Showing 25 articles matching fk33.cc_Suppliers of Magnesium sulfate heptahydrate large granules.
Joshua Topolsky is editor-in-chief of The Verge.
"Sometimes you tell stories that people don't know they need to read yet. You have to keep telling those kinds of stories, and eventually people will wake up to them. Of course we look at traffic. But the main thing is, are we doing good work? At the end of the week or the end of the day, do I think, that was awesome, I'm really glad we wrote that?"
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Hua Hsu is a staff writer for The New Yorker. His book Stay True won the 2023 Pulitzer Prize for memoir.
“I've worked as a journalist … for quite a while. … But this [book] was the thing that was always in the back of my mind. Like, this was the thing that a lot of that was in service of. Just becoming better at describing a song or describing the look of someone's face—these were all things that I implicitly understood as skills I needed to acquire. ... It is sort of an origin story for why I got so obsessive about writing.”
Sam Biddle writes for Valleywag.
"It's a lot of overgrown, entitled manchildren pulling price tags out of the ether and passing them around. Considering Silicon Valley worthy of contempt is the first premise that we work from."
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Andy Kroll is an investigative reporter for ProPublica. His new book is A Death on W Street: The Murder of Seth Rich and the Age of Conspiracy.
“I think a book has ruined me for writing hot takes and spicy Twitter dunks and all of these other one- and two-dimensional bits of ephemera. I wasn't really a big fan of it in the first place, but I can't do it anymore. A book forces you to look at the world in a much more fine grained, humane, empathetic way, and there's no going back from that.”
Thomas Pynchon walks down a New York City street in the middle of the morning. He has a light gait. He floats along. He looks canny and whimsical, like he'd be fun to talk to; but, of course, he's not talking. It's a drizzling day, and the writer doesn't have an umbrella. He's carrying his own shopping bag, a canvas tote like one of those giveaways from public radio. He makes a quick stop in a health-food store, buys some health foods. He leaves the store, but just outside, as if something had just occurred to him, he turns around slowly and walks to the window. Then, he peers in, frankly observing the person who may be observing him. It's raining harder now. He hurries home. For the past half-dozen years, Thomas Pynchon, the most famous literary recluse of our time, has been living openly in a city of 8 million people and going unnoticed, like the rest of us.
Alex Kotlowitz is a journalist whose work has appeared in print, radio, and film. He’s the author of three books, including There Are No Children Here: The Story of Two Boys Growing Up in the Other America.
“The truth of the matter is, given what we do, we’re always outsiders. If it’s not by race or class, it’s by gender, religion, politics. It’s just the nature of being a nonfiction writer—going into communities that, at some level, feel unfamiliar. If you’re writing about stuff you already know about, where’s the joy in that? Where’s the sense of discovery? Why bother?”
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Alex Mar has written for The Believer, Wired, and New York. She is the author of Witches of America and the director of the documentary American Mystic.
“I really do believe that all of us run on some kind of desire for meaning. And if someone is an atheist and they don’t subscribe to an organized system, it doesn’t mean that they don’t crave something. Maybe it’s their job. Or maybe it’s the way that they raise their children with a certain kind of intense focus. Or something else. As humans, we are built to crave meaning, right? For me, that was something that I wanted to explore about myself.”
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Seyward Darby is the editor-in-chief of The Atavist Magazine and the author of Sisters in Hate: American Women on the Front Lines of White Nationalism.
“The most enlightening thing I learned in working on this book ultimately was that when we think of hate we think of animosity. Hate means I do not like someone or I do not like something. I deplore it. I despise it. But hate as a movement is actually a lot more like any social movement where it’s providing something to its supporters, members, acolytes that they were seeking but didn’t necessarily know where they were going to find it. So it could be camaraderie, it could be power, it could be purpose, in some cases it could be money. There’s something terrifyingly mundane about that.”
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"At the end of the cycle of Morning Glory, I was hailed as the greatest songwriter since Lennon and McCartney," Gallagher recalls. "Now, I know that I'm not, and I knew I wasn't then. But the perception of everybody since that period has been, 'What the fuck happened to this guy? Wasn't he supposed to be the next fucking Beatles?' I never said that I was the greatest thing since Lennon and McCartney … well, actually, I'm lying. I probably did say that once or twice in interviews. But regardless, look at it this way: Let's say my career had gone backwards. Let say this new solo album had been my debut, and it was my last two records that sold 20 million copies instead of the first two records. Had this been the case, all the other albums leading up to those last two would be considered a fucking journey. They would be perceived as albums that represent the road to greatness. But just because it started off great doesn't make those other albums any less of a journey. I'll use an American football analogy since we're in America: Let's say you're behind with two minutes to go and you come back to tie the game. It almost feels like you've won. Right? But let's say you've been ahead the whole game and you allow the opponent to tie things up in the final two minutes. Then it feels like you've lost. But the fact of the matter is it's still a fucking tie. The only difference is perception. And the fact of the matter is that Oasis sold 55 million records. If people think we were never good after the '90s, that's irrelevant."
