Showing 25 articles matching fk33.cc_What is the price of magnesium sulfate pentahydrate in China.

Dallas DA Craig Watkins on Witnessing His First Execution

An interview:

Watkins: And then, all of a sudden, you notice that it appears that he is falling asleep and gasping for air—like he is snoring, basically. You could classify it as snoring or as gasping for air. You see his chest moving, and then I guess very quickly—maybe two minutes in—his chest stops moving. And we stand there, I guess, for another 10 minutes, and everybody is just kind of standing there. D Magazine: In total silence? Watkins: No one’s talking. No one’s saying anything. And then you notice that the condemned, he starts to turn this bluish color. So I guess that’s when all his functions have stopped. And then a doctor walks in and takes his vital signs and announces that the person is—he looks at the clock and announces, “The person died at 6:22.” And then they open the door and we all walk out.

Porn Machete Murder

At the very bottom of the porn totem pole is the “mope”, a barely paid assistant who hangs around and occasionally performs. Stephen Hill was mope-ing for Ultima Studios in exchange for pocket money and a place to crash. Learning he was going to be evicted, he sharpened a prop machete.

How First Baptist's Robert Jeffress Ordained Himself to Lead America

Before I met Robert Jeffress, I wanted to hate him. Jeffress is the conservative preacher who made national headlines in October, when he called Mormonism a cult. He’s the senior pastor at First Baptist Dallas, the oldest megachurch in America, and I am certainly not a Baptist. He endorsed Rick Perry for president, and I’m definitely no fan of Perry’s. As a matter of fact, Robert Jeffress and I probably disagree on every major political and religious issue. And yet, I really, really like him.

Steamrolled

One of Europe’s poorest countries wanted a road, so U.S. mega-contractor Bechtel sold it a $1.3 billion highway, with the backing of a powerful American ambassador. Funny thing is, the highway is barely being used—and the ambassador is now working for Bechtel.

Yepoka Yeebo has written for The Guardian, Bloomberg Businessweek, and Quartz. Her new book is Anansi’s Gold: The Man Who Looted the West, Outfoxed Washington, and Swindled the World.

“Initially it was like, Why are you writing about a con man? He makes Ghana look bad. Nobody needs another crime story about an African person. I found that irritating, because isn't the whole point of being a complete person, complete people, is we contain multitudes? We too can be epic, world-leading con men! Also, it's a great story. Everybody should revel in the insanity of what happened.”

Abraham Josephine Riesman is a journalist who writes often for New York and is the author of True Believer: The Rise and Fall of Stan Lee. Her second book, Ringmaster: Vince McMahon and the Unmaking of America, will be published in March.

“You’re sure that there’s a level of unreality, but you’re not sure that it’s all fake. There’s stuff there that seems either plausible or sometimes you go ‘there’s no way you could fake that.’ And sometimes you’re right, and a lot of times you’re somewhere in the middle. It’s not as easily distinguished as saying this is fact and this is fiction, this was scripted and this was improvised, whatever. You can’t make those distinctions easily, and one of the things I sort of hope comes out of the book—if it has any impact at all—is to try to get us past this false binary of true and false.”

Linda Villarosa directs the journalism program at the City College of New York and is a contributing writer at the New York Times Magazine. Her article "Why America’s Black Mothers and Babies Are in a Life-or-Death Crisis" was one of Longform's Top Ten of 2018. She is at work on a new book, Under the Skin: Race, Inequality and the Health of a Nation, due out in 2020.

“I think at the beginning I was afraid to say it right out, so I think I was saying ‘racial bias’ or something like that. Then I stopped. ... I think how I learned about it both in earlier reporting and in grad school and in my own research was that race is a risk factor for a bunch of different health problems, whether it’s heart disease, infant and maternal mortality, or HIV. It’s just said that race is a risk factor. It’s disproportionate. What it really is is that race is a risk factor, but it’s also a risk marker. Instead of looking at what individuals are doing wrong, it’s what society is doing wrong in creating problems for individual people which lead to health crisis. It’s sort of like bias, related to racism, is creating problems in people’s actual bodies. That’s what I came to understand. It really shifts the blame off the individual.”

Thanks to MailChimp, The Great Courses Plus, and Pitt Writers for sponsoring this week's episode.

Peyton's Place

When your house is the set of One Tree Hill:

On one shoot, I remember, I'd been confused about where they needed to set up (confession: hungover), and as a result neglected to clean the bedroom. Later, a crew guy—the same one who'd told me about Blue Velvet—said, "I'm not used to picking up other people's underwear." I felt like saying, Then don't go into their bedrooms at nine o'clock in the morning! Except… he was paying to be in my bedroom.

Our Israelitish Brethren

On Jews:

The Jews are happy in the United States. There are now two hundred congregations of them here, half of whom have arrived within the last twelve years. They are good citizens, firmly attached to those liberal principles to which they owe their deliverance from degrading and oppressive laws, and are rising in the esteem of the people among whom they dwell. Their attachment to the system of universal education is hereditary; it dates back three thousand years; and though their religious feelings are wounded by the opening exercises of many public schools, they would not for that reason destroy them.

