Showing 25 articles matching fk33.cc_Which is the biggest magnesium sulfate Monohydrate manufacturer.

“Fall Down. Make a Mess. Break Something Occasionally.”

The comedian speaks to his alma mater about the importance of taking risks, and his own rocky path from college to the late-night stage:

What else can you expect in the real world? Let me tell you. As you leave these gates and re-enter society, one thing is certain. Everyone out there is going to hate you. Never tell anyone in a roadside diner that you went to Harvard. In those situations, the correct response to, “Where did you go to school?” is “School? I never had much in the way of book learnin’ and such.” And then get in your BMW and get the hell out of there. Go.

Insider Baseball

On the 1988 presidential election and the boys on the bus.

Read more

“American reporters ‘like’ covering a presidential campaign (it gets them out on the road, it has balloons, it has music, it is viewed as a big story, one that leads to the respect of one’s peers, to the Sunday shows, to lecture fees and often to Washington), which is one reason why there has developed among those who do it so arresting an enthusiasm for overlooking the contradictions inherent in reporting that which occurs only in order to be reported.”

Laura Shin is a journalist covering cryptocurrency and hosts the podcast Unchained. Her new book is The Cryptopians: Idealism, Greed, Lies, and the Making of the First Big Cryptocurrency Craze.

“I was extremely well-acquainted with what the failings were with our traditional financial system. I was seeing through my other reporting how everything works now, and really understanding, whoa, this is not a good system. And then getting this education on what bitcoin is, I understood right away: wow, this is going to change the world.”

How to Slowly Kill Yourself and Others in America: A Remembrance

This isn't an essay or simply a woe-is-we narrative about how hard it is to be a black boy in America. This is a lame attempt at remembering the contours of slow death and life in America for one black American teenager under Central Mississippi skies. I wish I could get my Yoda on right now and surmise all this shit into a clean sociopolitical pull-quote that shows supreme knowledge and absolute emotional transformation, but I don't want to lie.

Our Own Worst Enemies

In the fantasy and superhero realm, the most chilling and compelling villain of the year was surely Magneto, who in X-Men: First Class is more of a proto-villain, a victim of human cruelty with a grudge against the nonmutants of the world rooted in bitter and inarguable experience. Magneto is all the more fascinating by virtue of being played by Michael Fassbender, the hawkishly handsome Irish-German actor whose on-screen identity crises dominated no fewer than four movies in 2011. Magneto, more than the others, also evokes a curious kind of self-reproach, because his well-founded vendetta is, after all, directed against us.

Theo Baker is the investigations editor at The Stanford Daily. The first college student ever to win a George Polk Award, Baker received a special recognition for uncovering allegations that pioneering research co-authored by Stanford President Marc Tessier-Lavigne, a renowned neuroscientist, was supported in part by manipulated imagery.

“It’s useful to intellectualize it because when you actually get going, this is something that keeps me up at night. … It’s the last thing I think about when I go to sleep, and the first thing on my mind when I wake up.”

This is the first in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

Paradise With An Asterisk

“From all appearances, this place is still an earthly paradise. There is just one problem, though you could stare at this palm grove for a lifetime and never see it. The soil under our feet, whitish gray in color with flecks of coral, contains a radioactive isotope called cesium 137.”

Insider Baseball

Joan Didion versus the boys on the bus:

American reporters “like” covering a presidential campaign (it gets them out on the road, it has balloons, it has music, it is viewed as a big story, one that leads to the respect of one’s peers, to the Sunday shows, to lecture fees and often to Washington), which is one reason why there has developed among those who do it so arresting an enthusiasm for overlooking the contradictions inherent in reporting that which occurs only in order to be reported.

Broken Windows

The landmark article that changed the way communities were policed:

This wish to "decriminalize" disreputable behavior that "harms no one"- and thus remove the ultimate sanction the police can employ to maintain neighborhood order—is, we think, a mistake. Arresting a single drunk or a single vagrant who has harmed no identifiable person seems unjust, and in a sense it is. But failing to do anything about a score of drunks or a hundred vagrants may destroy an entire community. A particular rule that seems to make sense in the individual case makes no sense when it is made a universal rule and applied to all cases. It makes no sense because it fails to take into account the connection between one broken window left untended and a thousand broken windows.

Chris Bell: That Don't Get Him Back Again

Listening to the Big Star songwriter, who left the group before dying in a solo car crash at 27.

His voice, on the recordings, is too sensitive. That's meant not as an aesthetic judgment. It wasn't too sensitive for the material, in other words. It was too sensitive for life. You listen to him sing, closely, and if you don't know another thing about what happened to him, you know that the guy with that voice is not going to last.

Khabat Abbas is an independent journalist and video producer from northeastern Syria, and the winner of the 2021 Kurt Schork News Fixer Award.

”I can see from my experience that there is a gap between the editors, who are kind of elites in their luxury offices, and the amazing journalists who are in the field, who all sympathize with what they are seeing on the ground and want to cover [it], but they have to satisfy the editors. And this is how we end up having little gaps in the ways of covering in general. It's not a matter of like, they shaped it in this way. The problem, I think, it’s bigger. How this industry is working, how this industry is deciding what they should cover.”

Kelsey McKinney is a features writer and co-owner at Defector.com. She hosts the podcast Normal Gossip and is the author of the upcoming book You Didn't Hear This From Me: (Mostly) True Notes on Gossip.

“I was always very interested in how you strategize a creative career. And I think that that is an unsexy thing to talk about, right? It's much sexier to be like, Oh, I love working on my sentence-level craft, which is not true for me. But I think that a lot of a creative career is understanding it is still a job, and then understanding how you make sure that within the container of the job you can do the work that you want to do. That is a really difficult balance to make. So if you can understand how people who have done it before you, you can copy them.”

Meribah Knight is a reporter with Nashville Public Radio. She won the Polk Award for Podcasting for “The Kids of Rutherford County,” produced with ProPublica and Serial, which revealed a shocking approach to juvenile discipline in one Tennessee county.

“Where does it leave me? It leaves me with a searing anger that is going to propel me to the next thing. But we’ve made some real improvement. And that’s worth celebrating. That’s worth recognizing and saying, This work matters, people are paying attention.”

This is the third in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

Jay Caspian Kang is a contributor at New York Times Magazine. His new book is The Loneliest Americans.

”I have a lot of thoughts and talk to people to make sure my thoughts are right, or change them because I think they're wrong. What more does one want out of an intellectual life? It's good work.”

Notes From An Emergency

A talk from the re:publica conference in Berlin:

The good part about naming a talk in 2017 ‘Notes from an Emergency’ is that there are so many directions to take it. The emergency I want to talk about is the rise of a vigorous ethnic nationalism in Europe and America. This nationalism makes skillful use of online tools, tools that we believed inherently promoted freedom, to advance an authoritarian agenda.