Showing 25 articles matching fk33.cc_Which are the Chinese suppliers of Magnesium sulfate pentahydrate for industrial use.

Mina Kimes is a writer for Fortune.

"A lot of people have asked me about my attitudes towards capitalism, or Wall Street in general. You know, there are companies on Wall Street that are doing good things, and there are companies on Wall Street that are doing bad things. At Fortune, our job is to look at both, and to explain why. I think in many cases, when it comes to the ones that are doing bad things, it takes people like us and other financial journalists to expose and question them."

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Making murder respectable

On the utility of euphemisms:

In the upper reaches of the British establishment, euphemism is a fine art, one that new arrivals need to master quickly. “Other Whitehall agencies” or “our friends over the river” means the intelligence services (American spooks often say they “work for the government”). A civil servant warning a minister that a decision would be “courageous” is saying that it will be career-cripplingly unpopular. “Adventurous” is even worse: it means mad and unworkable. A “frank discussion” is a row, while a “robust exchange of views” is a full-scale shouting match. (These kind of euphemisms are also common in Japanese, where the reply maemuki ni kento sasete itadakimasu—I will examine it in a forward-looking manner—means something on the lines of “This idea is so stupid that I am cross you are even asking me and will certainly ignore it.”)

Russia’s Role In This Year’s Presidential Election, Explained By A Media Historian

A conversation with Vasily Gotov:

"Russia undoubtedly celebrated the reports in American media about its activities. They want to instill doubt. They want to be part of the agenda. They want to penetrate our media culture. Russian penetration is dramatically overstated in American media, but that only serves them better. It creates the impression that they're more powerful than they are. That discussions like this are necessary at all is a tremendous win for Russia."

Ryan Mac and Craig Silverman are reporters at BuzzFeed News. Together they won this year's George Polk Award for Business Reporting for their coverage of Facebook's handling of disinformation on its platform. 

This is the second in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

Pvt. Danny Chen, 1992–2011

A glimpse into the life and death of a soldier who committed suicide while on duty in Afghanistan:

The Army recently announced that it was charging eight soldiers — an officer and seven enlisted men — in connection with Danny Chen’s death. Five of the eight have been charged with involuntary manslaughter and negligent homicide, and the coming court-martial promises a fuller picture of the harrowing abuse Chen endured. But even the basic details are enough to terrify: What could be worse than being stuck at a remote outpost, in the middle of a combat zone, tormented by your superiors, the very same people who are supposed to be looking out for you? And why did a nice, smart kid from Chinatown, who’d always shied from conflict and confrontation, seek out an environment ruled by the laws of aggression?

Girls at War

On a group of teenage believers raised in settlements on the West Bank:

They say it takes one generation to found a new language. These girls are a new language, believing that they belong to the land on which they were born, and sponsored by the government they despise, which pays for their roads and electricity.

Gideon Lewis-Kraus is the author of A Sense of Direction.

"My best friend, who is a fiction writer, she once said to me that she saw a lot of the things I was doing as 'wring tenderness from absurdity.' That wouldn't have occurred to me to put it that way, but that does seem to me [what] I like to do ... I am someone who can very easily be dismissive, or even contemptuous. And one of the things I like about reporting a story, particularly reporting a story that is ultimately, counterintuitively, positive, is that it gives me a chance to work through that, and be the more tender, sympathetic person that I would like to be in real life."

Sponsor: The Warby Parker Guide to Black Eyes and Secret Societies

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Women As Bosses

“Some companies are beginning to allow women to take their management-training courses. A woman sitting in on an executive conference is less of a shock to the male than she was only a few years ago. A few big companies–R.C.A., the Home Life Insurance Co., and the New York Central, for example–have even ushered women into the board room.”

Sheera Frenkel and Cecilia Kang are reporters for the New York Times. They are coauthors of An Ugly Truth: Inside Facebook's Battle for Domination.

“There are two types of reporters. There are reporters who date and reporters who marry. I think both Cecilia and I are reporters who marry our sources and by that I mean they are lifelong sources. It’s not a relationship that you build quickly. It’s one where you have to really let them get to know you as a journalist, show them that you are always going to be honest and do what you say and protect their anonymity and that you’re not biased. I think some reporters make mistakes in that they try to curry favor with sources by writing things they think the sources will like and I think sources actually respect you more when you show them: no I am accurate and I am honest and I am objective and I’m actually going to check what you tell me so that I know it’s true and you know I am doing my homework on everything.”

Sneaking Into Pantone HQ

Inside the color forecaster.

There are no analytics measuring success of color forecasting—how would one even accurately measure such a thing? To play it safe most companies rely on a range of color forecasts. Eiseman says Pantone’s effort, and perhaps color forecasting in general, suffers from two misconceptions. The first is that there is some kind of “evil cabal” that “schemes to get the colors out there.” The second is “let’s just throw a dart and wherever it lands is what’s going to be the hot color for next year.”

Ellis Jones is the editor-in-chief of VICE Magazine.

“I’m just not an edgy person. You know what I mean? I think I am a nice person. I think VICE Magazine reflects the qualities that I want to have or think that I have or that my team has. The magazine would be terrible if I tried to make edgy content ... people would just see right through it. It wouldn’t be good.”

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Hua Hsu writes for The New Yorker and is the author of A Floating Chinaman: Fantasy and Failure Across the Pacific.

“I remember, as a kid, my dad telling me that when he moved to the United States he subscribed to The New Yorker, and then he canceled it after a month because he had no idea what any of it was about. You know, at the time, it certainly wasn’t a magazine for a Chinese immigrant fresh off the boat—or off the plane, rather—in the early 70s. And I always think about that. I always think, ‘I want my dad to understand even though he’s not that interested in Dr.Dre.’ I still think, ‘I want him to be able to glean something from this.’”

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Lori Hinnant is a reporter for the Associated Press. Along with videojournalist Mstyslav Chernov, photographer Evgeniy Maloletka, and video producer Vasilisa Stepanenko, she won the George Polk Award for war reporting for covering the siege of Mariupol.

“It’s really easy when you see raw footage flash by on the television to just see it as war as hell and this is very abstract. These are people with lives that were utterly ruined and they want to tell their stories. I mean, we’re not talking to people who don’t want to talk to us. And when you find out what happened the day their lives were changed, it really changes it.”

This is the second in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

Should Occupy Wall Street Take Up Arms?

“It’s striking that for all the talk about polarization in the US, the Tea Party Movement and Occupy Wall Street are entirely non-violent. Overseas, no one expected the Arab Spring protests to be as nonviolent as they were,” Pinker wrote in an email. The threat of overwhelming reprisal from authorities may have brought some peace to seventeenth- and eighteenth-century England, but Pinker also pointed to research that, today, “nonviolent protest movements achieve their aims far more often than violent ones.” Still, the story of violence’s decline contains much violence, and America is no exception.

Taylor Lorenz just announced she is leaving her job covering internet culture for The Atlantic to join The New York Times.

“With technology and internet culture, I am more of an optimist than a lot of other people who cover those topics. It’s more ambiguous for me. It's more like, ‘This is the world we live in now and here are the pros and here are the cons. There are a lot of cons, but there are also these pros.’ I like how things shift and change under me. I like to see how things are constantly evolving.”

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A Conversation With New York Times Film Critic A.O. Scott

“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it's important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice.”