The mob that rampaged the halls of Congress included infamous white supremacists and conspiracy theorists.

The inside story of the megadonor and the Chinese casino money flooding our elections.

Deana Lawson’s regal, loving, unburdened photographs imagine a world in which Black people are free from the distortions of history.

The death of the woman he loved was too much to bear. Could a mysterious website allow him to speak with her once more?

How the Brazilian butt lift, one of the world’s most dangerous plastic surgery procedures, went mainstream.

Why did Christie Smythe upend her life and stability for Martin Shkreli, one of the least-liked men in the world?

Black people formed one of the largest militias in the U.S. Now its leader is in prosecutors’ crosshairs.

Scandal, conspiracy, and cover-ups in the theft of the “Irish Crown Jewels” from Dublin Castle.

An occasionally collaborative profile of the director.

Finding the author of Pictures for Sad Children.

How online sales of highly regulated, super-toxic rodenticides exploit gaps in the law and imperil wildlife.

The story of imprisoned boxer James Scott, who contended for the light heavyweight title by staging fights inside Rahway prison.

Thomas Pynchon walks down a New York City street in the middle of the morning. He has a light gait. He floats along. He looks canny and whimsical, like he'd be fun to talk to; but, of course, he's not talking. It's a drizzling day, and the writer doesn't have an umbrella. He's carrying his own shopping bag, a canvas tote like one of those giveaways from public radio. He makes a quick stop in a health-food store, buys some health foods. He leaves the store, but just outside, as if something had just occurred to him, he turns around slowly and walks to the window. Then, he peers in, frankly observing the person who may be observing him. It's raining harder now. He hurries home. For the past half-dozen years, Thomas Pynchon, the most famous literary recluse of our time, has been living openly in a city of 8 million people and going unnoticed, like the rest of us.

“When I’m in Nigeria, I find myself looking at the passive, placid faces of the people standing at the bus stops. They are tired after a day’s work, and thinking perhaps of the long commute back home, or of what to make for dinner. I wonder to myself how these people, who surely love life, who surely love their own families, their own children, could be ready in an instant to exact a fatal violence on strangers.”

On animal cremation and burial in New York:

Riding around Manhattan on a delivery run with a car full of pet cremains, it's hard not to look at the world differently. The omnipresence of pets becomes glaringly obvious, and their inevitable fate is never far from the mind. It's easy to imagine the whippet being jaywalked across Eighth Avenue getting hit by a car. The cocker spaniel on 23rd Street? A bucket of cocker bones in the making.

The jury room was a gray-green, institutional rectangle: coat hooks on the wall, two small bathrooms off to one side, a long, scarred table surrounded by wooden armchairs, wastebaskets, and a floor superficially clean, deeply filthy. We entered this room on a Friday at noon, most of us expecting to be gone from it by four or five that same day. We did not see the last of it until a full twelve hours had elapsed, by which time the grimy oppressiveness of the place had become, for me at least, inextricably bound up with psychological defeat.

What is it about terminating half a twin pregnancy that seems more controversial than reducing triplets to twins or aborting a single fetus? After all, the math’s the same either way: one fewer fetus. Perhaps it’s because twin reduction (unlike abortion) involves selecting one fetus over another, when either one is equally wanted. Perhaps it’s our culture’s idealized notion of twins as lifelong soul mates, two halves of one whole. Or perhaps it’s because the desire for more choices conflicts with our discomfort about meddling with ever more aspects of reproduction.

On the TechCrunch founder’s venture capital fund, and a new breed of startup investor.

As Twitter-loving VC investors have become brand names themselves (Fred Wilson, Marc Andreessen, Chris Sacca), what one might call the auteur theory of venture capitalism has emerged—the idea that startup companies bear the unique creative signature of those who invested in them. To study a venture capitalist’s portfolio is to study his oeuvre.

Billy Joe Frazier was born on Jan. 12, 1944, in Laurel Bay, S.C., the youngest of 12 children. His father, Rubin, and his mother, Dolly, worked in the fields, and the youngster known as Billy Boy dropped out of school at 13. He dreamed of becoming a boxing champion, throwing his first punches at burlap sacks he stuffed with moss and leaves, pretending to be Joe Louis or Ezzard Charles or Archie Moore.

Rosie grew up in a succession of decrepit houses in South London with one man and a rotating cast of women, who claimed that they had found her on the streets as an infant. The man, Aravindan Balakrishnan—Comrade Bala, as he wanted to be called—was the head of the household. He instructed the women to deny Rosie’s existence to outsiders, and forbade them from comforting her when she cried.

But there’s one way that NFTs are profoundly different from the last generation of online disrupters. In terms of ownership, they actually move in the opposite direction of projects like Napster, BitTorrent and the software communities that destabilized the entertainment industry. Those were about reproducing data and sharing it for free, or eventually, a subscription fee. NFTs are about taking what should be a fully shareable image and sticking a SOLD sign on it.