The Beach Boys’ Crazy Summer
On tour with America’s first 50-year-old rock band.
On tour with America’s first 50-year-old rock band.
A profile of singer-songwriter Will Oldham.
He has settled into character as an uncanny troubadour, singing a sort of transfigured country music, and he has become, in his own subterranean way, a canonical figure. Johnny Cash covered him, Björk has championed him (she invited him to appear on the soundtrack of “Drawing Restraint 9”), and Madonna, he suspects, has quoted him (her song “Let It Will Be” seems to borrow from his “O Let It Be,” though he says, “I’m fully prepared to accept that it’s a coincidence”).
A posthumous profile of Whitney Houston.
“Being Justin Bieber means having an endless number of T-shirts to destroy.” A profile of the pop star just after his 18th birthday.
With flash, hip-hop echoes rock’s golden age.
When rock was at its peak in 1972, Americans earning the equivalent of $1m a year took just over 1 per cent of national income. In 2010, this group’s share of national income had grown to almost 10 per cent. At the same time, the average tax paid by these top earners almost halved. The rise of Jay-Z’s “new black elite” reflects the growth in numbers of the super-wealthy. But the opulence that he and West flaunt also reflects the growing estrangement of those at the top from the rest.
“There was no Delta blues before there were cheap, readily available steel-string guitars. And those guitars, which transformed American culture, were brought to the boondocks by Sears, Roebuck & Co.”
A look at Chicago’s DJ culture in the ’90s.
One day in 1997, Sneak promised his friend and fellow Chicago DJ Derrick Carter a new 12-inch for Carter's label Classic, then spent hours fruitlessly laboring over a basic, bustling four-four beat. Finally, Sneak gave in and smoked the J he'd had stashed for later in the day. When he came back inside, he carelessly dropped the needle onto a Teddy Pendergrass LP, heard the word "Well . . . ," and realized, "That's the sample, right there." He threaded Pendergrass's 20-year-old disco hit "You Can't Hide From Yourself" through a low-pass filter to give it the effect of going in and out of aural focus, creating one of the definitive Chicago house singles.
The Beastie Boys on tour in Los Angeles shortly after the release of their debut album, Licensed to Ill.
A free-ranging conversation between music writers Simon Reynolds and Greil Marcus.
The story of a bizarre—and bizarrely effective—smear campaign.
A childhood spent with the oboe.
At 67, the American Bandstand icon remains “one hard-working mother.”
Neal punctuated Jack’s riffing with his “yesses” and “that’s rights,” head bobbing on his neck like a novice prizefighter’s. After four years of New York nihilism and intellection, Neal – wiping Jack’s face with his handkerchief – Neal – who looked so much like Jack himself, an athlete like Jack – celebrated lover of women and sharer of Allen’s passionate dark soul – finally the long-lost brother who said, “Go ahead, everything you do is great” – “a Western kinsmen of the sun” – “a wild yea-saying over-burst of American joy.”
The life and myth of Neal Cassady, Beat companion and muse for Kesey, Wolfe, Kerouac, Ginsberg, The Grateful Dead and more.
On singer-songwriters Harry Nilsson, Randy Newman and Van Dyke Parks.
I get the sense that the labels' attitude toward these guys wasn't altogether different from a parent's attitude toward gifted children: Get them through the system, but make sure to give them a clean little corner to doodle in and pat them on the head when they show you what they've done, whether you understand it or not.
On the road with the band:
Axl Rose is carrying on like an Apache. He stormed into his home state for a concert and compared the fans there to prisoners at Auschwitz. He showed up two hours late for a New York show and launched into a tirade against his record company and various other institutions, including this magazine. He steamrolled into St. Louis, and before he left town, a riot had broken out. During an encore in Salt Lake City, he got ticked off because the Mormons weren't rocking and said, "I'll get out of here before I put anybody else to sleep." Then he did.
A profile of Kanye West.
A profile from his days living as a mountain monk in Southern California.
A history of the cell phone ringtone.
Many recent hip-hop songs make terrific ringtones because they already sound like ringtones. The polyphonic and master-tone versions of “Goodies,” by Ciara, for example, are nearly identical. Ringtones, it turns out, are inherently pop: musical expression distilled to one urgent, representative hook. As ringtones become part of our environment, they could push pop music toward new levels of concision, repetition, and catchiness.
He’s their hero, but he’s also their soulmate, the one person in the world who understands them. That’s why Stephen Wesley and the legions of fans like him can’t get enough of the Mountain Goats. And that burden is crushing Darnielle.
On the passionate relationship between fans and John Danielle of the Mountain Goats.
Delivered at the Austin Convention Center on March 15, 2012.
In the beginning, every musician has their genesis moment. For you, it might have been the Sex Pistols, or Madonna, or Public Enemy. It's whatever initially inspires you to action. Mine was 1956, Elvis on the Ed Sullivan Show. It was the evening I realized a white man could make magic, that you did not have to be constrained by your upbringing, by the way you looked, or by the social context that oppressed you. You could call upon your own powers of imagination, and you could create a transformative self.
How a hit Rihanna single gets made.
When we're introduced, I spend a long moment trying to conjugate the reality of James Brown's face, one I've contemplated as an album-cover totem since I was thirteen or fourteen: that impossible slant of jaw and cheekbone, that Pop Art slash of teeth, the unmistakable rage of impatience lurking in the eyes. It's a face drawn by Jack Kirby or Milton Caniff, that's for sure, a visage engineered for maximum impact at great distances, from back rows of auditoriums.
On Abbey Road studios, the Beatles, and modern record production.
In 1963, William Zantzinger was convicted of manslaughter in the death of Hattie Carroll and then immortalized – and somewhat defamed – by Bob Dylan. What’s he been up to since then?
Searching for the reclusive band’s studio in Düsseldorf.