Showing 25 articles matching fk33.cc_Which is the biggest magnesium sulfate Monohydrate manufacturer.
The Facebook COO on her generation’s failures and the continuing gender gap in American business and politics.
Today, we turn to you. You are the promise for a more equal world. You are our hope. I truly believe that only when we get real equality in our governments, in our businesses, in our companies and our universities, will we start to solve this generation’s central moral problem, which is gender equality.
How is Canada’s “post-AIDS” generation coping? Not that well.
[I]n some ways we are still hopelessly lost. A generation of men who could have been our mentors was decimated. The only thing we learned from observing them was to ruthlessly identify “AIDS face,” that skeletal appearance the early HIV drugs wrought on patients by wasting away their bodily tissues. But those faces grow more rare each day.
Before I met Robert Jeffress, I wanted to hate him. Jeffress is the conservative preacher who made national headlines in October, when he called Mormonism a cult. He’s the senior pastor at First Baptist Dallas, the oldest megachurch in America, and I am certainly not a Baptist. He endorsed Rick Perry for president, and I’m definitely no fan of Perry’s. As a matter of fact, Robert Jeffress and I probably disagree on every major political and religious issue. And yet, I really, really like him.
“If I had to pick one sentence I’ve heard more than any other in the last six years of conversation about economics, it would be ‘Why aren’t people more angry?’ The Brexit vote showed that plenty of them are. But perhaps it expressed that other feeling, the one of bewilderment, just as much. ‘Take back control’ is a cynical but extremely astute pitch to an electorate in that state of mind.”
Jonathan Abrams covers the NBA for Grantland.
"Players know that with the stories I do I'm not trying to burn anybody. I'm trying to tell a story for what it's worth and be honest to that person. ...That's one of my main goals, that you know why this person is [a certain] way when they step on the court. You know why Monta Ellis is going to keep shooting the ball. You know why Zach Randolph is such a gritty player. What these guys have gone through growing up, it materializes in their game."
Thanks to this week's sponsor, TinyLetter!
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When James Brown died on Christmas Day 2006, he left behind a fortune worth tens, maybe hundreds, of millions of dollars. The problem is, he also left behind fourteen children, sixteen grandchildren, eight mothers of his children, several mistresses, thirty lawyers, a former manager, an aging dancer, a longtime valet, and a sister who’s really not a sister but calls herself the Godsister of Soul anyway.
An oral history.
Tom Freston: We knew we needed a real signature piece that would look different from everything else on TV. We also knew that we had no money. So we went to NASA and got the man-on-the-moon footage, which is public domain. We put our logo on the flag and some music under it. We thought that was sort of a rock ’n’ roll attitude: “Let’s take man’s greatest moment technologically, and rip it off.”
Inside the Shel Silverstein archive.
One of the things you learn is that “polymath” doesn’t even begin to describe Silverstein. His creativity extended in so many directions that his archivists must be versed not just in turn-of-the-century world children’s literature, but Waylon Jennings’s deep cuts; not just in reel-to-reel tape preservation, but how to keep an old restaurant napkin scribbled with lyrics from falling apart.
Charlie Warzel is a senior tech writer for BuzzFeed.
“Part of the big tech reckoning that we’re seeing since the election isn’t really about the election, it isn’t really about Trump or politics. It’s more about this idea that: Wow, these services have incredibly real consequences in our everyday lives. I think that realization is really profound and is going to shape how we try to figure out what it means to be online from here on out. To keep stories relevant, we have to keep that in mind and try to figure out how to speak to that audience and guide them through that reckoning.”
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Wesley Morris is a critic at large for The New York Times, a staff writer for The New York Times Magazine, and the co-host of Still Processing. His latest article is "Last Taboo: Why Pop Culture Just Can’t Deal With Black Male Sexuality."
“You learn a lot of things about your sexuality at an early age. You know, I learned that your penis is a problem for white people, that you can’t be too openly sexual in general because that could get you in trouble because someone could misconstrue what you’re doing, and, in my case, I also knew I was gay. So I had to deal with, ‘Ok so my dick is a problem in general, and I’m not even interested in putting my penis where it’s supposed to go. This is going to be bad.’”
