Showing 25 articles matching fk33.cc_Suppliers of Magnesium sulfate.

The Sorcerer of Jazz

“Miles Davis was a deeply competitive artist, and the idea that he was losing audiences to white rock musicians with inferior skills—and, worse, had to open for them at concerts—inspired him to beat them at their own game. But he did so very much on his own terms.”

Jeremiah Tower's Invincible Armor of Pleasure

He was America’s first celebrity chef, setting the hedonistic tone of California cuisine in the ’70s and ’80s. Then Jeremiah Tower lost his restaurant and ended up in Mexico, exiled from the booming culinary culture he helped create. Now, at 71, he’s coming home to take over the kitchen at Tavern on the Green.

Train of Thought: On the 'Subway' Photographs

An essay drawn from the introduction of Davidson’s iconic book Subway, first published in 1986:

To prepare myself for the subway, I started a crash diet, a military fitness exercise program, and early every morning I jogged in the park. I knew I would need to train like an athlete to be physically able to carry my heavy camera equipment around in the subway for hours every day. Also, I thought that if anything was going to happen to me down there I wanted to be in good shape, or at least to believe that I was. Each morning I carefully packed my cameras, lenses, strobe light, filters, and accessories in a small, canvas camera bag. In my green safari jacket with its large pockets, I placed my police and subway passes, a few rolls of film, a subway map, a notebook, and a small, white, gold-trimmed wedding album containing pictures of people I’d already photographed in the subway. In my pants pocket I carried quarters for the people in the subway asking for money, change for the phone, and several tokens. I also carried a key case with additional identification and a few dollars tucked inside, a whistle, and a small Swiss Army knife that gave me a little added confidence. I had a clean handkerchief and a few Band-Aids in case I found myself bleeding.

The Mobile Future of Cartoons

A conversation with Fred Seibert, who helped launch the Cartoon Network, co-created Nick at Nite, ran Hanna-Barbera and is now behind a YouTube animation behemoth with 17 million subscribers.</p>

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“We don’t meander at the beginning of the story, making the assumption that people will just hang out with us. When we produced the latest episodes of Bee and PuppyCat, we didn’t have a theme song, which is how TV cartoons open. We just started the story.”

Gold Coins: The Mystery of the Double Eagle

The hunt for rare 1933 Double Eagle coins:

The U.S. Secret Service, responsible for protecting the nation’s currency, has been pursuing them for nearly 70 years, through 13 Administrations and 12 different directors. The investigation has spanned three continents and involved some of the most famous coin collectors in the world, a confidential informant, a playboy king, and a sting operation at the Waldorf Astoria in Manhattan. It has inspired two novels, two nonfiction books, and a television documentary. And much of it has centered around a coin dealer, dead since 1990, whose shop is still open in South Philadelphia, run by his 82-year-old daughter.

Syria's Sons of No One

Inside the safe houses where Syrian youth protesters have retreated since the uprising:

Around his neck he wore a tiny toy penguin that was actually a thumb drive, which he treated like a talisman, occasionally squeezing it to make sure it was still there. I sat next to him on the mattress and watched as he traded messages with other activists on Skype, then updated a Facebook page that serves as an underground newspaper, then marked a Google Earth map of Homs with the spots of the latest unrest. “If there’s no Internet,” Abdullah said, “there’s no life.”

Don DeLillo: The Art of Fiction No. 135

We have a rich literature. But sometimes it’s a literature too ready to be neutralized, to be incorporated into the ambient noise. This is why we need the writer in opposition, the novelist who writes against power, who writes against the corporation or the state or the whole apparatus of assimilation. We’re all one beat away from becoming elevator music.

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Plus: Our complete collection of </em>Paris Review interviews</a>.

The Redemption of Justin Bieber

“And while maybe you don’t care if Justin Bieber ever does make his way back to a kind of normalcy, perhaps you can admit there is at least something admirable, in the abstract, about someone finding a way to survive, and even to become kind, when all they’ve been taught since a young age, by millions of adoring people, is that there is no need for them to be kind at all. And if that doesn’t move you, then maybe you can at least find sociological interest in the process that Bieber is about to recount here, which is how you turn into someone you don’t want to be, and what you do about it once you decide you want to be someone else. Someone better, even.”

Kurt Vonnegut: The Art of Fiction No. 64

This interview with Kurt Vonnegut was originally a composite of four interviews done with the author over the past decade. The composite has gone through an extensive working over by the subject himself, who looks upon his own spoken words on the page with considerable misgivings . . . indeed, what follows can be considered an interview conducted with himself, by himself.

Fiction Pick of the Week: "The Time I Spent On A Commercial Whaling Ship Totally Changed My Perspective On The World"

“Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world.”

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