On Jews:

The Jews are happy in the United States. There are now two hundred congregations of them here, half of whom have arrived within the last twelve years. They are good citizens, firmly attached to those liberal principles to which they owe their deliverance from degrading and oppressive laws, and are rising in the esteem of the people among whom they dwell. Their attachment to the system of universal education is hereditary; it dates back three thousand years; and though their religious feelings are wounded by the opening exercises of many public schools, they would not for that reason destroy them.

Pete Dexter, profiled.

"I'm sick and tired of the story," says Dexter, though he knows it is a signature moment of his trajectory from newsman to writing some of the most original and important novels in American literature, including the National Book Award–winning Paris Trout (1988), a riveting tale of an unrepentant racist who brutally murders a 14-year-old black girl in a small Georgia town in the late 1940s. Settling deep into a dark-green leather chair near a patio window that offers a commanding view of ferries chugging across the cold blue waters, Dexter begins: "It was not a good column. I was trying to write something I didn't feel." Dexter is referring to the column that almost got him killed.

Clarence Thomas, then-chairman of the U.S. Equal Employment Opportunity Commission, profiled by Juan Williams:

He agrees with Reagan's characterization of the civil-rights leaders as old men fomenting discontent to justify their own "rather good positions." "The issue is economics—not who likes you." Thomas has told me. "And when you have the economics, people do have a way of changing their attitudes toward you. I don't see how the civil-rights people today can claim Malcolm X as one of their own. Where does he say black people should go begging the Labor Department for jobs? He was hell on integrationists. Where does he say you should sacrifice your institutions to be next to white people?"

Open source materials suggest that, for now, the apocalyptic, anti-government politics of the “Boogaloo Bois” are not monolithically racist/neo-Nazi. As we have observed, some members rail against police shootings of African Americans, and praise black nationalist self defense groups.

But the materials also demonstrate that however irony-drenched it may appear to be, this is a movement actively preparing for armed confrontation with law enforcement, and anyone else who would restrict their expansive understanding of the right to bear arms. In a divided, destabilized post-coronavirus landscape, they could well contribute to widespread violence in the streets of American cities.

Enlightened is probably the sharpest satire of modern white-collar work since the original British version of The Office, and its skewering of this world intertwines with its portrait of individual personalities so deftly that you can’t separate them. Creator Mike White captures the unsettling blandness of office protocol, politics and jargon, from the chill that workers feel when Human Resources calls them out of the blue to the impressive-sounding word salad labels that the company gives to its departments and projects. (The experimental department to which the newly demoted Amy is assigned is called “Cogentiva.”)

An investigation into slavery in Mauritania:

An estimated 10% to 20% of Mauritania’s 3.4 million people are enslaved — in “real slavery,” according to the United Nations’ special rapporteur on contemporary forms of slavery, Gulnara Shahinian. If that’s not unbelievable enough, consider that Mauritania was the last country in the world to abolish slavery. That happened in 1981, nearly 120 years after Abraham Lincoln issued the Emancipation Proclamation in the United States. It wasn’t until five years ago, in 2007, that Mauritania passed a law that criminalized the act of owning another person. So far, only one case has been successfully prosecuted.

The creator of the California-based food chain kills his mother, sister and, finally, himself.

Even within a single apartment building, neighbors experience different temporalities. In one unit, we have a single extrovert experiencing the acute trauma of being forced to work alone from home. Next door, we have parents suddenly juggling childcare and work. At the end of the hall is an immigrant using WhatsApp to track the fate of family members on the other side of the globe who are suddenly physically unreachable due to travel bans. Even members of a single household experience pandemic time differently.

On the American way of death, burial, and mourning, from war heroes to Elvis:

At the scene of his mother’s funeral, Elvis Presley — invincible sex symbol, cocksure performer, the man who changed the world and music forever — was reduced to a pathetic, blubbering mama’s boy. “Mama, I’d give up every dime I own and go back to digging ditches, just to have you back,” he told her body while it lay in repose the night before the funeral. At the service, according to biographer Peter Guralnick, "Elvis himself maintained his composure a little better until, towards the end, he burst into uncontrollable tears and, with the service completed, leaned over the casket, crying out, 'Good-bye darling, good-bye. I love you so much. You know how much I lived my whole life just for you.' Four friends half-dragged him into the limousine. 'Oh God,' he declared, 'everything I have is gone.'"

I felt, in some substantive yet elusive way, that I had had a hand in killing my mother. And so the search for a bed became a search for sanctuary, which is to say that the search for a bed became the search for a place; and of course by place I mean space, the sort of approximate, indeterminate space one might refer to when one says to another person, "I need some space"; and the fact that space in this context generally consists of feelings did not prevent me from imagining that the space-considered, against all reason, as a viable location; namely, my bedroom-could be filled, pretty much perfectly, by a luxury queen-size bed draped in gray-and-white-striped, masculine-looking sheets, with maybe a slightly and appropriately feminine ruffled bed skirt stretched about the box spring (all from Bellora in SoHo).

The aftermath of a revolution:

Amid all the chaos of Libya’s transition from war to peace, one remarkable theme stood out: the relative absence of revenge. Despite the atrocities carried out by Qaddafi’s forces in the final months and even days, I heard very few reports of retaliatory killings. Once, as I watched a wounded Qaddafi soldier being brought into a hospital on a gurney, a rebel walked past and smacked him on the head. Instantly, the rebel standing next to me apologized. My Libyan fixer told me in late August that he had found the man who tortured him in prison a few weeks earlier. The torturer was now himself in a rebel prison. “I gave him a coffee and a cigarette,” he said. “We have all seen what happened in Iraq.” That restraint was easy to admire.

In 1972, James Wolcott arrived in New York armed with a letter of recommendation from Norman Mailer. He hoped to land a job at The Village Voice. Excerpted from his memoir, Lucking Out.

How lucky I was, arriving in New York just as everything was about to go to hell. I had no idea how fortunate I was at the time, eaten up as I was by my own present-tense concerns and taking for granted the lively decay, the intense dissonance, that seemed like normality.

An interview with the author.

"We live in a frightened time and people self-censor all the time and are afraid of going into some subjects because they are worried about violent reactions. That is one of the great damaging aspects of what has happened in the last 20 years. Someone asked me if I was afraid to write my memoirs. I told him: 'We have to stop drawing up accounts of fear! We live in a society in which people are allowed to tell their story, and that is what I do.' I am a writer. I write books."

The Mexican novelist and activist talks about the role that the US plays in the hemisphere, and a joint future for North and South America.

We need your memory and your imagination or ours shall never be complete. You need our memory to redeem your past, and our imagination to complete your future. We may be here on this hemisphere for a long time. Let us remember one another. Let us respect one another. Let us walk together outside the night of repression and hunger and intervention, even if for you the sun is at high noon and for us at a quarter to twelve.