Showing 25 articles matching fk33.cc_Who is the manufacturer of magnesium sulfate Monohydrate.
The author interviews England in prison:
By now, people all over the world have heard of Lynndie England. She's the "Small-Town Girl Who Became an All-American Monster," as one Australian newspaper headline described her, or "the girl with a leash," as Mick Jagger calls her in the song "Dangerous Beauty." Yet England remains a mystery. Is she a torturer? A pawn? Another victim of the Iraq war? While the world weighed in, England said very little.
Jesse Coburn is an investigative reporter at Streetsblog. He won the Polk Award for Local Reporting for "Ghost Tags," his series on the black market for temporary license plates.
“You can imagine this having never become a problem, because it’s so weird. What a weird scam. I’m going to print and sell tens of thousands of paper license plates. But someone figured it out. And then a lot more people followed. It just exploded.”
This is the second in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.
Lissa Soep is an audio producer, editor and author whose latest book is Other People’s Words: Friendship, Loss, and the Conversations That Never End.
“I am so keenly aware of how much my own voice is a product of editing relationships and co-producing relationships with other people's words. … I will forever feel indebted to those then-young people who are now writers and educators and therapists. … I feel like my voice is sort of a product of that time.”
Eli Saslow is a staff writer at the Washington Post and a contributor at ESPN the Magazine.
"It's not really my place to complain about it being hard for me to write. I wrote the story ("After Newtown Shooting, Mourning Parents Enter Into the Lonely Quiet") and I got to leave it. And even when I was writing the story, I was only experiencing what they were experiencing in a super fractional way. The hard part is that it was a story where there are no breaks, there's no—it is this relentless, sort of bottomless pain and I struggled with that. … A story can only have so many crushing moments, otherwise they just all wash out. But the other truth is: it is what it is. It's an impossibly heartbreaking situation. And making the story anything other than relentlessly heartbreaking would've been doing an injustice to what they're dealing with."
Thanks to TinyLetter and Squarespace for sponsoring this week's episode.
Philip Montgomery is a photojournalist.
“The photographers that I grew up on all sort of had their moment… I sort of had, in this weird way, this feeling of envy that they had their moment with this story that was all-encompassing. Looking at it now, this is the story of my time, and it’s a little more than I perhaps bargained for.”
Thanks to Mailchimp and Pitt Writers for sponsoring this week's episode.
“It’s striking that for all the talk about polarization in the US, the Tea Party Movement and Occupy Wall Street are entirely non-violent. Overseas, no one expected the Arab Spring protests to be as nonviolent as they were,” Pinker wrote in an email. The threat of overwhelming reprisal from authorities may have brought some peace to seventeenth- and eighteenth-century England, but Pinker also pointed to research that, today, “nonviolent protest movements achieve their aims far more often than violent ones.” Still, the story of violence’s decline contains much violence, and America is no exception.
Aminatou Sow and Ann Friedman are co-hosts of the podcast Call Your Girlfriend and co-authors of the new book Big Friendship: How We Keep Each Other Close.
“People telling you about their lives is a real privilege and honor. No one owes you to tell you their story. Sometimes in the world of people who write or people who make media there is just this expectation that everything is on the table, especially if you’re two women who make media, that we’re supposed to just share our pain and everything that’s going on in our lives but that’s not fair and it’s not true and I think the larger project of this book is really sharing these stories in service of having an honest dialogue about how other people are doing friendship.”
Thanks to Mailchimp for sponsoring this week's episode.
James Verini is a contributing writer at The New York Times Magazine and National Geographic. His new book is They Will Have to Die Now: Mosul and the Fall of the Caliphate.
“War is mostly down time. War is mostly waiting around for something to happen.”
Thanks to Mailchimp, Pitt Writers, and "Couples Therapy" for sponsoring this week's episode.
Lauren Markham is the author of The Far Away Brothers: Two Young Migrants and the Making of an American Life and has written for The New York Times Magazine, The Guardian, and VQR. Her new book is A Map of Future Ruins: On Borders and Belonging.
“It took me a while to figure out that this is actually a book about storytelling, about journalistic storytelling, about the kind of myths we spin culturally and politically, about history, about current events, and the role of journalism within all of that, and my role as a journalist.”
For years, homosexuals have, for the most part, been politically apathetic. Rarely did a candidate stir their enthusiasm; when homosexuals did vote, many of the more affluent ones tended to go Republican. But now the gay and lesbian community appears to be united for the first time in a Presidential race behind a single candidate -- Bill Clinton. And the money is pouring into the Clinton campaign -- $2 million so far from identifiably gay sources, according to Democratic Party estimates. "The gay community is the new Jewish community," says Rahm Emanuel, the Clinton campaign's national finance director. "It's highly politicized, with fundamental health and civil rights concerns. And it contributes money. All that makes for a potent political force, indeed."
The 79-year-old actor, too creaky to get off the couch, interviewed at his palatial Florida mansion about love, fame, and how he’s in okay financial shape despite the fact that a surveyor is taking measurements of his house as he speaks.
Choire Sicha is co-founder of The Awl.