Aminatou Sow and Ann Friedman are co-hosts of the podcast Call Your Girlfriend and co-authors of the new book Big Friendship: How We Keep Each Other Close.

“People telling you about their lives is a real privilege and honor. No one owes you to tell you their story. Sometimes in the world of people who write or people who make media there is just this expectation that everything is on the table, especially if you’re two women who make media, that we’re supposed to just share our pain and everything that’s going on in our lives but that’s not fair and it’s not true and I think the larger project of this book is really sharing these stories in service of having an honest dialogue about how other people are doing friendship.”

Thanks to Mailchimp for sponsoring this week's episode.

Peter Shamshiri is a lawyer and co-host of the podcast 5-4.

“Because of the nature of law, I think a lot of journalists find it hard to take a position—or to sort of tip their hand about what they actually believe—because so much of the discourse around how law should operate is about neutrality and the general perspective that the law is non-partisan, non-ideological. I think the result is media coverage that is particularly lacking in those regards. And that's where we swoop in.”

Sponsor: Tablet Magazine

Is the century-old Jewish-Leftist alliance ending?

For much of the 20th century, the radical and revolutionary left played a huge role in defining how the rest of America saw Jews and how Jews saw themselves. In an essay for Tablet Magazine, literary critic Adam Kirsch considers whether that linkage is over.

Read it at Tabletmag.com.

For information about sponsoring Longform, click here.

Philip Montgomery is a photojournalist.

“The photographers that I grew up on all sort of had their moment… I sort of had, in this weird way, this feeling of envy that they had their moment with this story that was all-encompassing. Looking at it now, this is the story of my time, and it’s a little more than I perhaps bargained for.”

Thanks to Mailchimp and Pitt Writers for sponsoring this week's episode.

“You Get to Decide How You’re Gonna Try to See It”

The author comments on the medium of the graduation cliché while still advancing it:

Of course the main requirement of speeches like this is that I'm supposed to talk about your liberal arts education's meaning, to try to explain why the degree you are about to receive has actual human value instead of just a material payoff. So let's talk about the single most pervasive cliché in the commencement speech genre, which is that a liberal arts education is not so much about filling you up with knowledge as it is about "teaching you how to think". If you're like me as a student, you've never liked hearing this, and you tend to feel a bit insulted by the claim that you needed anybody to teach you how to think, since the fact that you even got admitted to a college this good seems like proof that you already know how to think.

Roger Angell, Baseball's Best Writer, Gets His Due

On Saturday, more than 50 years after he started writing about the game, Roger Angell will be honored at the Baseball Hall of Fame in Cooperstown, NY. If you're unfamiliar with Angell's work, here's where to start: The Summer Game, the first of his three incomparable collections of baseball writing for The New Yorker.

Our friends at Open Road Integrated Media have made the book available for 80% off through the weekend. And they've been generous enough to share an excerpt with Longform, "The Interior Stadium," a 1971 classic in which Angell captures the timelessness of the game. "Since baseball time is measured only in outs, all you have to do is succeed utterly," he writes. "Keep hitting, keep the rally alive, and you have defeated time. You remain forever young.”

Get your copy of The Summer Game through Sunday for 80% off.

Welcome to Armageddon!

There are no resurrections in Armageddon MUD, a text-based role-playing game (RPG) set on the harsh desert planet Zalanthas. One of the Internet’s oldest extant virtual worlds, it is an amoral fairytale about dune traders and bandits, assassins and sorcerer-kings, collaboratively written by thousands of players over a period of twenty-six years. Created in 1991 by a thirteen-year-old coder named Dan Brumleve, the kernel of the story was cribbed from a Dungeons and Dragons campaign setting called “Dark Sun,” source of the game’s fantasy races (elves, dwarves, muls, halflings, half-giants), its kaiju-sized insects, and the foundational conceit of a once-verdant world desiccated by “defiling” magic.

Edith Zimmerman is the founding editor of The Hairpin and a contributing writer to The New York Times Magazine.

"I never wrote anything myself or ran anything from other people that was needlessly negative. It wasn't some false grin plastered all over it — we addressed dark things too, and poked fun at things. But I didn't want there to ever be a tone of yeah, let's really just deflate this. Because ultimately you're just stabbing at a ghost among friends. And then at the end you've all just fallen on the floor and the ghost is gone. You're not really doing anything constructive."

Thanks to TinyLetter for sponsoring this week's episode.

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Brooke Gladstone is the host of On the Media.

“I’ve learned so much about how easy it is to redefine reality in this era of billions of filter bubbles. How easy it is to cast doubt on what is undeniably true. And I think that that’s what frightens me the most. I actually think that’s what frightens most people the most. How do we make sure that we all live in the same world? Or do we?”

Thanks to MailChimp, Texture, and School of the Art Institute of Chicago for sponsoring this week's episode.