Seymour Hersh is a Pulitzer Prize-winning journalist and the author of The Killing of Osama Bin Laden.
“The government had denied everything we said. We just asked them and they said, ‘Oh no, not true, not true.’ That’s just—it’s all pro forma. You ask them to get their lie and you write their lie. I’m sorry to be so cynical about it, but that’s basically what it comes to.”
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Vauhini Vara is a contributing writer at Wired and author of the novel The Immortal King Rao.
“With a magazine story, it might be like six months or a year or two, if it's something that took you a long time. With this [novel], it was 13 years for me, but the sort of emotional arc felt similar, where there were these periods of despair and a sense that like, this wasn't going anywhere, and then these periods where like, I'm a genius and this is going to be the best book ever written. You go back and forth, as we do with our journalism. But then with every draft of it, I always felt like, all right, this is better than the last draft at least. I don't know what the next one is going to look like, but this is definitely an improvement. And I feel like that's what kept me feeling like I was at least moving in the right direction.”
Lizzie Johnson covers wildfires for the San Francisco Chronicle.
“It’s kind of like when you’re a beginning journalist and you have to write an obituary—calling the family of the person who died seems like this insurmountable, very invasive task and you really don’t want to do it. That’s kind of how I felt about interviewing fire victims at first. I felt like I was somehow intruding on their grief and their pain. But somewhere along the way I realized there’s healing power in talking about what you’ve been through. Saying it out loud and being able to claim ownership to it. I found that time after time these people are very grateful because they need to talk. They have something to say in the aftermath of this big, massive thing that just came and wiped out everything they knew. They really do just need someone to listen to them. I have never had someone tell me, ‘Go away, we don’t want to talk to you.’ And I’m completely bowled over by that every single time.”
Thanks to MailChimp and Pitt Writers for sponsoring this week's episode.
Jonathan Shainin is senior editor at The Caravan in Delhi.
"Working in an environment that's foreign, where you have to kind of think through a lot of things from the ground up ... I find it to be really stimulating to have to interrogate the assumptions that you have as an editor about what's interesting and what's not interesting, what's a good story and what's a bad story, what's the story that's been done a million times already. When you get out of a place that is your place, you have to kind of think through some things in a fresh way. And that can be really productive."
Thanks to this week's sponsor, TinyLetter!
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Kenneth R. Rosen has written for The New York Times, Wired, The New Yorker, and many other publications. His new book is Troubled: The Failed Promise of America's Behavioral Treatment Programs.
“When I report, I keep two journals. … I keep my reporting notebook, which is sort of an almanac of dates, times, names, quotes, phone numbers. And then I have my personal notebook, which has all my fears and anxieties. And it invariably makes its way into the reporting … which is sort of an amalgamation of those two journals, of those two experiences, the internal and the external.”
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Graciela Mochkofsky is a writer for The New Yorker and dean of CUNY's Newmark Graduate School of Journalism. She has written six nonfiction books in Spanish. Her new book, her first in English, is The Prophet of the Andes.
“It connects with me as a journalist, actually — it’s this idea of just seeking truth and how elusive that is. So this is a person who thinks he can get to the true meaning of God and of how he needs to live. And he thinks that by asking the right questions, and by reading, and reading, and reading, and by discussing collectively, he can get to the truth. And he can’t.”
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The NBA Finals tipoff tonight, with LeBron James gunning for his third straight title. Unquestionably the best player in the world today, James would become one of the best of all-time with another championship.
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Our latest pick from Open Road Media's archive is the greatest book ever written about the NBA's greatest player: David Halberstam's Playing for Keeps. It tells the story of Jordan's rise, his talent, his unrivaled competitiveness and how the NBA capitalized on his massive appeal.
The book is trademark Halberstam, thorough and fascinating. One of our favorite parts: the chapter on Jordan's first championship, which is available free on Longform.
Download Playing for Keeps between now and June 9 for the special price of $4.99 at Amazon, Apple or Barnes & Noble.
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On Saturday, more than 50 years after he started writing about the game, Roger Angell will be honored at the Baseball Hall of Fame in Cooperstown, NY. If you're unfamiliar with Angell's work, here's where to start: The Summer Game, the first of his three incomparable collections of baseball writing for The New Yorker.
Our friends at Open Road Integrated Media have made the book available for 80% off through the weekend. And they've been generous enough to share an excerpt with Longform, "The Interior Stadium," a 1971 classic in which Angell captures the timelessness of the game. "Since baseball time is measured only in outs, all you have to do is succeed utterly," he writes. "Keep hitting, keep the rally alive, and you have defeated time. You remain forever young.”
Get your copy of The Summer Game through Sunday for 80% off.
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This week’s sponsor is Pitt Writers, the fantastic, digitally focused MFA program at the University of Pittsburgh. A longtime partner of ours, Pitt Writers is now accepting applications for 2014. Here’s what you’ll get during your three years:
• World-class instruction and individual attention from award-winning writers of poetry, fiction, and nonfiction, including Jeanne Marie Laskas of GQ
• Opportunity to pitch book and story ideas to literary agents and editors in New York
• Classes in digital media
• A chance to intern with Longform
• Funding packages of up to $16,700 available
Get yourself in the mix: Apply by December 10th and follow Pitt Writers on Twitter and Facebook.
