The most dreadful men to live with are those who thus alternate between angel and devil.

Not long before she died, Anne Isabella Noel Byron gave a wide-ranging interview to the author of Uncle Tom’s Cabin. Most notoriously, she accused her husband, Lord Byron, of carrying on a “secret adulterous intrigue” with his half-sister.

The Atlantic lost 15,000 subscribers in the months following publication of this article.

60 Minutes on America’s poverty epidemic:

Jade Wiley is eight years old. She spent three weeks living in her car with her mom, her dad, two dogs and a cat. Pelley: Did you think you were ever gonna get out of the car? Jade Wiley: I thought I was going to be stuck in the car. Pelley: How did you keep your spirits up? Jade Wiley: By still praying to God that somebody'd let us stay in a hotel.

An essay on working at Sotheby’s.

Art pricing is not absolute magic; there are certain rules, which to an outsider can sound parodic. Paintings with red in them usually sell for more than paintings without red in them. Warhol’s women are worth more, on average, than Warhol’s men. The reason for this is a rhetorical question, asked in a smooth continental accent: “Who would want the face of some man on their wall?”

“I made a pact with myself when I was 15 that if I was going to live this life, I'm only going to do it on my terms, and I'm only going to do it if I'm putting my middle finger up at society the whole time. So any time I've had yearnings to go, "Aw, gee, I wish I could be invited to the Emmys," I say, Ru, Ru, remember the pact you made. You never wanted to be a part of that bullshit. In fact, I'd rather have an enema than have an Emmy.”

“People who didn’t live pre-Internet can’t grasp how devoid of ideas life in my hometown was. The only bookstores sold Bibles the size of coffee tables and dashboard Virgin Marys that glowed in the dark. I stopped in the middle of the SAT to memorize a poem, because I thought, This is a great work of art and I’ll never see it again.”

“Editing is crucial because in my experience anything you try to make - what YOU want is for the story to be AMAZING. But what the story wants to be is MEDIOCRE OR WORSE. And the entire process of making the story is convincing the story to not be what it wants to be, which is BAD.”

Since being revealed as a CIA operative and selling Blackwater, Erik Prince has set to work building U.A.E. a mercenary army, made up heavily of Colombian and South African troops, to be used “if the Emirates faced unrest or were challenged by pro-democracy demonstrations in its crowded labor camps or democracy protests like those sweeping the Arab world this year.”

An 11-month investigation ends with a booster, now in prison for a Ponzi scheme, going public with details of how he spent millions on college athletes from 2002 to 2010.

[Shapiro] said his benefits to athletes included but were not limited to cash, prostitutes, entertainment in his multimillion-dollar homes and yacht, paid trips to high-end restaurants and nightclubs, jewelry, bounties for on-field play including bounties for injuring opposing players, travel and, on one occasion, an abortion.

A profile of Tarn and Zach Adams, creators of the computer game Dwarf Fortress:

Dwarf Fortress may not look real, but once you’re hooked, it feels vast, enveloping, alive. To control your world, you toggle between multiple menus of text commands; seemingly simple acts like planting crops and forging weapons require involved choices about soil and season and smelting and ores. A micromanager’s dream, the game gleefully blurs the distinction between painstaking labor and creative thrill.

Rick Ross was born William Leonard Roberts II in 1976, and he borrowed his stage name (and the associated big-time cocaine-selling hustler persona) from the legendary L.A. drug lord Freeway Ricky Ross. But the website MediaTakeout uncovered a photograph of William Leonard Roberts II when he was a Florida corrections officer. Most people thought that'd be the end of his career. Freeway Ricky Ross then sued him for stealing his name. None of it mattered. Rick Ross the rapper just sold more records.

When your house is the set of One Tree Hill:

On one shoot, I remember, I'd been confused about where they needed to set up (confession: hungover), and as a result neglected to clean the bedroom. Later, a crew guy—the same one who'd told me about Blue Velvet—said, "I'm not used to picking up other people's underwear." I felt like saying, Then don't go into their bedrooms at nine o'clock in the morning! Except… he was paying to be in my bedroom.

