Starlee Kine is a contributor to This American Life and the New York Times Magazine.

"There's a fearlessness I had when I was younger that I don't have now ... It threw me into a crisis, the Internet in general. You're more cautious about what you kind of have out there. There's that, that I just don't want people to know every single thing anymore, but there's [also] an inner fear that did not exist before, an inner censoring that was not there."

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Hrishikesh Hirway is the host of Song Exploder.

“I love the idea that somebody would listen to an episode [of Song Exploder] and then the feeling that they would have afterwards is, ‘Now I want to make something.’ That’s the best possible reaction. Whether it’s music or not, just that idea: ‘I want to make something.’ Because that is the thing that I love most, getting that feeling.”

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Tom Bissell is a journalist, critic, video game writer, and author of The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made. His latest book is Magic Hours.

“I kind of have come around to maybe not as monkish or fanatical devotion to sentence idolatry as I was when I was a younger writer, earlier in my career. I think I’m coming around to a place where a lot of middle-aged writers get to, which is: I tried to rewire and change the world with the beauty of language alone—it didn’t work. Now how about I try to write stuff that’s true, or that’s not determined to show people I am a Great Writer. Like a lot of young writers, you’re driven by that. Then at a certain point you realize A) you’re not going to be the Great Writer you wanted to be, and B) the determination of that is completely beyond your power to control, so best that you just write as best you can and as honestly as you can, and everything else just sort of becomes gravy.”

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Kevin Roose, a writer at New York, has contributed to The New York Times, GQ and Esquire. His latest book is Young Money: Inside the Hidden World of Wall Street's Post-Crash Recruits.

"Google will give you away. I feel like one undercover book is all you get these days before the jig is up. ... Unless, like Barbara Ehrenreich, you legally change your name. I was not quite prepared to go that far."

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David Marchese is the interviewer for New York's "In Conversation" series.

"The thing I like about doing long interviews with people is that each one feels like a totally unique experience to me. It’s not like I go into an interview and already know the arc of the story I’m going to tell, and I’m going to just fill that in the best I can. I have ideas of what to talk about and what the conversation might entail, but it does feel like I’m starting at zero and the conversation can go anywhere.”

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Anna Sale is the host of Death, Sex & Money.

“It's the result of listening, of feeling listened to, that people open up. I look like a crazy person when I do interviews, because sometimes someone will be describing something and I will close my eyes and try to picture what they’re telling me. And if I can’t picture the moment they’re describing I’ll just try to dig in a little bit more.”

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Carl Zimmer, a columnist for the New York Times and a national correspondent at STAT, writes about science.

“[Criticism] doesn’t change the truth. You know? Global warming is still happening. Vaccines still work. Evolution is still true. No matter what someone on Twitter or someone in an administration is going to say, it’s still true. So, we science writers have to still be letting people know about what science has discovered, what we with our minds have discovered about the world—to the best of our abilities. That’s our duty as science writers, and we can’t let these things scare us off.”

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Renata Adler is a journalist, critic, and novelist. Her latest collection of nonfiction is After the Tall Timber.

“Unless you're going to be fairly definite, what's the point of writing?”

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Leah Finnegan, a former New York Times and Gawker editor, is the managing news editor at Genius.

“After the Condé Nast article, Nick Denton decided Gawker needed to be 20% nicer, and I took a buyout because I was not 20% nicer.”

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Michael Paterniti, a correspondent for GQ, has also written for Esquire, Rolling Stone and Outside. His latest book is The Telling Room.

"I want to see it, whatever it is. If it's war, if it's suffering, if it's complete, unbridled elation, I just want to see what that looks like—I want to smell it, I want to taste it, I want to think about it, I want to be caught up in it."

Thanks to this week's sponsors: TinyLetter and Hari Kunzru's Twice Upon a Time, the new title from and Atavist Books.

Matt Levine is a finance columnist for Bloomberg Opinion . His newsletter is Money Stuff.

”I write a lot about people who have gotten in trouble with the SEC or the Justice Department. And a surprising subset of them will email me. And often I will have made fun of them, and they'll be like, ‘That was pretty fair.’”

Brady Dale covers cryptocurrency for Axios. His new book is SBF: How The FTX Bankruptcy Unwound Crypto's Very Bad Good Guy.

“I am a fast writer. I’ve always been fast. I just sat down and did the math on it and I was like, If I can write 1,500 words a day, I can write this book. And I can do that.”