Showing 25 articles matching fk33.cc_Magnesium sulfate heptahydrate large granules for agriculture.

Satan in Poughkeepsie

In 1966, Anton LaVey introduced the world to the Church of Satan. The 1980s saw a “Satanic Panic” in the form of abuse charges brought against child-care workers and suburban parents. Today, the author joins a group of Satanists for afternoon tea at the church’s global headquarters in a “bland New York college town.”

Cash/Consent

I was asked about labor protections for adult-film performers. I said: You have to recognize how complicated this is. The things that sex workers do to stay safe are almost always the things civilians want to pass laws to stop. Everything looks different depending on the distance from which you’re looking.

Andy Greenberg is a senior writer for Wired. His new book is Sandworm.

“I kind of knew I was never going to get access to Sandworm, which is the title of the book - so it was all about drawing a picture around this invisible monster.”

Thanks to Mailchimp, Pitt Writers, and Family Ghosts for sponsoring this week's episode.

Hong Kong on Borrowed Time

Earlier this month, while China's leaders were staging a grandiose celebration of their revolution's 40th birthday, thousands of somber Hong Kong residents gathered for a dreary commemoration of their own. Far from the fireworks display in Beijing, Hong Kongers huddled in a rainstorm near the bronze statue of Queen Victoria, singing patriotic songs and listening to mournful poems dedicated to those who died in Tiananmen Square.

The Cursed Platoon

Clint Lorance had been in charge of his platoon for only three days when he ordered his men to kill three Afghans stopped on a dirt road. A second-degree murder conviction and pardon followed. Today, Lorance is hailed as a hero by President Trump. His troops have suffered a very different fate.

Courtney’s Story

Three years ago, college football was rocked by a domestic violence scandal that ended with Ohio State firing assistant coach Zach Smith and suspending head coach Urban Meyer. Both men have since reinvented their images and careers. But what about Courtney Smith, the woman who said she had been abused for years by Smith while he coached at Ohio State? This is her story.

Roger Angell, Baseball's Best Writer, Gets His Due

On Saturday, more than 50 years after he started writing about the game, Roger Angell will be honored at the Baseball Hall of Fame in Cooperstown, NY. If you're unfamiliar with Angell's work, here's where to start: The Summer Game, the first of his three incomparable collections of baseball writing for The New Yorker.

Our friends at Open Road Integrated Media have made the book available for 80% off through the weekend. And they've been generous enough to share an excerpt with Longform, "The Interior Stadium," a 1971 classic in which Angell captures the timelessness of the game. "Since baseball time is measured only in outs, all you have to do is succeed utterly," he writes. "Keep hitting, keep the rally alive, and you have defeated time. You remain forever young.”

Get your copy of The Summer Game through Sunday for 80% off.

Sponsor: MATTER

Our sponsor this week is MATTER, the new home for great longform writing about science, technology, and the ideas that are shaping our future. Each month MATTER publishes a major new piece of journalism, and for just 99c a month, subscribers get to read it wherever they want — on the web, for their Kindle or iPad, or even as an audiobook — as well as a slew of other benefits.

You can get a free taster with Do No Harm, a harrowing investigation into a condition that makes sufferers want to amputate their own limbs.

Or sign up now to read the latest release, The Ghost in the Cell: an extraordinary account of families riven by violence and the scientists who are trying to pinpoint the cause.

Dallas DA Craig Watkins on Witnessing His First Execution

An interview:

Watkins: And then, all of a sudden, you notice that it appears that he is falling asleep and gasping for air—like he is snoring, basically. You could classify it as snoring or as gasping for air. You see his chest moving, and then I guess very quickly—maybe two minutes in—his chest stops moving. And we stand there, I guess, for another 10 minutes, and everybody is just kind of standing there. D Magazine: In total silence? Watkins: No one’s talking. No one’s saying anything. And then you notice that the condemned, he starts to turn this bluish color. So I guess that’s when all his functions have stopped. And then a doctor walks in and takes his vital signs and announces that the person is—he looks at the clock and announces, “The person died at 6:22.” And then they open the door and we all walk out.

Matthieu Aikins, on the eve of a move to Kabul. Aikins is a correspondent for GQ, Harper's and Wired.

"There's no real objective framework for deciding what the value of your life is, versus the value of a story ... Especially when you go to places where people are getting killed for the silliest reasons, and a life is worth so little, you realize you don't necessarily have to value yourself as this, like, precious commodity that can't be risked in any way. And that's just a personal choice, and it's actually a very selfish one, because obviously, if you have loved ones, you're affecting them by making that choice. In any case, it's just a different headspace that you inhabit."

Eva Holland is a freelance journalist and a correspondent for Outside. Her new book is Nerve: Adventures in the Science of Fear.

“I'm less caught up in my freelance career anxieties every day that this goes on. Maybe I'll become a paramedic, who knows? Magazines I write for are already shutting down because of this. You can only freak out so much before you decide that if you end up having to find a new way to make a living, that's what you'll do.”

Thanks to Mailchimp and Pitt Writers for sponsoring this week's episode.

Lori Gottlieb is a contributing writer at The Atlantic and the author of Marry Him: The Case for Settling for Mr. Good Enough. Her new book is Maybe You Should Talk to Someone.

