Showing 25 articles matching fk33.cc_Which are the Chinese suppliers of Magnesium sulfate pentahydrate for industrial use.

Hannah Goldfield is the food critic at The New Yorker.

“There are just only so many ways to say ‘crunchy.’ There's ‘crunchy,’ there's ‘crisp,’ there's ‘crispy,’ you can say something ‘crackles,’ and that's kind of it. It's really, really hard. And a lot of things are crunchy. It's a really specific sensation that needs to be described. But I've had moments where I'm like, I can't say crunchy again in a sentence. What am I going to do? How do I get this across?

Interview: Ellsworth Kelly

A conversation with the 88-year-old abstract painter.

PALTROW: Did you design camouflage while in the army?

KELLY: I did posters. I was in what they called the camouflage secret army. This was in 1943. The people at Fort Meade got the idea to make rubber dummies of tanks, which we inflated on the spot and waited for Germans to see through their night photography or spies. We were in Normandy, for example, pretending to be a big, strong armored division which, in fact, was still in England. That way, even though the tanks were only inflated, the Germans would think there were a lot of them there, a lot of guns, a whole big infantry. We just blew them up and put them in a field.

Andrea Elliott is an investigative reporter for The New York Times. Her recent book, Invisible Child: Poverty, Survival & Hope in An American City, won a Pulitzer Prize.

”I don’t see reporting as a one-way street. ... I think that people need to know as much as they can about you. And yes, there are boundaries ... but at the same time, the fact of the boundaries is something to talk about with the people you’re writing about. Isn’t it weird that this is my job to be reporting on your life when we can laugh and we can break bread together and I spend all these hours with you and you know about my kids? ... And at the same time, I’m also here to write a book. ... And those two facts I learned to just allow to coexist within me. But it was not easy.”

Sponsor: Tablet Magazine

Is the century-old Jewish-Leftist alliance ending?

For much of the 20th century, the radical and revolutionary left played a huge role in defining how the rest of America saw Jews and how Jews saw themselves. In an essay for Tablet Magazine, literary critic Adam Kirsch considers whether that linkage is over.

Read it at Tabletmag.com.

For information about sponsoring Longform, click here.

Our Bella, Ourselves

Because women and girls don’t always kick ass, and neither should our heroines:

Bella Swan, by contrast, is a much more honest though cringe-inducing representation of adolescence. She doesn’t know who she is or what she wants. She’s clumsy, obtuse, and aggravating in her helplessness. She is also entirely internal, almost alienatingly so. One of my favorite passages from the novel New Moon is when Stephenie Meyer inserts a series of blank pages to stand in for the months that pass while Bella mourns — out of any reasonable proportion — Edward’s desertion. Bella, kind of wonderfully, takes her time.

My First Flame

An early take on the dark side of cyberspace:

Like many newcomers to the "net"--which is what people call the global web that connects more than thirty thousand on-line networks--I had assumed, without really articulating the thought, that while talking to other people through my computer I was going to be sheltered by the same customs and laws that shelter me when I'm talking on the telephone or listening to the radio or watching TV. Now, for the first time, I understood the novelty and power of the technology I was dealing with.

Attack on Skull Island

After the blockbuster success of Kong: Skull Island, director Jordan Vogt-Roberts fled Hollywood to live the expat dream life in Vietnam. Then, one night at a Saigon club, he was brutally beaten by a mysterious mob of gangsters. Who were these monsters? Soon, he began directing something entirely different—an international hunt for the men who nearly killed him.

Loch Ness Memoir

A trip to Scotland and an investigation of enduring belief.

Read more

“I remember reading about the deathbed confession, and how strangely sad it made me, even though I had not, at that point, believed in the monster for years. How much sadder, I wondered, would it make those who still believed in the existence of a monster in Loch Ness?”

"I Just Called to Say I Love You"

On cell phones and the decline of public space.

One of the great irritations of modern technology is that when some new development has made my life palpably worse and is continuing to find new and different ways to bedevil it, I'm still allowed to complain for only a year or two before the peddlers of coolness start telling me to get over it already Grampaw--this is just the way life is now.

Roger Angell, Baseball's Best Writer, Gets His Due

On Saturday, more than 50 years after he started writing about the game, Roger Angell will be honored at the Baseball Hall of Fame in Cooperstown, NY. If you're unfamiliar with Angell's work, here's where to start: The Summer Game, the first of his three incomparable collections of baseball writing for The New Yorker.

Our friends at Open Road Integrated Media have made the book available for 80% off through the weekend. And they've been generous enough to share an excerpt with Longform, "The Interior Stadium," a 1971 classic in which Angell captures the timelessness of the game. "Since baseball time is measured only in outs, all you have to do is succeed utterly," he writes. "Keep hitting, keep the rally alive, and you have defeated time. You remain forever young.”

Get your copy of The Summer Game through Sunday for 80% off.

“You Get to Decide How You’re Gonna Try to See It”

The author comments on the medium of the graduation cliché while still advancing it:

Of course the main requirement of speeches like this is that I'm supposed to talk about your liberal arts education's meaning, to try to explain why the degree you are about to receive has actual human value instead of just a material payoff. So let's talk about the single most pervasive cliché in the commencement speech genre, which is that a liberal arts education is not so much about filling you up with knowledge as it is about "teaching you how to think". If you're like me as a student, you've never liked hearing this, and you tend to feel a bit insulted by the claim that you needed anybody to teach you how to think, since the fact that you even got admitted to a college this good seems like proof that you already know how to think.