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Ryan Mac and Craig Silverman are reporters at BuzzFeed News. Together they won this year's George Polk Award for Business Reporting for their coverage of Facebook's handling of disinformation on its platform.
This is the second in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.
Robert Samuels and Toluse Olorunnipa are reporters for The Washington Post and co-authors of the new book His Name Is George Floyd: One Man’s Life and the Struggle for Racial Justice.
“Looking at George Floyd's family history, looking at the poverty that he grew up in, looking at the schools that he attended, which were segregated, looking at the opportunities that were denied to him and the struggles he had in the criminal justice system—it's an extraordinary American experience, in part because it's so outside of the norm of what we think of when we think of the American dream…. And so we wanted to be able to showcase that that kind of extraordinary American experience is ordinary for so many people.”
The South's favorite food critic, the investigation that helped free the slaves that peel your shrimp, and the enduring magic of chicken tenders — a collection of the food writing honored at this week's James Beard Awards. (Photo: Garrett Ziegler)
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n+1's winter issue, "Amnesty," is out now.
The editors take on The Atlantic, Harper's, and The Paris Review. Lawrence Jackson goes up against the Slickheads. Julia Grønnevet reports from the Anders Behring Breivik trial in Oslo. Nikil Saval surveys China's long Eighties.
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Stories from our archive about how marijuana is grown, bought, sold, smuggled, and smoked.
Brought to you by Stoner, a new podcast from Longform co-founder Aaron Lammer featuring conversations with creative people about their experiences with marijuana. Subscribe here or wherever you listen to podcasts.
A profile of the comedian who’s “not so funny anymore”:
Jon Stewart has made a career of avoiding "Whooo" humor. He has flattered the prejudices of his audience, but he has always been funny, and he has always made them laugh. At the Juan Williams taping, however, at least half of Stewart's jokes elicited the sound of Whooo! instead of the sound of laughter. He's been able to concentrate his comedy into a kind of shorthand — a pause, or a raised eyebrow, is often all that is necessary now — but a stranger not cued to laugh could be forgiven for not laughing, indeed for thinking that what was going on in front of him was not comedy at all but rather high-toned journalism with a sense of humor. Which might be how Jon Stewart wants it by now.
People know Krugman these days as a feisty political polemicist, but back when he was less politically engaged he was absolutely one of the very finest popularizers of economic ideas ever. This piece is a wonderful, brief introduction to the fundamental economic forces driving the world and a lot of my current thinking is preoccupied with the questions it raises. Reading it again, I realized that a point I like to make about the elevator being a great mass transit technology is almost certainly something I subconsciously picked up here.
A profile of Andrej Pejic, a model who walks the runway in both men and women’s clothing.
For even a moderately vain female, spending time with Pejic is like losing a race to someone who’s not even running: If he were not a man, he would be the most beautiful woman I have ever seen in the flesh—which, in his case, is flawless and poreless and has an English-rose luster.
Jane Jacobs has a somewhat ambiguous legacy—or at least one that's contested by different factions in the present-day debate over cities and urbanism—but to me her most important idea is encapsulated in the title and spirit of this piece. It's old and, I think, utterly prescient about what successive waves of planning fads miss. The purpose of urban space is for people to use it. A great place is a place where people want to be.
"Imagine a great hall of fetishes where whatever you felt like fucking or being fucked by, however often your tastes might change, no matter what hardware or harnesses were required, you could open the gates and have at it on a comfy mattress at any time of day. That’s what the internet has become for music fans. Plus bleacher seats for a cheering section."
Tropicália was a movement that lasted just short of a year, spanning from Hélio Oiticica’s 1967 art installation of the same name, wherein viewers walked along a tropical sand path only to come face-to-face with a television set, to the debut of a TV show, wherein its constituents buried the movement on-air. But Tropicália’s influence was vast.
I used to believe the art world was at war with itself, that money was fighting art and vice versa. But I’ve been living in my own ambivalence about things for a decade now, or more, and I’m starting to think it’s not a war but a new equilibrium state, defined by that ambivalence.
A bankrupt music promoter wanted a payday. His detoxing son needed a fresh start. But when their plan for an epic Nas concert in Angola went awry, they found themselves trapped thousands of miles from home.
“Last Chance Hotel” is available now, only in Apple News+. Subscription required. New subscribers can try 1 month free.
