How Joan Didion Became Joan Didion
“Didion was one of the boys, clearly, in the sense that men had noticed her writing and wanted to publish her. But she also couldn’t quite fit into their regime.”
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Showing 25 articles matching physics of music.
Attack on Skull Island
After the blockbuster success of Kong: Skull Island, director Jordan Vogt-Roberts fled Hollywood to live the expat dream life in Vietnam. Then, one night at a Saigon club, he was brutally beaten by a mysterious mob of gangsters. Who were these monsters? Soon, he began directing something entirely different—an international hunt for the men who nearly killed him.
Trump Keeps Talking About the Last Military Standoff With Iran — Here’s What Really Happened
“The Farsi Island mission was a gross failure, involving issues that have plagued the Navy in recent years: inadequate training, poor leadership, and a disinclination to heed the warnings of its men and women about the true extent of its vulnerabilities.”
The Hustlers at Scores
They were an organized group of ex-strippers, plus a few role players recruited from Craigslist. They fished for marks in strip clubs, Wall Street cocktail bars, and even TGI Fridays, and then lured them to strip clubs. The marks woke up with little memory of the night before and their credit cards maxed out.
Disease as Political Metaphor
Punitive notions of disease have a long history, and such notions are particularly active with cancer. There is the “fight” or “crusade” against cancer; cancer is the “killer” disease; people who have cancer are “cancer victims.” Ostensibly, the illness is the culprit. But it is also the cancer patient who is made culpable.
Roger Bennett is a co-host of Men In Blazers and the author of (Re)born in the USA: An Englishman's Love Letter to His Chosen Home.
“So much of my work is about human tenacity. That value of perseverance, of driving onwards. I believe life is about darkness and happiness. I believe that nothing is given, you fight for everything. And how you operate in moments of doubt and darkness ultimately define you. So I talk a lot as a professional about tenacity. What I've never linked that to before was my own biography. What did surprise me when I read the book as not being about me, but just read it as a book, was how bloody tenacious I was in fleeting moments of real awfulness.”
Jeff Goodell is a climate change writer for Rolling Stone and the author of seven books. His new book is The Heat Will Kill You First: Life and Death on a Scorched Planet.
“I would not have said this even five years ago, but I have really come to see this now as a crime story. This is a kind of looting of the atmosphere of the earth, siphoning off resources and grossly profiting off of that at the expense of many other people—billions of people—on this planet. And I understand that’s a big thing to say, but I think it’s just pretty obviously true. … I don’t mean that personally that each one of them personally is a criminal. We are all complicit in this.”
Stephanie McCrummen is a national enterprise reporter at The Washington Post.
“I do have to psych myself up. There’s always something awkward about it and that never goes away. … No matter how long I do this job, that part of it doesn’t get any easier. It’s always a bit awkward and you’re always sort of humbled when someone actually is willing to talk to you. Then it can be kind of thrilling, once you’re in it, once you’re actually in the conversation. ... But the moment a few seconds before that is still—to this day, it’s sort of an act of will.”
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Donovan X. Ramsey is a journalist and author of the new book When Crack Was King: A People’s History of a Misunderstood Era.
“I've only ever wanted to write about Black people—and that includes the elements of our lives that are difficult. I’ve always prided myself on being able to metabolize that information and not really be harmed by it. And this book really taught me that writing and processing is not just something that you do in your head. That the information does go through you as you're trying to make sense of it. And it's not happening to you, right? It's not like a direct form of PTSD that you have, but you do experience some trauma when you open up your imagination in that way.”
Sam Biddle writes for Valleywag.
"It's a lot of overgrown, entitled manchildren pulling price tags out of the ether and passing them around. Considering Silicon Valley worthy of contempt is the first premise that we work from."
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Andy Kroll is an investigative reporter for ProPublica. His new book is A Death on W Street: The Murder of Seth Rich and the Age of Conspiracy.
“I think a book has ruined me for writing hot takes and spicy Twitter dunks and all of these other one- and two-dimensional bits of ephemera. I wasn't really a big fan of it in the first place, but I can't do it anymore. A book forces you to look at the world in a much more fine grained, humane, empathetic way, and there's no going back from that.”
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Sponsor: OZY
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Sponsor: Aeon Magazine
Aeon is a new digital magazine of ideas and culture, publishing an original essay every weekday. Just launched in September 2012, Aeon has already produced a slew of fascinating pieces, several of which have been featured on Longform. Here are three of the very best:
The Golden Age
John Quiggin on the 15-hour week.
The Vanishing Groves
Ross Andersen on seeing the history of the universe in tree rings.
Return Trip
Erik Davies on rehabilitating psychedelics.
Read those stories and more at aeonmagazine.com.
Nona Willis Aronowitz, an editor and author, writes a sex and love advice column for Teen Vogue. Her new book is Bad Sex: Truth, Pleasure, and an Unfinished Revolution.
“I'm getting a lot of emails from people saying basically ‘You've inspired me to break up with my man tomorrow.’ Or ‘I may not ever break up with my man, but I'm starting to tell the truth, at least to myself, about my relationship.’ And I think a lot of people — even though I think being open about your feelings and acceptance of all kinds of lifestyles are two tenants of modern society — I still think there's a lot of silence around dissatisfaction around sex and love.”
Jia Tolentino is a staff writer at the New Yorker and the author of the essay collection Trick Mirror: Reflections of Self-Delusion.
