Fiction Pick of the Week: "The Actor"
Encounters and interactions with a semi-famous star.
Encounters and interactions with a semi-famous star.
A letter outlines the history and eventual decline of human communications.
A soldier attempts to deliver a death notice.
While on a flight, a student alternates between his seatmate's conversations and his own painful memories.
A cabbie and a passenger discuss Chinese economics and generational gaps.
A winding search for love through drink, power, and fear.
A life in objects, facts, and yearning.
A conversation with (and memories of) an unscrupulous bar owner.
Unspoken issues grip a couple's dinner along the Mississippi River.
An undercover alien observes various human behaviors.
Marriage, infidelity, distance, and communications.
As a mother and son share cocktails on the porch, past problems are discussed and imagined.
"She was aware of the resonance of her son's voice. She guessed the neighbors were used to it by now, and would assume Bradley was having another mental fit. They didn't know how hard these family deaths had hit her son, and how tough it was to keep him from getting aroused, or agitated, a word his therapist used a lot. She knew too, that her son, like his father, was persistent and could fixate on things."
A woman travels in a band on the way to their next show.
"With raised eyebrows, Jay crouched down, turned his hand up, and motioned wide. From the flat top, we could see oil rigs in the distance. A pair of buzzards looped in a slow figure eight. I wondered what kind of body lay out there on that red expanse, just out of my eye line, drying out under the sun into those bleached desert bones people put on fireplaces. They disgusted me, sure, but something about them called for touch, to feel those natural cracks in skulls, how similar we are to porcelain on the inside. Once we lose our connective tissue, we can show softer to those that put their hands on us."
A story of rooms, philosophies, and missing words.
"We move [ ], tapping? Perhaps. Certainly an eight garbage bags’ worth spontaneous factor with a pair undetermined. I lose weight. Karen is one way to do it. Take a page. We are garden sprinklers on a hot middle and cross the middle. Formlessly in all directions, and… one two three four. Now paint on blank canvas. Section four with section one and [ ]omes. And you have a new page. Its effect is immediate, though [ ] the thing."
A conversation between two truckers on a wintry Alaskan highway.
"Even at twenty-five miles an hour the snowfall looks like a TV left on through dawn. French is on the radio, letting the checkpoint know how fucked the storm is. There’s nothing we can do but watch the path of the road to not end up in a ditch, or worse, the pipeline. Of course, the checkpoint’s still timing us, that’s the rules and breaking the haul road’s speed limit is the kind of thing that’ll get you shit-canned. French hangs the mic on the dash. 'Hey, G.P.,' he says, picking up where he left off, “how’s a Green Peace turd like yourself do with the ladies?'"
Talking to a woman in an airport, a man shares his life stories and true colors.
"'He was into sports as a kid: baseball, basketball, you name it. He was good. I mean really good. He made all the high school teams. But you should have seen him when he didn’t get his way. He’d yell and scream and act like such a crybaby.' He shook his head. 'He was a real mama’s boy. Never saw him with any girl. I don’t know if he’s straightened out or what. He lives in California now.'"
An unsettling dialogue between a woman and her jilted lover.
"Her face is turning pale, her freckles darkening. Don’t feel bad now. Dismiss that urge to hold her, to comfort her, to make her feel safe. She is the girl you love, but not. She is the girl who will break your heart. Who broke your heart already, and will do it again."
Parents, children, and complications convene at a vacation home; an excerpt from Fierro's debut novel, out this week.
"Michael pulled her into his lap, and she stayed, even though it made her feel small, and these were surely not people who appreciated PDAs. Tiffany had learned quickly that the urban sophisticates admired subtlety over all else. Anything loud, lewd, or lascivious should be filtered through irony or irreverence."
Two stories about a woman turned goat's attempts to communicate with others.
"She’s a few feet up and can’t see much further than she could from the ground. The goats aren’t anywhere in sight. She tries to wait, but it’s so warm and she’s so tired from her sandwich-making attempt. A few blinks, a nod, a couple upward jerks of the head and she’s asleep. The next morning she crawls down, eats breakfast, does her goat-business and crawls back up. Late afternoon the goats amble toward her. They don’t look at her. They stand around like they always do, not talking, but looking at one another and then the ground."
A narrator shares a philosophical discussion with the late orator.
"Cicero and I mounted a johnboat banked in the mud along this near finger of Mark Twain Lake. Neither of us wanted to do the shoving off. Our feet would have to get wet."
Two teenage girls and a complicated, involved robbery; an excerpt from Landis' forthcoming novel.
"Tina stops. Rainey stops behind her. She imagines Tina stepping closer to the stoop and the man twisting her wrist so that the gun falls to the sidewalk and explodes, shooting someone in the ankle. But she wants that softly gliding cape, which she will wear to school, inciting fabulous waves of jealousy."
A driver and passenger engage in uneasy political and social discourse.
"Darshan could all too easily picture Malik at prayer while on the job. He saw every detail--head bowed, eyed shut, both hands clutching the wheel as a laundry list of requests was whispered towards heaven: a new carburetor for the engine, a new dress for the wife, new sneakers for the children. Each and every petty need enunciated like a brave but modest child, the requests a thing of beauty in their humility, a delicate song of worship and desire that would only come to an end when Malik veered slightly into the opposing lane and plowed directly into the headlights of an oncoming sixteen-wheeler."
A diagram of gossip concerning an affair.
"He called it love, said Ellen. He said he was in love, that's the word he used when he finally admitted it. I mean you expect the I-made-a-mistake speech, said Connie, the she-came-on-to-me speech, the it-was-meaningless speech. You expect him to say that it was just the one time, knowing that it was more, but you can ignore that. You expect him to say it was protected sex and that you don't have to go to the clinic to get some sort of test for chlamydia, said Ellen. But you will, anyway, said Sonya, and make him do it too just to rub his nose in it. But no, said Grace. He tells you that he's a new person, in love for the first time ever. What do you do with that? She told Sonya that as soon as he'd said it, as soon as the words were out of his mouth, she'd felt the room swaying."
Sex and communication in experimental fragments.
"We are in your white bed full of light drinking white wine and it is dark. I balance the base of the glass on the side of my naked hip and look at the marble spa tub in the bathroom. There is a flushed gleam bouncing off the mirror, fainting exhaling ebbing back into the room and I ghost the smoke a reprise a remorse of sighing and feeling nothing but beam."
A new year, a test of faith for a man and his married lover.
"He was astonished, having never suspected that her husband could be brutal. He was a man of the world, of the better class, a clubman, a lover of horses, a theatergoer and an expert swordsman; he was known, talked about, appreciated everywhere, having very courteous manners, a very mediocre intellect, an absence of education and of the real culture needed in order to think like all well-bred people, and finally a respect for conventionalities."