Showing 25 articles matching fk33.cc_Magnesium Sulfate trihydrate Factory in China.

Sarah Marshall is a writer and hosts the podcast You're Wrong About.

”I love it when people tell me that listening to the way I talk about these people in the stories that we tell, and just about the world generally, has made them practice empathy more. I almost feel like I have preserved this a-little-bit-past version of myself, because I've been on this journey throughout the pandemic of becoming pretty cynical, and then deciding cynicism is a luxury and that it feels better, ultimately, to try to believe in people.”

For the first time, Janet Reitman discusses her Rolling Stone cover story on accused Boston Marathon bomber Dzhokhar Tsarnaev.

"My editors, myself, a lot of people who work for the magazine — we lived through an act of terrorism. We know what it feels like. There have been accusations to me personally of being insensitive, and I can tell you that I'm far from insensitive, not only to the political realities of terrorism but to the personal realities of terrorism. I breathed it in, literally. … The cover elicited an emotional response from people; that is not always what magazine covers do. I think it's great on a certain level, because terrorism is emotional, it's real, it affects us. It is not something that happens just overseas or just to people who are somehow "Other." If you talk to terrorism experts around the world, what they will all say is that the vast majority of people who are involved in these violent, extremist acts are what we would consider otherwise to be very normal people. One of us. Part of our community. That's a reality, and it's a very emotional thing and it makes people very uncomfortable. I totally understand that. But that was the point of my story."

Thanks to this week's sponor, Squarespace.

Ashley C. Ford is a writer and host of the podcast Fortune Favors the Bold. Her memoir, Somebody's Daughter, is forthcoming from Flatiron Books.

“For the first time I felt like I had so many more choices in my life than I originally thought I had. That was my first realization that I did not just have to react to the world, that I could be intentional in the world, and just curious about what came back to me.”

Thanks to Mailchimp and Pitt Writers for sponsoring this week's episode.

Mark Bowden is a journalist and the author of 13 books, including Black Hawk Down and his latest, Hue 1968: A Turning Point of the American War in Vietnam.

“My goal is never to condemn someone that I’m writing about. It’s always to understand them. And that, to me, is far more interesting than passing judgment on them. I want you to read about Che Thi Mung, an 18-year-old village girl, who was selling hats on corners in Hue in the daytime and going home and sharpening spikes to go into booby traps to try and kill American soldiers and ARVN soldiers in the evening. I want to understand why she would do that, why she would be so motivated to do that. And I think I did.”

Thanks to MailChimp, LeVar Burton Reads, Babbel, and HelloFresh for sponsoring this week's episode.

The Rise and Inglorious Fall of Myspace

How what was once one of the most popular websites on Earth—with ambitions to redefine music, dating, and pop culture—became a graveyard of terrible design and failed corporate initiatives:

In retrospect, DeWolfe says, the imperative to monetize the site stunted its evolution: "When we did the Google deal, we basically doubled the ads on our site," making it more cluttered. The size, quality, and placement of ads became another source of tension with News Corp., according to DeWolfe and another executive. "Remember the rotten teeth ad?" DeWolfe says. "And the weight-loss ads that would show a stomach bulging over a pair of pants?"

The Age of Mechanical Reproduction

An essay on a pregnancy attempted:

When I tell people what we are doing, they want to hear about the room where you produce. I tell them that there is a lot of paperwork. That they take your picture and look at your license. Then they walk you back to the room. You are handed a list of instructions and some stickers and a plastic cup. The cup has a forest-green lid. In the room is a VCR. I like to write down the names of the videos so I can share them with my wife and friends: Ass Angels #4, Original Black Queens of Porn (Afro-Centrix #113), and Chock Full of Asians. The latter features a woman with enlarged breasts so swollen they look luminous, like the sense apparatus of a recently discovered deep-sea fish.

I Was Born Inside the Movie of My Life

Extracted from the author’s memoir, Life Itself.