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Our sponsor this week is The Second Machine Age, the New York Times bestseller that Kevin Kelly calls "the best explanation of the technology revolution yet written."
From Google's autonomous cars to machines that can diagnose diseases more accurately than doctors, MIT's Erik Brynjolfsson and Andrew McAfee—two thinkers at the forefront of their field—reveal the forces driving the reinvention of our lives and our economy. Drawing on years of research and up-to-the-minute trends, Brynjolfsson and McAfee identify the best strategies for survival and offer a new path to prosperity.
A fundamentally optimistic book, The Second Machine Age will alter how you think about issues of technological, societal, and economic progress.
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Matthieu Aikins, on the eve of a move to Kabul. Aikins is a correspondent for GQ, Harper's and Wired.
"There's no real objective framework for deciding what the value of your life is, versus the value of a story ... Especially when you go to places where people are getting killed for the silliest reasons, and a life is worth so little, you realize you don't necessarily have to value yourself as this, like, precious commodity that can't be risked in any way. And that's just a personal choice, and it's actually a very selfish one, because obviously, if you have loved ones, you're affecting them by making that choice. In any case, it's just a different headspace that you inhabit."
Maria Abi-Habib is the bureau chief for Mexico, Central America and the Caribbean for the New York Times. Along with her colleague Frances Robles, Abi-Habib won the George Polk Award for revealing concealed aspects of the murder of Haitian president Jovenel Moïse.
“We’re not going to stop covering Haiti just because you don’t like us … at the end of the day you owe it to your citizens to talk to the media because if you can’t talk to the media and actually answer some questions, how are you going to run a country? We’re not doing this for ourselves, we’re doing this because we think that Haiti matters and we think Haitians, like all citizens in this world, actually deserve some answers to their questions and to know what the truth is.”
This is the second in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.
From the Translator’s Note:
Just over two weeks ago, on April 3, the renowned Mexican writer and investigative journalist Sergio González Rodríguez unexpectedly passed away from a heart attack at age 67. [His book] Bones in the Desert is a far-reaching investigation into the still-unsolved murders of hundreds of women and girls in the communities surrounding Mexico’s Ciudad Júarez, on the US border with El Paso, Texas. In the years since its publication in 2002, Bones in the Desert has left an indelible imprint on the modern literature of the Americas, both through its own merits and its foundational influence on Roberto Bolaño’s 2666. In crafting a fictionalized version of Ciudad Júarez, Bolaño collaborated directly with González Rodríguez, relying on him for substantial “technical help” in answering questions about the nature of the murders, and eventually including him as a character in the novel.
An excess of people and an excess of desert.
The hallmarks that would come to characterize the official narrative surrounding the serial murders were already being established.
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Our sponsor this week is Twice Upon a Time, a new memoir from acclaimed author Hari Kunzru. When he moved to New York City, Kunzru choose as his imaginary guide the blind composer and musician Moondog, aka Louis Hardin. With great lyrical intensity Kunzru recalls the strange soundscape of an unfamiliar place, and celebrates both the city and the musical genius of Moondog.
Twice Upon a Time is the second title from Atavist Books and offers a unique, multilayered digital experience combining a beautiful prose essay on the sounds of New York with the extraordinary music of Moondog and binaural recordings of the city itself.
Best Article Science Tech World
On the development of South Korea’s New Songdo and Cisco’s plans to build smart cities which will “offer cities as a service, bundling urban necessities – water, power, traffic, telephony – into a single, Internet-enabled utility, taking a little extra off the top of every resident’s bill.” The demand for such cities is enormous:
China doesn't need cool, green, smart cities. It needs cities, period -- 500 New Songdos at the very least. One hundred of those will each house a million or more transplanted peasants. In fact, while humanity has been building cities for 9,000 years, that was apparently just a warm-up for the next 40. As of now, we're officially an urban species. More than half of us -- 3.3 billion people -- live in a city. Our numbers are projected to nearly double by 2050, adding roughly a New Songdo a day; the United Nations predicts the vast majority will flood smaller cities in Africa and Asia.
A visit to the Museum of Broken Relationships.
Olinka and Drazen are artists, and after some time passed, they did what artists often do: they put their feelings on display. They became investigators into the plane wreck of love, bagging and tagging individual pieces of evidence. Their collection of breakup mementos was accepted into a local art festival. It was a smash hit. Soon they were putting up installations in Berlin, San Francisco, and Istanbul, showing the concept to the world. Everywhere they went, from Bloomington to Belgrade, people packed the halls and delivered their own relics of extinguished love: “The Silver Watch” with the pin pulled out at the moment he first said, “I love you.” The wood-handled “Ex Axe” that a woman used to chop her cheating lover’s furniture into tiny bits. Trinkets that had meaning to only two souls found resonance with a worldwide audience that seemed to recognize the same heartache all too well.
