Showing 25 articles matching fk33.cc_Suppliers of Magnesium sulfate.
Sarah Maslin Nir, a reporter for The New York Times, recently published an exposé of labor practices in the nail salons of New York.
“The idea of a discount luxury is an oxymoron. And it’s an oxymoron for a reason: because someone is bearing the cost of that discount. In nail salons it’s always the person doing your nails, my investigation found. That has put a new lens on the world for me.”
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Khabat Abbas is an independent journalist and video producer from northeastern Syria, and the winner of the 2021 Kurt Schork News Fixer Award.
”I can see from my experience that there is a gap between the editors, who are kind of elites in their luxury offices, and the amazing journalists who are in the field, who all sympathize with what they are seeing on the ground and want to cover [it], but they have to satisfy the editors. And this is how we end up having little gaps in the ways of covering in general. It's not a matter of like, they shaped it in this way. The problem, I think, it’s bigger. How this industry is working, how this industry is deciding what they should cover.”
Joe Bernstein is a senior reporter for BuzzFeed News.
“The question of disinformation is almost an attempt to create a new mythology around why people act the way they do. I don’t mean to say that it’s some kind of nefarious plot. ... It’s a natural, or a convenient explanation. And that’s why I think it caught on for some time anyway.”
Steve Kandell is the longform editor at BuzzFeed.
"What would be the sort of longer, narrative nonfiction, journalistic equivalent of something that would have the same effect on you as a bunch of cat GIFs? And not because it's cute, but it's the kind of thing that makes you go, 'OK, I need a lot of other people to see this.'"
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Anna Holmes, the founding editor of Jezebel, writes for The New York Times and is the editorial director of Fusion.
“I think that Jezebel contributed to what I now call ‘outrage culture,’ but outrage culture has no sense of humor. We had a hell of a sense of humor, that's where it splits off. ... The fact that people who are incredibly intelligent and have interesting things to say aren't given the room to work out their arguments or thoughts because someone will take offense is depressing to me.”
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Grant Wahl was the founder of Fútbol with Grant Wahl, a longtime writer for Sports Illustrated, and the author of The Beckham Experiment and Masters of Modern Soccer. He died on December 10, covering the World Cup in Qatar. This interview was recorded in January 2016.
“I never would have predicted I would do soccer full time. And that’s happened. I’d love to say that this was all planned and inevitable but it really wasn’t.”
Charles Duhigg is a New York Times reporter and author of The Power of Habit.
"The stuff that gets cut out gets cut out for a reason. The discipline of space is always a good discipline. If it deserves to be read, it shouldn't be on the cutting room floor ... If it ends up on the cutting room floor, there's usually a reason why."
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A two-part write-around of the world’s only billionaire.
He was a silent boy — a silent young man. With years the habit of silence became the habit of concealment. It was not long after the Standard Oil Company was founded, before it was said in Cleveland that its offices were the most difficult in the town to enter, Mr. Rockefeller the most difficult man to see. If a stranger got in to see any one he was anxious. "Who is that man?" he asked an associate nervously one day, calling him away when the latter was chatting with a stranger. "An old friend, Mr. Rockefeller." "What does he want here? Be careful. Don't let him find out anything." "But he is my friend, Mr. Rockefeller. He does not want to know anything. He has come to see me." "You never can tell. Be very careful, very careful." This caution gradually developed into a Chinese wall of seclusion. This suspicion extended, not only to all outsiders but most insiders. Nobody in the Standard Oil Company was allowed to know any more than was necessary for him to know to do his business. Men who have been officers in the Standard Oil Company say that they have been told, when asking for information about the condition of the business, "You'd better not know. If you know nothing you can tell nothing."
Peter Hessler is a staff writer for The New Yorker.
“It may have helped that I didn’t have a lot of ideas about China. You know, it was sort of a blank slate in my mind. …I wasn’t a reporter when I went to Fuling, but I was thinking like a reporter or even like a sociologist: try to respond to what you see and what you hear, and not be too oriented by things you’ve heard from others or things you may have read. Be open to new perceptions of the place or of the people.”
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Dreaming of the perfect apartment.