The British satirist Auberon Waugh once wrote a letter to the editor of the Daily Telegraph asking readers to supply information about his life between birth and the present, explaining that he was writing his memoirs and had no memories from those years. I find myself in the opposite position. I remember everything. All my life I've been visited by unexpected flashes of memory unrelated to anything taking place at the moment. These retrieved moments I consider and replace on the shelf.

Dave Chappelle Is Back (This Time We're 100% Sure It's Maybe Totally for Real)

The comedian on his show business bucket list, Donald Sterling, and whether he ever feels guilty for being funny.

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"I just know that sometimes the things that scare you the most or make you want to cry the most or are the most tragic are the things you just gravitate to or address in a comedic context, partially because you shouldn't."

Previously: Rachel Kaadzi Ghansah's "If He Hollers Let Him Go," a Best of 2013 pick.

Mirrorings

The writer contemplates beauty and identity following reconstructive surgery.

There was a long period of time, almost a year, during which I never looked in a mirror. It wasn’t easy, for I’d never suspected just how omnipresent are our own images. I began by merely avoiding mirrors, but by the end of the year I found myself with an acute knowledge of the reflected image, its numerous tricks and wiles, how it can spring up at any moment: a glass tabletop, a well-polished door handle, a darkened window, a pair of sunglasses, a restaurant’s otherwise magnificent brass-plated coffee machine sitting innocently by the cash register.

I Was a Teenage Gramlich

On competing in the High School Fed Challenge Championship as “Ed Gramlich”:

A team of five students prepares and presents a 15-minute analysis of the US economy, recommends a course of action with respect to interest rates, and then withstands a 10-minute question-and-answer period from a panel of Federal Reserve economists. To prepare for the competition, students look at the same economic indicators and the same forces influencing the economy that our nation's economic leaders examine. And to lend extra verisimilitude to the whole proceeding, competitors are also advised, as we were, to act out the parts of real members of the Federal Open Market Committee.

“Today is May 13th, and Today You Graduate, and My Friends, You Ain’t Seen Nothin’ Yet.”

In a speech that’s getting a bit of flak for recycling some of his past lines, the stage- and screenwriter says it’s okay to make mistakes along the way:

And make no mistake about it, you are dumb. You're a group of incredibly well-educated dumb people. I was there. We all were there. You're barely functional. There are some screw-ups headed your way. I wish I could tell you that there was a trick to avoiding the screw-ups, but the screw-ups, they're a-coming for ya. It's a combination of life being unpredictable, and you being super dumb.

Jace Clayton is a music writer and musician who records as DJ /rupture. His book is Uproot: Travels in 21st-Century Music and Digital Culture.

“What does it mean to be young and have some sound inside your head? Or to be in a scene that you want to broadcast to the world? That notion of the world is changing, who you’re broadcasting to is changing, all these different things—the tool sets. But there’s this very fundamental joy of music making. I was like, ‘Ok. Let’s find flashpoints where interesting things are happening and can be unpacked that shed different little spotlights on it, but do fall into this wider view of how we articulate what’s thrilling to be alive right now.’”

Thanks to MailChimp for sponsoring this week's episode.

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Interview: T.J. Miller

On leaving a very successful TV show:

"I’m me, the guy that thinks all of this is sort of ridiculous. It was a joke. Leaving was a joke that I thought would be a good joke because the show would grow and change. It seemed like a funny trick to play on everyone. It’s just like, what if Kramer [Michael Richards] left in the middle of Seinfeld’s height? And also what if that guy never said the n-word on a stage? What if that was the end of this character? I just thought that would be really fascinating."

Sheila Heti is the author of seven books. Her latest is Motherhood: A Novel.

“[My parents] were afraid for me. As anybody who has a kid who wants to be a writer. I think they understood it was a hard life. It was a life in which you wouldn’t necessarily make enough money. It was a life in which you might be setting yourself up for a great amount of disappointment. My dad’s father was a painter, so there was in him this idea that it wasn’t so crazy to him. It wasn’t so outside his understanding. And, yeah, my mom thought it was a bad idea. And it probably is a bad idea in a lot of ways, but my dad was supportive but also cautioning. I think the book really moved [my mom] and really had an effect on her, so maybe you understand that it’s not necessarily a frivolous thing to be doing. Maybe it’s not just playing. I think my mom always had this idea that writing is playing, and it is playing, but it’s a serious kind of playing.”