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Jennifer Gonnerman is a contributing editor at New York and contributing writer for Mother Jones.
"How much do we really interact with people who are different from ourselves? We go to work, we go home, we go to a party—I feel like this is a fantastic opportunity to meet peope who are totally and completely different, from totally different worlds, backgrounds, interests, countries. It's almost like a passport to a different world with every story. Once you make that trip and go into someone's home and really listen to them, empathy is not that hard to come by."
Thanks to TinyLetter for sponsoring this week's episode!
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Sponsored
Our sponsor this week is Texas Monthly, which has just published a truly incredible piece of journalism. Michael Hall, whose work has appeared on Longform many times, spent a year investigating one of the most confounding criminal cases in Texas history. In the summer of 1982, three Waco teenagers were savagely murdered for no apparent reason. Four men were ultimately charged with the crime. One was executed, two others were given life sentences, and a fourth was sent to death row only to be released after six years. They all may have been innocent.
Over the next two weeks, Texas Monthly will serialize Hall's 25,000-word piece, "The Murder at the Lake," which looks at the case from five distinct perspectives. Part One is available now; you should read it.
Joe Sexton is a senior editor at ProPublica and a former reporter and editor at the New York Times, where he led the team that produced "Snow Fall."
"My experience in a newspaper newsroom over the years has been: The word you hear least often, the word that's hardest for people to say in that environment, is the word yes. It's safer to say no. You get second-guessed less often if you say no. Your job's not on the line if you say no. But if you're willing to say yes and you're willing to face the consequences of having said yes, then quite amazing things can happen."
Thanks to Random House and TinyLetter for sponsoring this week's episode.
Sponsored
Our sponsor this week is Twice Upon a Time, a new memoir from acclaimed author Hari Kunzru. When he moved to New York City, Kunzru choose as his imaginary guide the blind composer and musician Moondog, aka Louis Hardin. With great lyrical intensity Kunzru recalls the strange soundscape of an unfamiliar place, and celebrates both the city and the musical genius of Moondog.
Twice Upon a Time is the second title from Atavist Books and offers a unique, multilayered digital experience combining a beautiful prose essay on the sounds of New York with the extraordinary music of Moondog and binaural recordings of the city itself.
David Haskell is the editor-in-chief of New York Magazine.
“Fingers crossed, knock on wood, we've got time here. You can't ever take that for granted, but I think it's fair to indulge a long-term perspective. More than fair, actually — I think it's part of the job, for me at least, to be plotting and dreaming years out. And to be fashioning the magazine toward that long-term vision as gingerly as I can without it breaking.”
Thanks to Mailchimp, Pitt Writers, Squarespace, and Literati for sponsoring this week's episode.
How Frank and Jamie McCourt bought the Dodgers for “for less than the price of an oceanfront home in Southampton” and eventually became entangled in one of the most expensive divorces in California history, which laid bare their finances and confirmed what many already knew: they had bankrupted one of the most storied franchises in baseball.
In all, the McCourts reportedly took $108 million out of the team in personal distributions over five years—a sum that Molly Knight, a reporter with ESPN who has extensively covered the story, notes is eerily similar to the cash payment that she says Frank McCourt has claimed he made for the team.
Jacqueline Charles is the Caribbean correspondent at the Miami Herald.
Guest host Patrice Peck is a freelance journalist and writes the Coronavirus News for Black Folks newsletter.
"There are things that you see that if you start taking it in, you’re never going to stop and you’re not going to be able to do your job…I have family in all of these countries and when disaster strikes, you can’t help everyone. But what you hope is that with your pen, with your voice, with your recording of history…somebody somewhere will feel compelled to do something. So that’s what keeps me going."
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Hanif Abdurraqib is a poet, essayist, and critic whose work has appeared in The New Yorker, The New York Times Magazine and many other publications. His new book is A Little Devil in America: In Praise of Black Performance.
