The Longform Guide to Writing Nonfiction
Capote, Talese, Orwell, Boo—masters of the craft, in their own words. New at Slate.
Showing 25 articles matching fk33.cc_Best selling magnesium sulfate company in China.
Capote, Talese, Orwell, Boo—masters of the craft, in their own words. New at Slate.
The story was told by Sports Illustrated, CBS News, and countless others: linbeacker Manti Te’o, Heisman trophy candidate and the face of Notre Dame football, was playing brilliantly despite the tragic loss of his girlfriend to leukemia early in the season. The reporters missed one key element of Te’o’s story, however: the girl hadn’t died. She couldn’t have. She didn’t exist.
Timothy Burke, Jack Dickey Deadspin Jan 2013 15min Permalink
Matthew Power is a freelance writer and contributing editor at Harper's.
"The kind of stories I've gotten to do have involved fulfilling my childhood fantasies of having an adventurous life. Even though I don't make a ton of money doing it, I've never felt like I was missing out on something. I haven't worked in an office since a two-week stint as a fact checker at House and Garden magazine in 2001, so that's 12 years, and I haven't starved to death yet."
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Feb 2013 Permalink
Nicholas Schmidle is a staff writer at The New Yorker.
"I was in a taxi, leaving Karachi to go attend this festival, and we started getting these very disturbing phone calls from newspaper reporters that didn't exist, all of them asking me to meet them at various places in Karachi. I had read enough about the Daniel Pearl case to know what happened in the days leading up, and this was very similar. ... We kept driving towards the festival, and shortly after that, friends started calling. They were watching local television, and it was being reported that 'Nicholas Shamble,' editor of Smithsonian Magazine, had been kidnapped. And I was like, 'All right, I get the hint.'"
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Jun 2013 Permalink
Zach Baron is a staff writer for GQ.
“People love to put celebrity stuff or culture stuff lower on the hierarchy than, say, a serial killer story. I think they're all the same story. If you crack the human, you crack the human.”
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Aug 2014 Permalink
He pauses and glances around him. Just about everyone in the place is aware of him now. When he continues, the voice is still under control, but the eyes have become lasers. “I know that some of the press is out to get me. It’s ’cause I’m more intelligent than they are, I handle myself well, I’m wealthy and I’m black—and there ain’t nothin’ they can do about it.” He flashes his joyless smile
Harry Stein Esquire Jul 1977 25min Permalink
“Offhand, there are maybe three times in my life I can clearly recall laughing at something really terrible. One: when my mother told me my grandfather had a heart attack. Two: when a friend and I were driving to Cape Cod and a huge bird careened into the windshield, instantly bonking itself dead. Three: when my friends tried to keep me from going home from a party because they thought my boyfriend might kill me.”
Julieanne Smolinski New York Jan 2016 10min Permalink
The surreal existence of an AOL content writer:
I was given eight to ten article assignments a night, writing about television shows that I had never seen before. AOL would send me short video clips, ranging from one-to-two minutes in length — clips from “Law & Order,” “Family Guy,” “Dancing With the Stars,” the Grammys, and so on and so forth… My job was then to write about them. But really, my job was to lie.
Oliver Miller The Faster Times Jun 2011 10min Permalink
The case for coaches in professions other than music and sports. Like medicine, for example:
Since I have taken on a coach, my complication rate has gone down. It’s too soon to know for sure whether that’s not random, but it seems real. I know that I’m learning again. I can’t say that every surgeon needs a coach to do his or her best work, but I’ve discovered that I do.
Atul Gawande New Yorker Sep 2011 30min Permalink
THEY SAY YOU never hear the one that hits you. That's true of bullets, because, if you hear them, they are already past. But your correspondent heard the last shell that hit this hotel. He heard it start from the battery, then come with a whistling incommg roar like a subway train to crash against the cornice and shower the room with broken glass and plaster. And while the glass still tinkled down and you listened for the next one to start, you realized that now finally you were back in Madrid.
Ernest Hemingway The New Republic Jan 1938 Permalink
"I realized, as I was going through puberty (early), the necessity of shifting my focus from doing things that would impress my parents and teachers to engaging in behavior that would strike my peers as cool. I started saying 'like' constantly. I smoked pot when I was twelve. I dropped acid when I was thirteen. Losing my virginity was the next logical step."
Ariel Levy Guernica Jun 2011 Permalink
Behind-the-scenes stories from The Godfather, The Texas Chainsaw Massacre, and one of the phenomenal flops in Hollywood history. At Slate.
A profile of the Final Exit Network’s former medical director:
In those final seconds before his patients lose consciousness and die, the words they utter sound like Donald Duck, he says, imitating the high-pitched, nasally squeak familiar to any child who has sucked a gulp from a helium balloon. So, this is how a human being can leave this Earth? Sounding like Donald Duck?
Manuel Roig-Franzia Washington Post Jan 2012 25min Permalink
The United States, which took a forceful stance on other Arab revolts, remained relatively passive in the face of the kingdom’s unrest and crackdown. To many who are familiar with the region, this came as no surprise: of all the Arab states that saw revolts last year, Bahrain is arguably the most closely tied to American strategic interests.
A report on Bahrain, the Arab Spring’s most ill-fated uprising.
Kelly McEvers Washington Monthly Mar 2012 50min Permalink
How the website mastered “Social Publishing”:
To understand some of the principles underlying BuzzFeed’s strategy, he recommends reading The Individual in a Social World, a 1977 book by Stanley Milgram, who is known, among other things, for his experiments leading to the six degrees of separation theory. “When some cute kitten video goes viral,” says [Jonah] Peretti, “you know a Stanley Milgram experiment is happening thousands of times a day.”
