Trump’s trade representative joined the administration with one mission: Bring factory jobs back from overseas. The results so far? Endless trade wars, alienated allies, and a manufacturing recession.

How a middle-class jock from a Texas border town became La Barbie, one of the most ruthless and feared cartel leaders in Mexico.

A fugitive from the US started fresh on Vancouver Island—then bilked new victims out of millions of dollars while law enforcement refused to act.

On the early NBA days of the league’s newest champion.

James and Lindsay Sulzer have spent their careers developing technologies to help people recover from disease or injury. Their daughter’s freak accident changed their work—and lives—forever.

Across the country, an unregulated system is severing parents from children, who often end up abandoned by the agencies that are supposed to protect them.

Selections from the leaked documents about the war in Afghanistan portray a military effort that is ineffective and frequently absurd. (Part of the NYT War Logs series.)

Extracted from the author’s memoir, Life Itself.

The British satirist Auberon Waugh once wrote a letter to the editor of the Daily Telegraph asking readers to supply information about his life between birth and the present, explaining that he was writing his memoirs and had no memories from those years. I find myself in the opposite position. I remember everything. All my life I've been visited by unexpected flashes of memory unrelated to anything taking place at the moment. These retrieved moments I consider and replace on the shelf.

A glimpse into the life and death of a soldier who committed suicide while on duty in Afghanistan:

The Army recently announced that it was charging eight soldiers — an officer and seven enlisted men — in connection with Danny Chen’s death. Five of the eight have been charged with involuntary manslaughter and negligent homicide, and the coming court-martial promises a fuller picture of the harrowing abuse Chen endured. But even the basic details are enough to terrify: What could be worse than being stuck at a remote outpost, in the middle of a combat zone, tormented by your superiors, the very same people who are supposed to be looking out for you? And why did a nice, smart kid from Chinatown, who’d always shied from conflict and confrontation, seek out an environment ruled by the laws of aggression?

I felt, in some substantive yet elusive way, that I had had a hand in killing my mother. And so the search for a bed became a search for sanctuary, which is to say that the search for a bed became the search for a place; and of course by place I mean space, the sort of approximate, indeterminate space one might refer to when one says to another person, "I need some space"; and the fact that space in this context generally consists of feelings did not prevent me from imagining that the space-considered, against all reason, as a viable location; namely, my bedroom-could be filled, pretty much perfectly, by a luxury queen-size bed draped in gray-and-white-striped, masculine-looking sheets, with maybe a slightly and appropriately feminine ruffled bed skirt stretched about the box spring (all from Bellora in SoHo).

In 1972, James Wolcott arrived in New York armed with a letter of recommendation from Norman Mailer. He hoped to land a job at The Village Voice. Excerpted from his memoir, Lucking Out.

How lucky I was, arriving in New York just as everything was about to go to hell. I had no idea how fortunate I was at the time, eaten up as I was by my own present-tense concerns and taking for granted the lively decay, the intense dissonance, that seemed like normality.

A profile of fashion designer Roberto Cavalli.

It’s 11 a.m. Cavalli has just risen from his wolf-fur-covered bed and said good morning to Boy, his tiger-striped Bengal cat, and Gino, his miniature monkey. At a breakfast table covered with a cloth of one of his swirling bird patterns, on which are placed four packs of cigarettes and two cigars, Cavalli sinks down on a leopard-print cushion. While he eats applesauce and drinks orange juice from Cavalli tableware, he is surrounded by his four parrots and three beautiful publicists. “Give me some bad questions,” he tells me, lighting a cigar. “I will try to be nice.”

A few years ago, before anyone knew his name, before rap artists from all over the country started hitting him up for music, the rap producer Lex Luger, born Lexus Lewis, now age 20, sat down in his dad’s kitchen in Suffolk, Va., opened a sound-mixing program called Fruity Loops on his laptop and created a new track... Months later, Luger — who says he was “broke as a joke” by that point, about to become a father for the second time and seriously considering taking a job stocking boxes in a warehouse — heard that same beat on the radio, transformed into a Waka song called “Hard in da Paint.” Before long, he couldn’t get away from it.

On the comedian’s relationship with his son and how it changed the course of The Cosby Show.

“From all appearances, this place is still an earthly paradise. There is just one problem, though you could stare at this palm grove for a lifetime and never see it. The soil under our feet, whitish gray in color with flecks of coral, contains a radioactive isotope called cesium 137.”

On the service’s multiple origin stories.

It's a glorious thing, hearing Eddie Murphy say "fuck" again. Few people ever said it better – and down here in the basement of the stone-and-marble mansion he built on a Beverly Hills cliff, it's coming from his lips often enough to make Shrek blush. "Come on, motherfucker," Murphy shouts, over the throb of James Brown's "Hot Pants" on a formidable sound system.

New from 7STOPS: </em>A profile of New York band The Books.

A son, the illusion of his dead father and where technology intersects with real life.

A woman bonds with her terminally ill sister over food, memories, and shaky lives.