Ray Bowman and Billy Kirkpatrick, who began boosting together as teenagers, were arrested only twice during their prolific partnership. The first time was for stealing 38 records from a K-Mart in 1974. The second arrest came in 1997. In between, Bowman and Kirkpatrick robbed 27 banks, including the single biggest haul in United States history: $4,461,681 from the Seafirst Bank in suburban Tacoma.

Then there’s Mark Kostabi, the former New York gossip column fixture and self-professed “con artist” who everybody remembers but nobody talks about. Christie’s and Sotheby’s have no comment. Neither does the MoMA, the Guggenheim, or the Met, despite the curious fact that they all have Kostabis in their permanent collections. As for quotes from some highfalutin critics expounding on the semiotics of cone hats, cash registers, and the Sony Walkman in Kostabi’s work? Not a chance.

just three months, we have seen Charlie and Tessy through a lifetime of crises — temporary sobriety, meth binges, two stints in jail, three moves, one eviction, several religious, end-of-the-world texts on our phones, a dozen different phones and phone numbers (meth addicts go through “Obama Phones” like packs of cigarettes), and a stay in a psychiatric hospital. Every day brings some kind of cruel surprise, some hardship that would pummel me, but is just business as usual for them.

I used to believe the art world was at war with itself, that money was fighting art and vice versa. But I’ve been living in my own ambivalence about things for a decade now, or more, and I’m starting to think it’s not a war but a new equilibrium state, defined by that ambivalence.

I remember when you were a little girl, you used to call yourself “peach-brown”. Peach represented your mother, brown represented your father, and together they made peach-brown, a perfect articulation at the time for what you were. The colors came from the crayons you matched to the skin of your parents, and although they were separate and didn’t mix together very well on paper, they were the best you had at the time. This silly little phrase represented what would become a lifelong struggle of coming into your own identity.

A bankrupt music promoter wanted a payday. His detoxing son needed a fresh start. But when their plan for an epic Nas concert in Angola went awry, they found themselves trapped thousands of miles from home.

“Last Chance Hotel” is available now, only in Apple News+. Subscription required. New subscribers can try 1 month free.

A conversation with Vasily Gotov:

"Russia undoubtedly celebrated the reports in American media about its activities. They want to instill doubt. They want to be part of the agenda. They want to penetrate our media culture. Russian penetration is dramatically overstated in American media, but that only serves them better. It creates the impression that they're more powerful than they are. That discussions like this are necessary at all is a tremendous win for Russia."

“What follows is my attempt, based on a few increasingly hostile exchanges and a close reading of his terrible book, not only to examine why Mariotti is currently jobless but to explain why, in a sane world, he should forever remain that way. I present this as a cautionary tale for other sportswriters, both young and old.”

After a botched bank robbery in 1990, Sture Bergwall, aka Thomas Quick, confessed to a string of brutal crimes. He admitted to stabbings, stranglings, incest and cannibalism. He was convicted of eight murders in all, and after the final trial he went silent for nearly a decade. But a few years ago, Bergwall came forward again—there was one more secret he had to tell.

Why the world is becoming less free.

The cover story from the June 2011 print edition of The New Republic, available on the web specially for readers of Longform.org.

Chains, knives, fists, and, of course, those crude and unreliable homemade affairs called zip guns were the staples in the more vicious gang wars in the 1940s and 1950s. Today there is scarcely a gang in the Bronx that cannot muster a factory-made piece for every member—at the very least, a .22-caliber pistol, but quite often heavier stuff: .32s, .38s, and .45s, shotguns, rifles, and—I have seen them myself—even machine guns, grenades, and gelignite, an explosive. One gang, the Royal Javelins, has acquired some walkie-talkie radios.

THEY SAY YOU never hear the one that hits you. That's true of bullets, because, if you hear them, they are already past. But your correspondent heard the last shell that hit this hotel. He heard it start from the battery, then come with a whistling incommg roar like a subway train to crash against the cornice and shower the room with broken glass and plaster. And while the glass still tinkled down and you listened for the next one to start, you realized that now finally you were back in Madrid.