Awards in Journalism.
"For 20 beautiful years, my homeland was open and (kind of) free. Now, I fear, it’s closing back up."
Previously: Keith Gessen on the Longform Podcast.
Dr. Elisabeth Targ became famous for running scientific experiments that appeared to prove the healing power of faith. Then she got sick and became a test subject herself.
An estimated 70,000 transgender youth lack secure housing. This is what life on the streets is like for six of them.
In three decades of advocating for prison abolition, the activist and scholar has helped transform how people think about criminal justice.
Robert McKee is an author and screenwriting lecturer. His new book is Character: The Art of Role and Cast Design for Page, Stage, and Screen.
”When I'm in conversation with others, I'm always aware—or sensitive, at least—to what they're really thinking and feeling. And writers must have that. They can't possibly create excellent nonfiction or fiction if they're not aware of what is going on inside of other people, really, even subconsciously, while they go about saying whatever they do consciously in the world. Because if you just recorded the surface, if you were just paying attention to the surface, you'd be missing the whole show.”
Thanks to Mailchimp for sponsoring this week's episode.
I remember when you were a little girl, you used to call yourself “peach-brown”. Peach represented your mother, brown represented your father, and together they made peach-brown, a perfect articulation at the time for what you were. The colors came from the crayons you matched to the skin of your parents, and although they were separate and didn’t mix together very well on paper, they were the best you had at the time. This silly little phrase represented what would become a lifelong struggle of coming into your own identity.
Wuhan-based virologist Shi Zhengli has identified dozens of deadly SARS-like viruses in bat caves, and she warns there are more out there
In Austin in 1973, politicos and hippies could get together and create violent, visionary horror films for $60,000. So they did. The story of how The Texas Chainsaw Massacre got made.
In this special episode with Stephen Rodrick, contributing writer at the New York Times Magazine and contributing editor at Men's Journal, Rodrick discusses his recent story "Here Is What Happens When You Cast Lindsay Lohan in Your Movie."
"Publicists don't want to give you access because they're afraid of what you're going to see. But if you spend enough time with anybody, short of Mussolini or Ghengis Khan, they're going to humanize themselves. Because they're human beings, like you are. And they have whatever demented battles they're fighting, their version of crazy, but if you get to spend some time with them as flesh and blood, they're going to come across as flesh and blood in the story."
A report from Nevada, where an economy in crisis and a Tea Party upstart are threatening to topple Harry Reid, the most nationally powerful politician in the state’s history.
Inside Give Kids the World Village, where the ice cream is unlimited, nightly tuck-ins from six-foot bunny rabbits are complimentary, and Santa Claus visits every Thursday.
“I know I learned to use my intelligence as a weapon to keep myself safe from racists, starting as a child, and suddenly it doesn’t feel like enough. The violence is like a puzzle with many moving parts, but the stakes are life and death.”