“I feel a lot of useless guilt solidifying my own advantages at a time when the ground people stand on is being ripped away. And I feel a lot of emotional anxiety about the systems that connect us — about the things that make my life more convenient and make other people’s lives worse. It’s the reality of knowing that ten years from now, when there are millions of more climate refugees, that you’ll be okay. It makes me feel so crazy and lucky and intent on doing something with being alive.”
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Excerpts from 'Bones in the Desert'
From the Translator’s Note:
Just over two weeks ago, on April 3, the renowned Mexican writer and investigative journalist Sergio González Rodríguez unexpectedly passed away from a heart attack at age 67. [His book] Bones in the Desert is a far-reaching investigation into the still-unsolved murders of hundreds of women and girls in the communities surrounding Mexico’s Ciudad Júarez, on the US border with El Paso, Texas. In the years since its publication in 2002, Bones in the Desert has left an indelible imprint on the modern literature of the Americas, both through its own merits and its foundational influence on Roberto Bolaño’s 2666. In crafting a fictionalized version of Ciudad Júarez, Bolaño collaborated directly with González Rodríguez, relying on him for substantial “technical help” in answering questions about the nature of the murders, and eventually including him as a character in the novel.
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The Twilight Zone
An excess of people and an excess of desert.
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No Longer a Girl
The hallmarks that would come to characterize the official narrative surrounding the serial murders were already being established.
Jenny Diski, 1947-2016
Novelist and essayist Jenny Diski died this morning. She had been writing a diary for the London Review of Books about her inoperable cancer. Her memoir, In Gratitude, was released last week. Browse our archive of her work, her complete LRB archive, and last year's profile of Diski in the New York Times Magazine.
Inside Scientology
A journey into the controversial religion:
In the next hour or so, Laurie asks me a number of questions: Am I married? Am I happy? What are my goals? Do I feel that I’m living up to my potential? A failure to live up to potential is one of the things known in Scientology as one’s "ruin." In trying to get at mine, Laurie is warm and nonaggressive. And, to my amazement, I begin to open up to her. While we chat, she delivers a soft sell for Scientology’s "introductory package": a four-hour seminar and twelve hours of Dianetics auditing, which is done without the E-meter. The cost: just fifty dollars. "You don’t have to do it," Laurie says. "It’s just something I get the feeling might help you." She pats my arm, squeezes it warmly.
Laissez-Faire Aesthetics
A critical look at the contemporary art marketplace.
The trouble is that a business model has come to drive the entire art world, and like the corporate executive who regards the launch of each new product as a challenge to the success of the last one, because you must keep growing or you will die, the arts community finds itself in a state of permanent anxiety. There always has to be a new artist whom the media will embrace as enthusiastically as they embraced Warhol; there always has to be a show that will top the excitement generated by the last blockbuster at the Modern or the Met.
Sixteen-year-old Tara Perry followed her man into crime and madness
Three months before it all started, she'd been a shy sophomore at Aurora Central High School, a member of the soccer and speech teams. Then Randy Miller had come out of prison and back into her world. A 22-year-old former child prostitute and drug dealer, Miller had promised to take her away from a tumultuous and painful home life. But the journey he had in mind led downward, into a terrifying series of home invasions and armed robberies and, finally, a few hours after the King Soopers stickup, to a standoff with state troopers in a small Kansas town.
White Collars Turn Blue
People know Krugman these days as a feisty political polemicist, but back when he was less politically engaged he was absolutely one of the very finest popularizers of economic ideas ever. This piece is a wonderful, brief introduction to the fundamental economic forces driving the world and a lot of my current thinking is preoccupied with the questions it raises. Reading it again, I realized that a point I like to make about the elevator being a great mass transit technology is almost certainly something I subconsciously picked up here.
Seymour Hersh is a Pulitzer Prize-winning journalist and the author of The Killing of Osama Bin Laden.
“The government had denied everything we said. We just asked them and they said, ‘Oh no, not true, not true.’ That’s just—it’s all pro forma. You ask them to get their lie and you write their lie. I’m sorry to be so cynical about it, but that’s basically what it comes to.”
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Vauhini Vara is a contributing writer at Wired and author of the novel The Immortal King Rao.
“With a magazine story, it might be like six months or a year or two, if it's something that took you a long time. With this [novel], it was 13 years for me, but the sort of emotional arc felt similar, where there were these periods of despair and a sense that like, this wasn't going anywhere, and then these periods where like, I'm a genius and this is going to be the best book ever written. You go back and forth, as we do with our journalism. But then with every draft of it, I always felt like, all right, this is better than the last draft at least. I don't know what the next one is going to look like, but this is definitely an improvement. And I feel like that's what kept me feeling like I was at least moving in the right direction.”
Jeanne Marie Laskas is the author of the new book Hidden America and a correspondent for GQ.
"I'm just a writer going into [people's lives], you know? What do you do with that kind of intensity of a relationship when you're job is to invoke it on the page? It's a huge ... not just privilege but responsibility. Because, you know, it's just for a story. And I tell them that: 'I'm asking you trust me, but at the same time don't trust me. I'm kind of like a vulture in this relationship—we're not friends.'"
Jay Caspian Kang is a writer and editor at Grantland.
"That's one of the things I've been learning: sometimes if you just sit there, they forget that you're there, so they forget to get rid of you. I'm very quiet and I try not to ask them a lot of questions. ... Generally I just observe. I feel like because I'm a fiction writer, the story will tell itself through the narrative of the person's movement through their daily life."</i>
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