Because women and girls don’t always kick ass, and neither should our heroines:

Bella Swan, by contrast, is a much more honest though cringe-inducing representation of adolescence. She doesn’t know who she is or what she wants. She’s clumsy, obtuse, and aggravating in her helplessness. She is also entirely internal, almost alienatingly so. One of my favorite passages from the novel New Moon is when Stephenie Meyer inserts a series of blank pages to stand in for the months that pass while Bella mourns — out of any reasonable proportion — Edward’s desertion. Bella, kind of wonderfully, takes her time.

 The same forces that put his family in the slum also gave him the golf course on the other side of the wall, and the teachers and sponsors, and the strange ability to hit a ball with a club. But it still doesn't make sense. Sometimes it seems as if fate is wrestling with itself, making sure the circumstances of his birth are always conspiring to take away whatever gifts might allow him to escape it. He lives in two worlds, each one pulling away from the other. Anil is in the middle, trying to keep his balance.

Eco-tourism in the Himalayas.

The valley is everything you'd want and more. An icy milky river thunders over rocks and below steep wooded slopes are lush fields where people are working the land, oblivious to the Gore-Tex procession. Oblivious but not unaffected: the houses are smart, the prayer wheels freshly painted, just about everyone has a mobile phone, it seems, and is on it, and there are very few places you can't get a signal around here. This is not really the place to come if you're looking for peace and quiet.

What it was like to edit The New Republic at its most contentious.

One of the little tweaks I made the first time I got the job was to change the slogan on the table of contents from “A Journal of Politics and the Arts” back to the original: “A Weekly Journal of Opinion.” All the fine reporting notwithstanding, what The New Republic did best, had always done best, was opinion. Its politics were polemical, its art was the art of argument.

“Two weeks before Christmas, I was explaining to a friend in town that if I seemed more distressed than usual, it was just because I was trying to accustom myself to the fact that my cat didn’t want to be my cat anymore. ‘No way,’ she said. ‘Here’s what you do: You just call Dawn.’ And then she gave me the cat psychic’s phone number.”

“The final evaluation of a play has nothing to do with immediate audience or critical response. The playwright, along with any writer, composer, painter in this society, has got to have a terribly private view of his own value, of his own work. He's got to listen to his own voice primarily. He's got to watch out for fads, for what might be called the critical aesthetics.”

He left China at 10 and would never see his mother again. He lived in extreme poverty once he arrived in America. He found his calling in art, became the creative force behind one of Disney’s iconic films, but didn’t get recognition for his brilliance until late in his life, when in addition to painting and illustrating he began to make fantastical kites.

“These documents show how Palantir applies Silicon Valley’s playbook to domestic law enforcement. New users are welcomed with discounted hardware and federal grants, sharing their own data in return for access to others’. When enough jurisdictions join Palantir’s interconnected web of police departments, government agencies, and databases, the resulting data trove resembles a pay-to-access social network—a Facebook of crime that’s both invisible and largely unaccountable to the citizens whose behavior it tracks.”

Meet Mel Bernstein. He goes by the name Dragonman, and he’s one of the largest independent purveyors of firearms in the western United States, and the self-proclaimed most armed man in America. At Dragonland—his home, shop, shooting range, and military museum outside Colorado Springs—no gun sells quicker than the weapon used in the most recent mass shooting. Amidst a new gun conversation, it’s business as usual. But even here, it turns out there’s a price to pay.

After all these years, it’s still there, in the back of her mind, lurking. No matter how good things are going, it never quite goes away, this feeling that she should have died that day. And her brush with death is the first thing that strangers tend to notice about her, like a limp or a disfigurement. Once they find out where she went to high school, that’s all they want to talk about.

Leland Yee was a career San Francisco politician known for championing open government and gun control. For the last few years, he was also the main target of an elaborate undercover investigation, during which he traded political favors for cash, tried to sell $2 million worth of weapons to a medical marijuana kingpin and worked closely with well-known Chinatown gangster named Raymond “Shrimp Boy” Chow.