Wesley Lowery is a correspondent for “60 in 6” from 60 Minutes. He is the author of They Can't Kill Us All: Ferguson, Baltimore, and a New Era in America's Racial Justice Movement and won the 2016 Pulitzer Prize for "Fatal Force," a Washington Post project covering fatal shootings by police officers.

“The police are not, in and of themselves, objective observers of things. They are political and government entities who are the literal characters in the story. They are describing the actions of people who are protesting them. They have incentives.”

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The Boogaloo Movement Is Not What You Think

Open source materials suggest that, for now, the apocalyptic, anti-government politics of the “Boogaloo Bois” are not monolithically racist/neo-Nazi. As we have observed, some members rail against police shootings of African Americans, and praise black nationalist self defense groups.

But the materials also demonstrate that however irony-drenched it may appear to be, this is a movement actively preparing for armed confrontation with law enforcement, and anyone else who would restrict their expansive understanding of the right to bear arms. In a divided, destabilized post-coronavirus landscape, they could well contribute to widespread violence in the streets of American cities.

The Secret, Absurd World of Coronavirus Mask Traders and Middlemen Trying To Get Rich Off Government Money

As someone who’s knocked on countless doors with nothing but a hunch and a prayer, I believe all doomed reporting missions should be seen through to their end. Besides, Zelonka’s pluck was entertaining, and I’d come all this way, so we went, two guys in masks, one zapped on Monster Energy and the other on Starbucks double espresso, roaming an empty office park in Rancho Cucamonga as the world was falling apart.

Philip Montgomery is a photojournalist.

“The photographers that I grew up on all sort of had their moment… I sort of had, in this weird way, this feeling of envy that they had their moment with this story that was all-encompassing. Looking at it now, this is the story of my time, and it’s a little more than I perhaps bargained for.”

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