Thanks to MailChimp, MUBI, and Tripping.com for sponsoring this week's episode.

Lori Gottlieb is a contributing writer at The Atlantic and the author of Marry Him: The Case for Settling for Mr. Good Enough. Her new book is Maybe You Should Talk to Someone.

“Everything that I had done all coalesced into one thing. As a journalist i was helping people to tell their stories, as a therapist I could help people to edit their stories, to change their stories. I could be immersed in the human condition in both of these things.”

Thanks to Mailchimp, Pitt Writers, Native, and Squarespace for sponsoring this week's episode.

Jonathan Goldstein is an audio producer and the host of Heavyweight.

“I wasn’t taking myself very seriously, initially. I liked working with my friends and family because I think I was a little more comfortable with them. Then in the second season people were writing in with real problems, and they were looking at me as a kind of expert. It was terrifying to meet with these people and see the look of hopefulness in their eyes. ... I realized I need to step it up and even if I didn’t feel like an expert—an expert in an invented field that doesn’t really exist—that I’d really have to take that on with seriousness.”

Evan Hughes is a journalist whose work has appeared in The New York Times Magazine, GQ, The Atlantic, The Atavist and many others. His book, just out in paperback, is Pain Hustlers: Crime and Punishment at an Opioid Startup.

“It should be called slow-form journalism…. It is heavily edited. It’s heavily fact checked. And chances are, you’re not going to be the first. Maybe you’re going to be first to reveal some piece of it. I have made peace with like, I’m not the scoop guy. I’m the person who comes in and I’m good at telling the story in a thorough and deep way.”

Nancy Jo Sales writes for Vanity Fair and is the author of The Bling Ring.

"I'm a mom now, so my life's a little different. I can't do certain things that I used to do, and I won't, because they're dangerous or ridiculous or keep me out till five in the morning or whatever. But back in those days, I didn't even have a pet. This was everything I did. This was my whole life, this passion to find out these things, and do these things, and see these things, and have these adventures and be able to report about this street life that rarely gets talked about. I just didn't really have a lot of boundaries in those days. I don't think I had any, really. And if you really throw yourself into something, you can get a great story. You can also not have a life of your own."

Thanks to TinyLetter and Squarespace for sponsoring this week's episode.

Wham Bang, Teatime

All of the books about all of the David Bowies:

There are more and more books like this these days: rock histories and encyclopedias, stuffed with information, compendiums of every last detail from this or that year, era, genre, artist – time pinned down, with absolutely no anxiety of influence. And while it would be churlish to deny there is often a huge amount of valuable stuff in them, I do think we need to question how seriously we want to take certain lives and kinds of art – and how we take them seriously without self-referencing the life out of them, without deadening the very things that constitute their once bright, now frazzled eros and ethos.

Sponsor: BuzzFeed

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Sponsor: n+1

n+1's winter issue, "Amnesty," is out now.

The editors take on The Atlantic, Harper's, and The Paris Review. Lawrence Jackson goes up against the Slickheads. Julia Grønnevet reports from the Anders Behring Breivik trial in Oslo. Nikil Saval surveys China's long Eighties.

Buy a print or digital subscription today for $20 by entering discount code LONGFORM at checkout.

The Longform Guide to Women's Soccer

The latest version of our all-time favorite video game is here! And the best part about the new EA SPORTS FIFA 16? For the first time, you can play with women's national teams from around the globe, including this summer's World Cup championship U.S. squad.

In honor of the new game—and the endless time we are going to waste playing it—here are some of our favorite stories about the stars of women's soccer.

See the collection

Thanks so much to EA SPORTS for their continued support of Longform. Buy your copy of FIFA 16 today.