“I learn from hearing my elders tell stories. There’s an inherent knowing of yourself as a vessel for narration who also has to—is required to—hold the attention of others at all costs. And that’s essentially what I’m trying to do. The broader project of my writing is almost a constant pleading of: Don’t leave yet. Stay here with me for just a little bit longer.”
Chris Ryan is the editorial director for The Ringer, where he co-hosts The Watch and The Rewatchables.
“There is a point where there’s just too much stuff. I can’t read a 5,000-word feature, 10 blog posts, and listen to three podcasts, and then do it all again the next day. So that is the line you walk in digital publishing, whether it’s for editorial stuff or for podcasting. You have to accept the fact that there is not going to be a single person out there who listens to it all, and who can read it all, and who can watch it all. But you can imbue everything you do with a certain quality—both like a personality, characteristic quality, but also like a quality of production—that hopefully anybody who does like this kind of thing will find some value in it.”
Sarah Marshall is a writer and hosts the podcast You're Wrong About.
”I love it when people tell me that listening to the way I talk about these people in the stories that we tell, and just about the world generally, has made them practice empathy more. I almost feel like I have preserved this a-little-bit-past version of myself, because I've been on this journey throughout the pandemic of becoming pretty cynical, and then deciding cynicism is a luxury and that it feels better, ultimately, to try to believe in people.”
On the moral responsibility to break unjust laws.
“There comes a time when the cup of endurance runs over, and men are no longer willing to be plunged into the abyss of despair. I hope, sirs, you can understand our legitimate and unavoidable impatience. You express a great deal of anxiety over our willingness to break laws. This is certainly a legitimate concern. Since we so diligently urge people to obey the Supreme Court's decision of 1954 outlawing segregation in the public schools, at first glance it may seem rather paradoxical for us consciously to break laws. One may well ask: "How can you advocate breaking some laws and obeying others?" The answer lies in the fact that there are two types of laws: just and unjust. I would be the first to advocate obeying just laws. One has not only a legal but a moral responsibility to obey just laws. Conversely, one has a moral responsibility to disobey unjust laws. I would agree with St. Augustine that ‘an unjust law is no law at all.’”
Emma Carmichael, a former editor at Deadspin and The Hairpin, is the editor in chief of Jezebel.
"Online feminism has more and more rules lately. There are only so many things you can say. And while our opinions are getting more constrained online, personal feminism and face-to-face conversations are looser and more complicated and don't go by any rules. ... The ideal with Jezebel is getting to a point where you can say, 'This is what I think, so who gives a fuck.'"
Thanks to TinyLetter for sponsoring this week's episode.
Rebecca Traister writes for New York. Her new book is Good and Mad: The Revolutionary Power of Women's Anger.
“I don’t want my experience to be held up as so, ladies, your new health regimen is rage all day. Because the fact is we live in a world that does punish women for expressing their anger, that denies them jobs, that attaches to them bad reputations as difficult-to-work-with, crazy bitches. Because they’re reasonably angry about something they have every reason to be angry about. We live in a world in which black women’s anger is either caricatured and they get written off as cartoons, or regarded as threats and face steep, often physical penalties for expressing dissent or dissatisfaction. When I talk about this, I don’t mean it to be prescriptive, I mean it to be descriptive of a particular experience I had that was extraordinarily unusual but which made me question a premise that I think all of us internalize that the anger is bad for us. I no longer believe that that’s true.”
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Patrick Radden Keefe is a staff writer at The New Yorker.
"I tend not to like really prescriptive writing, and as often as not what I want to do is kind of get in and find the stories and the narratives almost as a delivery mechanism to just get people to sit up and think about it. Honestly, the areas that I'm interested in are so obscure, often, that the thing that I want is for people just to understand and care a little bit more than they did before."
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Wesley Lowery is a correspondent for “60 in 6” from 60 Minutes. He is the author of They Can't Kill Us All: Ferguson, Baltimore, and a New Era in America's Racial Justice Movement and won the 2016 Pulitzer Prize for "Fatal Force," a Washington Post project covering fatal shootings by police officers.
“The police are not, in and of themselves, objective observers of things. They are political and government entities who are the literal characters in the story. They are describing the actions of people who are protesting them. They have incentives.”
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