Should anyone ever choose to remake and bastardize Breakfast at Tiffany’s, I propose an opening sequence re-imagined to reflect more contemporary preoccupations. The revised opening scene should be filmed against the backdrop of an early evening in Brooklyn. The throngs of suits coming home from their nine to five grinds in Manhattan would be emerging from the subway stairwells like ants from an anthill, rushing off down various streets towards their various homes and families and dinners. All except for the would-be protagonist who, as the crowd rushes past her, makes her way to the closed-for-the-night real-estate storefront opposite the subway station. Somewhere, “Moon River” might still be playing, as if it had never stopped. Disheveled, lugging her purse and gym bag, she pauses for a number of minutes to read listings she has already read, and which she committed to memory weeks ago: a studio on Pineapple Street; a loft on Gold Street; a townhouse on Argyle Street; a two-bedroom coop on First Place; a one-bedroom condo on Carlton Avenue; a brownstone on Henry Street. It’s fall and the leaves blow in eddies on the sidewalk. She gets cold and turns away from the window to walk off down the street just as dusk begins to arrive in earnest. The occasional “For Sale” sign swings on its hinges, and the story of the day ends only to begin again in the morning.
Aminatou Sow and Ann Friedman are co-hosts of the podcast Call Your Girlfriend and co-authors of the new book Big Friendship: How We Keep Each Other Close.
“People telling you about their lives is a real privilege and honor. No one owes you to tell you their story. Sometimes in the world of people who write or people who make media there is just this expectation that everything is on the table, especially if you’re two women who make media, that we’re supposed to just share our pain and everything that’s going on in our lives but that’s not fair and it’s not true and I think the larger project of this book is really sharing these stories in service of having an honest dialogue about how other people are doing friendship.”
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Meghan Daum's latest book of essays is The Unspeakable.
“As writers we think, well there has to be closure, there has to be a beginning middle end, the character has to go through a change. And then in life we're supposed to have some sort of arc or aha moment, as if the experience isn't legitimate unless we get something out of it. That's so culturally constructed, as they say. It's so artificial.”
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Adam Platt is the restaurant critic for New York.
“My job was described to me recently as ‘the last great job of the 20th century.’ I think there might be something to that.”
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Megan Kimble is the former executive editor of The Texas Observer and has written for The New York Times, Texas Monthly, and The Guardian. Her new book is City Limits: Infrastructure, Inequality, and the Future of America’s Highways.
“I have never lived in a city that was not wrapped in highways. It’s hard for me to imagine anything else. And I think that’s true for a lot of people today. ... [But] we have known since the origins of the interstate highways program that building highways through cities doesn’t fix traffic. And yet we keep doing it. To me, that really fueled a lot of the book. It wasn’t supposed to be this way.”
Twenty years ago, Ramaphosa was by Mandela’s side as apartheid ended and in line to become deputy president. He didn’t get the job. Now one of the richest men in Africa, he’s finally getting the chance.
How Bert Schneider, a well-heeled Hollywood producer with a coke problem and a soft spot for radical politics, smuggled Huey Newton, the leader of the Black Panthers who was awaiting trial on a murder charge, into Cuba in 1974.
How the Bounty, a busted-up replica built in 1960 for the film Mutiny on the Bounty, ended up 100 miles out to sea during the height of Hurricane Sandy.
A collection of articles about the creative geniuses behind the most important video games ever made, from Donkey Kong to Grand Theft Auto to Pong.
Feature Writing, Reporting, Essays and Criticism, Public Interest — a full list of the nominees announced today.
“J.Crew employees reveal themselves by the nakedness of their ankles. It’s as if the company’s uniform, ambiently dictated by Lyons, is enforced only from the knees down.”
How a con man named James McCormick sold $38 million worth of phony bomb-detection devices to Iraqi authorities.
The strange saga of Gordon Todd Skinner, a psychedelic aficionado and government informant who is now serving time in prison for kidnapping and torturing his wife’s teenage lover.
Leslie Jamison, author of The Empathy Exams, on crying in movie theaters, “attention whores” and David Foster Wallace.
On the urge to live in a house you can't afford, the "acceptable lust" of American life.
On Erzsébet Báthory, the first—and still most prolific—female serial killer.