"People come to me pretty much every week ... and say 'I'm starting a website about ... say ... Canadian ... candy makers' and they're like 'What's the secret?' And I say, the secret is when we launched there were three of us. Two of us were doing editorial. And one of was doing business. And guess what? We had a new product and he had nothing to do all day so he had to make himself a job that was about revenue. So, who is this dedicated person at your company? And they're like 'we're both editorial' and I'm like 'you're hosed, you're done, forget about it.'"
Thanks to TinyLetter for sponsoring this week's episode!
Ashley Feinberg is a senior writer at Slate. She recently uncovered Mitt Romney's secret Twitter account.
“The whole thing about politics is that they are basically creating this character, this mask, and that is who they are supposed to be. That is who they try to project to the world. We know that it’s not really them but we have no access to what they actually are. This is the closest we get to seeing what they’re doing when they think no one is watching. … This is the most unfiltered access to what they’re actually thinking.”
A beloved girls’ basketball coach is accused of sexually molesting several of his players.
In 2009, Condé Nast allowed this story to appear in print but refused to publish it online or distribute it in Russia for fear of retribution. The story, which details the intrigue behind the Moscow apartment bombings that allowed Vladimir Putin’s rapid ascension to power, is reprinted on Longform courtesy of the author.
Doree Shafrir is a co-host of podcast Forever35, the former executive editor of Buzzfeed, and the author of the new memoir Thanks for Waiting: The Joy (& Weirdness) of Being a Late Bloomer.
”Right now I can make my living from podcasting, but I don’t know what the advertising market for podcasts is going to look like in five years or even one year. The blog advertising market cratered. So one of the challenges of being my own ‘brand’ is that I always do have to think about, what is the next thing? Because in my experience in media, nothing is ever good for too long.”
Thanks to Mailchimp and The London Review of Books for sponsoring this week's episode.
Edith Zimmerman is the founding editor of The Hairpin and a contributing writer to The New York Times Magazine.
"I never wrote anything myself or ran anything from other people that was needlessly negative. It wasn't some false grin plastered all over it — we addressed dark things too, and poked fun at things. But I didn't want there to ever be a tone of yeah, let's really just deflate this. Because ultimately you're just stabbing at a ghost among friends. And then at the end you've all just fallen on the floor and the ghost is gone. You're not really doing anything constructive."
Thanks to TinyLetter for sponsoring this week's episode.
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Nearly 20 years ago in a remote California town, a 16-year-old named Karen Mitchell disappeared. The case went cold, but last month local law enforcement started looking at it again after the arrest of a former resident: Robert Durst.
Amidst a historic shortage at sperm banks nationwide, a new means of donation is on the rise: Facebook groups. Elaine Byrd got involved in the community first as a moderator, then as a recipient. That’s how she met Ari Nagel, aka the Sperminator, a superdonor with nearly a hundred biological children and counting.
Klamath Country, Oregon, is the perfect place to disappear–and also a very dangerous place when someone is threatening your life.
When James Brown died on Christmas Day 2006, he left behind a fortune worth tens, maybe hundreds, of millions of dollars. The problem is, he also left behind fourteen children, sixteen grandchildren, eight mothers of his children, several mistresses, thirty lawyers, a former manager, an aging dancer, a longtime valet, and a sister who’s really not a sister but calls herself the Godsister of Soul anyway.
On the TechCrunch founder’s venture capital fund, and a new breed of startup investor.
As Twitter-loving VC investors have become brand names themselves (Fred Wilson, Marc Andreessen, Chris Sacca), what one might call the auteur theory of venture capitalism has emerged—the idea that startup companies bear the unique creative signature of those who invested in them. To study a venture capitalist’s portfolio is to study his oeuvre.
“But the journalism itself is not free. It can’t be free. And if it is free, it’s not going to be very good.”
An interview:
Watkins: And then, all of a sudden, you notice that it appears that he is falling asleep and gasping for air—like he is snoring, basically. You could classify it as snoring or as gasping for air. You see his chest moving, and then I guess very quickly—maybe two minutes in—his chest stops moving. And we stand there, I guess, for another 10 minutes, and everybody is just kind of standing there. D Magazine: In total silence? Watkins: No one’s talking. No one’s saying anything. And then you notice that the condemned, he starts to turn this bluish color. So I guess that’s when all his functions have stopped. And then a doctor walks in and takes his vital signs and announces that the person is—he looks at the clock and announces, “The person died at 6:22.” And then they open the door and we all walk out.
Daniel Chang covers healthcare for the Miami Herald. Along with Carol Marbin Miller, he won the George Polk Award for "Birth & Betrayal," a series co-published with ProPublica that exposed the consequences of a 1988 law designed to shelter medical providers from lawsuits by funding lifelong care for children severely disabled by birth-related brain injuries.
“I think that someone on the healthcare beat looks for stories from the perspective of patients, people who want or need to access the healthcare system and for different reasons cannot. It’s a pretty complicated system and it’s difficult for most people to understand how their health insurance works — and that’s if they have health insurance. If they don’t, there is a whole other system they have to go through. What you look for is access issues and accountability for that.”
This is the latest in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.