Felix Gillette Businessweek Mar 2012 15min Permalink
" I really think that for us, who all grew up listening primarily to recorded music, we tend to forget that until about 120 years ago ephemeral experience was the only one people had. I remember reading about a huge fan of Beethoven who lived to the age of 86 [in the era before recordings], and the great triumph of his life was that he’d managed to hear the Fifth Symphony six times. That’s pretty amazing. They would have been spread over many years, so there would have been no way of reliably comparing those performances."
Philip Sherburne Pitchfork Feb 2017 15min Permalink
“If Sullivan High School had a motto, it would be ‘Give me your tired, your poor, your huddled masses yearning to breathe free.’ Its immigrant population now numbers close to 300—45 percent of the school’s 641 students—and many are refugees new to this country. This academic year alone, the Rogers Park school has welcomed a staggering 89 refugees—nearly three times as many as last year and far more than at any other high school in the city.”
Alyssa Schukar Chicago Magazine Jun 2017 20min Permalink
"Some in Nice knew the man as one of the many playboy predators the city seems to beget—black hair slicked back off a shining brow, dress shoes tapering to varnished points, a dark shirt unbuttoned low to reveal the pectorals into which he had obsessively, unblushingly, invested himself. He was 31 but preferred older women, both for their erotic openness and, it seems clear, for their money. Those who knew him best knew him to be a cold and brutal man, detached, amused by little save rough sex and gore."
Scott Sayare GQ Jan 2017 20min Permalink
The man who made Bieber, how Nickelback cashes in, and the story of Atlantic Records founder Ahmet Ertegun—a collection of classic articles about the music industry.</p>
How legends of the American music industry made millions off the work of Solomon Linda, a Zulu tribesman who wrote “The Lion Sleeps Tonight” and died a pauper.
Rian Malan Rolling Stone May 2000 45min
A two-part profile of Ahmet Ertegun: son of the Turkish ambassador, teenage collector of ‘race’ music, producer and pseudonymous songwriter for records by Ray Charles and Big Joe Turner, founder of Atlantic Records, confidante to Mick Jagger, impeccable dresser.
George W.S. Trow The New Yorker May 1978 1h10min
How a loathsome band makes gobs of money.
Ben Paynter Businessweek Nov 2012 10min
Lou Pearlman, the guy responsible for the Backstreet Boys and ‘NSync, bilked his investors of $300 million and fled the country. But the boys say he was interested in more than just money.
Bryan Burrough Vanity Fair Nov 2007 45min
A profile of Suge Knight, 29 and CEO of Death Row Records, before the deaths of Tupac and Notorious BIG.
Lynn Hirschberg New York Times Magazine Jan 1996 35min
A profile of Scooter Braun, the man who made Justin Bieber.
Lizzie Widdicombe New Yorker Aug 2012 30min
How did a pair of young rappers from Scotland, laughed off the stage for their accents, land a deal with Sony and start partying with Madonna? They pretended to be American.
Decca Aitkenhead The Guardian May 2008 20min
May 1978 – Nov 2012 Permalink
The Ceasefire Babies was what they called us. Those too young to remember the worst of the terror because we were either in nappies or just out of them when the Provisional IRA ceasefire was called. I was four, Jonny was three. We were the Good Friday Agreement generation, destined to never witness the horrors of war but to reap the spoils of peace. The spoils just never seemed to reach us.
Lyra McKee Mosaic Jan 2016 15min Permalink
Sloane Crosley is the author of I Was Told There’d Be Cake and several other books. Her new memoir is Grief Is for People.
“You take a little sliver of yourself and you offer it up to be spun around in perpetuity in the public imagination. That is the sacrifice you make. And it makes everything just a little bit worse. So it's the opposite of catharsis, but it's worth it. It's worth it for what you get in return: a book.”
Feb 2024 Permalink
Jen Percy is the author of Demon Camp: A Soldier's Exorcism.
"As is the nature of obsession, you just start gathering materials, hoarding documents and taking notes in a way that’s totally chaotic and overwhelming. You don’t even care yet because you’re so excited by what you’re gathering. If you start trying to make a narrative out of it too soon it will be false or fall apart."
Thanks to TinyLetter and Dear Thief, the new novel by Samantha Harvey, for sponsoring this week's episode.
Oct 2014 Permalink
Edith Zimmerman is the founding editor of The Hairpin and a contributing writer to The New York Times Magazine.
"I never wrote anything myself or ran anything from other people that was needlessly negative. It wasn't some false grin plastered all over it — we addressed dark things too, and poked fun at things. But I didn't want there to ever be a tone of yeah, let's really just deflate this. Because ultimately you're just stabbing at a ghost among friends. And then at the end you've all just fallen on the floor and the ghost is gone. You're not really doing anything constructive."
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Jul 2013 Permalink
Dan Rather is a journalist, author, and the former anchor of CBS Evening News.
”I knew that being named to succeed Walter Cronkite would put me in a position of inhaling—every day—a kind of NASA-grade rocket fuel for the ego. And that could be dangerous…. In the end, when the red light goes on, it's just you. You're by yourself.… And the longer you're in that role, the more difficult it is to stay true to yourself and to remember who you are and who you want to be.”
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Jun 2021 Permalink
“If I’m writing a thing based on something that happened, it often starts to become fun for me when I see there’s an opportunity to make myself look even more of a jerk than I am in real life.”
From the Longform archive: George Orwell, Maya Angelou, Haruki Murakami and 25 more writers on writing.
Geoff Dyer, Matthew Specktor Paris Review Nov 2013 35min Permalink