“Everything that I had done all coalesced into one thing. As a journalist i was helping people to tell their stories, as a therapist I could help people to edit their stories, to change their stories. I could be immersed in the human condition in both of these things.”

Thanks to Mailchimp, Pitt Writers, Native, and Squarespace for sponsoring this week's episode.

Kevin Kelly is a writer and a founding executive editor of Wired Magazine. He is the author of What Technology Wants, Out of Control and The Inevitable: Understanding the Twelve Technological Forces That Will Shape Our Future.

“I always try to write about the future—and it became harder and harder because things would catch up so fast. If you read Out of Control now, I’ve heard that people say, ‘well, this is obvious.’ I have to tell you, it was dismissed as entirely pie-in-the-sky, wild-eyed craziness twenty-five years ago.”

Thanks to Mailchimp and Pitt Writers for sponsoring this week's episode.

A.J. Daulerio is the former editor-in-chief of Gawker.

“The choices they’ve given me are take back everything that you loved about Nick [Denton], Gawker, and your job, and we’ll give you your $1,000 back or your ability to make money. You can walk away from this, but you just can’t talk about it ever again. I don’t see there’s any question for me. I definitely thought long and hard about it, and I’ve talked to a lot of people about it. It’s just not in me. Some days I absolutely wish I could say, ‘Is there a phone call I could make to make this all go away?’ Because I want my life back. That’s happened. But for the most part I just think I would regret doing that.”

Thanks to MailChimp, EA SPORTS FIFA 17, School of the Arts Institute of Chicago, Casper, and Texture for sponsoring this week's episode.

Adam Moss is the editor of New York Magazine.

“I think [change] is good for journalism—it’s what journalism is about. You can’t write about something static. News is about what is new. So there’s plenty of new right now. I’m not saying it’s good for the citizenry or anything like that, but, yeah, for journalists it’s an extremely interesting time. There’s no denying that.”

Thanks to MailChimp, BarkBox, Squarespace, and Sock Fancy for sponsoring this week's episode.

Albert Samaha is an investigative journalist and the deputy inequality editor at BuzzFeed News. His book Concepcion: An Immigrant Family's Fortunes comes out in October.

“I don’t think any child of the recession will ever not feel precarious. And being in journalism makes that even more so. ... At this point I’ve embraced the precarity of working in this industry. I’m sure at some point it’s going to be grating for people to hear me talk about how precarious and insecure I feel. … But I’ve got too many friends who are way too talented, who can’t use that talent in the ways that they are passionate about, for me to ever feel like my place in this industry is fully cemented.”

Thanks to Mailchimp and CaseFleet for sponsoring this week's episode.

Rebecca Traister writes for New York. Her new book is Good and Mad: The Revolutionary Power of Women's Anger.

“I don’t want my experience to be held up as so, ladies, your new health regimen is rage all day. Because the fact is we live in a world that does punish women for expressing their anger, that denies them jobs, that attaches to them bad reputations as difficult-to-work-with, crazy bitches. Because they’re reasonably angry about something they have every reason to be angry about. We live in a world in which black women’s anger is either caricatured and they get written off as cartoons, or regarded as threats and face steep, often physical penalties for expressing dissent or dissatisfaction. When I talk about this, I don’t mean it to be prescriptive, I mean it to be descriptive of a particular experience I had that was extraordinarily unusual but which made me question a premise that I think all of us internalize that the anger is bad for us. I no longer believe that that’s true.”

Thanks to MailChimp, Skagen, Under My Skin, and Pitt Writers for sponsoring this week's episode.

Taylor Lorenz just announced she is leaving her job covering internet culture for The Atlantic to join The New York Times.

“With technology and internet culture, I am more of an optimist than a lot of other people who cover those topics. It’s more ambiguous for me. It's more like, ‘This is the world we live in now and here are the pros and here are the cons. There are a lot of cons, but there are also these pros.’ I like how things shift and change under me. I like to see how things are constantly evolving.”

Thanks to MailChimp and Pitt Writers for sponsoring this week's episode.

Brin-Jonathan Butler has written for SB Nation, ESPN, and The New York Times. His new book is A Cuban Boxer’s Journey.

"He smiled at me and just to make small talk, I said, 'You know, you’ve got this gold grill on your teeth. Where did you get that from?' And he said, 'Oh, I just melted my gold medals into my mouth.' And I thought, 'I think I’ve got a story here.'"

Thanks to TinyLetter, WW Norton & Company and Open Road Integrated Media for sponsoring this week's episode.

Barton Gellman is a staff writer for The Atlantic and was previously a Pulitzer-winning reporter at The Washington Post. His latest book is Dark Mirror: Edward Snowden and the American Surveillance State and his latest essay is "The Election That Could Break America."

“I have found that I have a talent for accidentally pissing people off. ... I’m interested most in accountability and the use and abuse of power. So naturally it’s going to annoy people sometimes. And sometimes they take it like grown-ups and sometimes less so.”

Thanks to Mailchimp for sponsoring this week's episode.

Kim Kardashian West Has a Few Things to Get Off Her Chest

“Think about that: Kim has so thoroughly monetized the very act of living that the money she earns from being filmed going about her life constitutes a relatively small sum compared with the one she generates from allowing people to see pictures and cartoon drawings of the life she has already filmed. She has figured out how to spin the mundanity of being herself—something billions of people do every day for free—into a more lucrative business than being the most famous rapper in the world.”