"Los Angeles is a weird, complicated town for him. It's where all the record labels are, for one thing. And Chancelor Bennett, as he was born, is unsigned. Won't sign. It's maybe the most interesting, improbable music-industry story going right now—a young, obviously gifted rapper, universally hailed as the heir to Kanye and leader of a new generation of Internet-savvy kids who think of Jay Z as a failed tech entrepreneur, now on his fourth year of refusing to sign with a label."
The noon chimes in the bell-clock tower rising above him to the building's 307-foot pinnacle sounded: pom-pom-pom-pom . . . 16 notes, high and sweet. Some say the chimes say a poem: "Lord, through this hour "Be Thou my guide, "For in Thy power "I do confide." After the chimes, there is a long pause -- 23 seconds if you hold a wristwatch on it -- time enough for a practiced man to reload three rifles and a shotgun.
“Doc” Quigg’s wire report on the 1966 Texas Tower shooting on the campus of UT-Austin.
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Only a handful of animals in the world can be tamed, but that can’t stop a homesick 15-year-old girl from trying.
In “A Raccoon of My Own,” new in Aeon Magazine, American psychologist and best-selling writer Lauren Slater recalls an exquisitely painful time in her youth, when, cast adrift from home herself, she adopted a baby raccoon. Her relationship with “Amelia” blossomed—one creature adapting to, and learning from the other. But Amelia’s wild instincts could not be contained in suburban domestic life, as Lauren was soon to realize.
Read it in Aeon Magazine—a new digital magazine publishing daily essays on ideas, culture and science.
David Samuels is a contributing editor at Harper's and contributor to The New Yorker and The Atlantic.
"You start by doing the thing you want to do, at whatever level you can. There's this idea that you work your way up by writing captions, and then capsule film reviews or whatever, and I don't think it works that way. I think you learn to master a form, and you start by doing the thing you want to do. At first you're not going to do it as well as you wish you could, and then you learn. At the same time, I think, there's so much dreck, and there's so many people who don't care about doing the thing well, that when that kid walks in your door and they want to do the thing, you say 'Sure,' because it doesn't cost you anything, you look at it, and there's actually some energy on the page, like, yeah, it's bad, but it's bad in a different way. It's bad in the way of someone who might eventually be good."
Thanks to TinyLetter for sponsoring this week's episode!
The inspiration for Boogie Nights, how Jerry Lee Lewis got away with murder and the article that prompted this week’s cover — a collection of great crime reporting published by Rolling Stone.
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In 1948, a young Australian named Ben Carlin set out to do the impossible: circumnavigate the globe, by land and sea, in a single vehicle. With a U.S. Army-built amphibious jeep christened Half-Safe, Carlin and his wife Elinore set off across the Atlantic with dreams of fame and fortune. What happened next is one of the most bizarre adventures of the 20th century. In Half-Safe, a new release from The Atavist, author James Nestor endeavors to uncover Carlin's fate and finds a gripping story of love, danger, and extraordinary perseverance spanning three oceans and five continents.
Read Half-Safe in The Atavist's app or on the web.
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Our sponsor this week is Little Failure, the new memoir by Gary Shteyngart. Already a New York Times bestseller, Little Failure tells the story of Shteyngart's American immigrant experience, moving back and forth through time and memory with self-deprecating humor, moving insights, and literary bravado. The result is a resonant story of family and belonging that feels epic and intimate and distinctly his own.
Mary Karr called Little Failure "a memoir for the ages." The Millions dubbed Shteyngart the "Chekhov-Roth-Apatow of Queens." And Nathan Eglander said the book is so honest "Dr. Freud would be proud."
Buy Little Failure today or read an exclusive excerpt on Longform.
Lissa Soep is an audio producer, editor and author whose latest book is Other People’s Words: Friendship, Loss, and the Conversations That Never End.
“I am so keenly aware of how much my own voice is a product of editing relationships and co-producing relationships with other people's words. … I will forever feel indebted to those then-young people who are now writers and educators and therapists. … I feel like my voice is sort of a product of that time.”
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A collection of picks about people in impossible situations — lost at sea, trapped under boulders, infected with incurable diseases — who somehow survived.
Inspired by Flight 232: A Story of Disaster and Survival, Laurence Gonzales's unforgettable account of a United flight that went down 25 years ago and the 184 souls who lived to tell the story.
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In 1975, the grisly double murder of a 24-year-old woman and her young daughter turned a small Colorado town on its head. For the two inexperienced detectives assigned to the case, it was a chance to prove their mettle. But what happens when everyone is suspect and nobody is guilty?
Excerpted from the Kindle Single. Buy your copy today.
