Showing 25 articles matching fk33.cc_Who is the manufacturer of magnesium sulfate Monohydrate.

Nathaniel Rich writes for Rolling Stone, Harper's and the New York Times Magazine. His latest novel is Odds Against Tomorrow.

"I'm drawn to obsession. I think I'm an obsessive in a way, probably most writers are. It's an obsessive act to sit at a desk by yourself."

Thanks to TinyLetter and EA SPORTS FIFA WORLD CUP for sponsoring this week's episode.

Casey Newton writes the Platformer newsletter. Kevin Roose is a technology columnist for The New York Times. Together they co-host the podcast Hard Fork.

CN: “People actually like to be a little bit confused. They like listening to things where people are talking about things they don’t quite understand, which was very counterintuitive to me. I think a lot of editor-types would scoff at, but I’ve come around.”

KR: “We can revisit subjects and we do. We can change our minds. Print pieces feel so permanent, they feel so definitive. Podcasts, we can just sort of say, ‘I don't know what to make of this, ask me again in a month.’”

Why Go Out?

On attempting to quit people and stay home.

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Why go out? Because if what we want more than anything is to attain self-confidence, health, energy, and peace of mind, we should stay in. We could be like little Buddhas, meditating and masturbating and watching TV. And we could imagine ourselves to be brilliant, and kind, and good lecturers, and good listeners, and utterly loving – and there’d be no way to prove it otherwise.

Leon Neyfakh is a writer and the host of Slow Burn.

“We didn’t want to be coy about why we were doing the show. We wanted to be up front. We’re interested in this era because it seems like the last time in our nation’s history where things were this wild and the news was this rapid fire and the outcome was this uncertain. That was the main parallel we were thinking about when we started. It was only when we started learning the story and identified the turning points we kept running into these obvious parallels. We mostly didn’t lean into them. We didn’t chase them. There wasn’t a quota of parallels per episode.”

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